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  Blog \Blôg\, n. [Jrg, fr. Jrg. "Web-log".
     See {Blogger, BlogSpot, LiveJournal}.]
     A stream-of-consciousness Web journal, containing
     links, commentary, and pointless drivel.


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Wednesday, June 5, 2002
19:02 - Steve and CNet Talk Tech
http://news.com.com/2100-1040-932419.html

(top) link
Here's a cool interview by CNet with Steve Jobs, in which he discusses Jaguar, QuickTime 6/MPEG-4, the eMac, education sales, and so on. The meat of the discussion is MPEG-4, which Jobs says is a critical milestone in getting streaming video to the next level of accessibility. He seems very bullish about the prospects, especially considering how it stacks up against the upcoming competition and all the industry buy-in that's just waiting for an excuse to take off.
What's so great about MPEG-4?

It delivers video quality as good as MPEG-2 at about one-third less the bit rate. But then you can crank down the bit rate for lower bandwidth connections and it scales down beautifully. So you can deliver incredible streaming video with MPEG-4. It has got higher quality than anything out there--including Microsoft's upcoming Corona--and it's totally scalable. Everybody's jumping on this bandwagon. We've announced we're going to switch over to MPEG-4. Real has said they're going to. All the cell phone companies are going to be using it; it is the standard for third-generation cell phone video streaming. It also features AAC (Advanced Audio Coding) audio, which is the best audio around. It blows away MP3 (and) Windows Media. And it also is the audio format adopted by all satellite radio (companies). So this is gathering a tremendous amount of steam, and I think everybody is going to be cutting over to MPEG-4, with the possible exception of Microsoft, which is going to try and push its Corona technology that comes out later this year. They haven't gone into a preview or beta mode yet, but they said they were going to release it sometime this year.

How important do you think MPEG-4 will be to opening the barriers that block digital media?

I think it's going to be exactly like what MPEG-2 did. It's going to create whole new industries, because it's going to create a world standard. MPEG-2 created the whole DVD industry. I think MPEG-4 is going to be really big. QuickTime 6 is the first real implementation of MPEG-4 to be released. Not only is it a client, but with QuickTime Streaming Server and QuickTime Broadcaster, which allows real-time broadcasting of MPEG-4, we're providing an end-to-end solution for MPEG-4. And of course, it's compatible with all MPEG-4-compliant players.

Getting QT6 out the door was like scraping out an arterial blockage: something that had to be done, and quickly, or it would soon turn from an annoying lack into a fatal flaw. And now it puts Apple in the extremely good position that it deserves to be, having brought the end-to-end solution to the table first.

As for the MPEG-LA licensing issues, it seems that they're proceeding on the assumption that they will cover the required royalty costs for the video codec through making people buy a new QuickTime Pro key to unlock the authoring features, which would include the codec used in iMovie and FCP and the like. I'm more than happy to do so-- it's been two major revs since we've had to do that, and it's just thirty bucks. (I do think they could stand to get rid of that "Go Pro" nag screen that pops up when you launch the player, though-- it's tacky and un-Apple.)

AAC's gonna rock the house, though. It's a true studio-quality multitrack framework, supporting up to 48 simultaneous tracks of 96KHz sound. Take that, "Joint Stereo". And if AAC is licensed under the same terms as MP3 (or even more leniently, considering that Apple managed to negotiate a royalty-free license), it'll become the successor to MP3 in every way that matters, including the democratizing nature of the format. I suspect it'll be no later than the Jaguar release that we see iTunes support for AAC, including the ability to rip into that format rather than MP3, and support on the iPod too.

AAC will thus blow away the only saving grace against the RIAA's attacks, though, which is that digital music files don't sound as good as original media. Now that a better, widely supported format is out and will soon pick up steam, they're going to have to bite the bullet and accept that digital music is here to stay-- that it's they who will have to change to fit the technology, not the other way around.

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© Brian Tiemann