g r o t t o 1 1

Peeve Farm
Breeding peeves for show, not just to keep as pets
Brian Tiemann
Silicon ValleyNew York-based purveyor of a confusing mixture of Apple punditry, political bile, and sports car rentals.

btman at grotto11 dot com

Read These Too:

InstaPundit
Steven Den Beste
James Lileks
Little Green Footballs
As the Apple Turns
Entropicana
Cold Fury
Capitalist Lion
Red Letter Day
Eric S. Raymond
Tal G in Jerusalem
Aziz Poonawalla
Corsair the Rational Pirate
.clue
Ravishing Light
Rosenblog
Cartago Delenda Est



Cars without compromise.



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money. I think.
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Wednesday, October 20, 2010
11:16 - Back Again
http://www.stuff.co.nz/entertainment/film/4255670/Hobbit-looks-headed-overseas

(top)
Looks like lots of news going down lately regarding The Hobbit movie.

After losing hot-to-trot directors (Guillermo del Toro) and enduring excruciating delays due to endless studio financial woes and union bickering, Peter Jackson is now on board to direct it—actually "them", since for some reason it's going to be two movies, I guess because they feel anything less than a $500 million subfranchise would be an anticlimax after the LotR series.

But it's leaving New Zealand, because the unions couldn't get their act together.

But Council of Trade Unions president Helen Kelly said the crowd was "in a lynch-mob mood thanks to Richard Taylor, who has obviously wound them up like springs" and actors had to call the meeting off. "It was too dangerous."

That left throngs of film workers chanting "Save The Hobbit" to march down Willis St and Lambton Quay to the Cenotaph, where Taylor addressed them through a loudspeaker.

Marchers waved banners saying "Keep it Made in New Zealand" and "SOS Hobbits", and held large photographs of the Australian national director of the MEAA Simon Whipp with the words "Wanted for the murder of the New Zealand film industry".

"The spectacle of NZ Actors' Equity suddenly cancelling their Wellington meeting, because film workers wanted to express to them their concern at losing The Hobbit, exemplifies the pure gutlessness of this small, self-centred group," Sir Peter said.

"They don't appear to care about the repercussions of their actions on others, nor are they prepared to take responsibility for decisions made in their name.

"NZ Equity constantly refer to 'good faith' discussions but they have never acted in good faith towards our film."

Sir Richard said he felt a limited few, powered by an Australian union, were holding the New Zealand film industry to ransom. He could "only hope" that the film would stay in New Zealand.

"The reason we have come out tonight is because we just couldn't stand by it all ... "

Ms Kelly said union members would not be at fault if The Hobbit moved overseas. Instead, it was Warner Brothers seeking to gain greater tax breaks and lower wages.

Set designer Helen Strevens was at the Stone St Studios meeting, which was also attended by some actors.

"We just want them to realise there are hundreds and hundreds of people who work in the film industry in New Zealand who aren't members of Actors' Equity who ... are actually happy with the way we work here."

Nice job, guys.

That said, I'm as skeptical about how this movie will turn out as I am about Top Gear USA. This is a whole different kind of project from LotR; Jackson's directing style may well not be appropriate for it at all. The Hobbit is a world of Cockney trolls and soccer-ball jokes, talking animals and cackling evil Elves and inexplicable magic. It's not the Middle-Earth that Tolkien's world evolved into in the decades since its publication in the 30s. It's great that they're getting Ian McKellen and other key actors back, but when Gandalf's role in the story is more played for yuks than drama (he's all bushy eyebrows and flailing arms—Tolkien stopped just short of putting stars and moons all over his hat), it'll end up being a movie that bears no resemblance to the LotR that it's presumably trying to capitalize on or to the book. It's not a story that splits naturally in two parts, either; if Jackson is dead set on exploring the Appendix-type material concerning the Necromancer and the White Council and so on, he'd better be prepared to invent one hell of a dramatic storyline for the second movie out of whole cloth.

I don't know. Much as it would be a terrible shame to waste the spark of the creative force behind what managed to become the definitive LotR film adaptation for decades to come if not forever, this one may just be forcing it. I hope we don't see this turn into one of those times when they should have left the audience wanting more.

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© Brian Tiemann