| Sunday, February 24, 2002 |
22:43 - The New Family Bible
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Well, I'd love to have been able to find the original text of this article that I heard read tonight on "Five Minutes", part of TechNation on NPR; but while they said with great confidence that the full text of all "Five Minutes" articles would be available at siliconvalley.com, I've just spent the past half hour combing that site to find any mention of "Five Minutes" or TechNation or NPR, to no avail whatsoever.
So, to ad-lib it...
The columnist talked about how she hadn't yet been bitten yet by the "digital camera bug"-- a) because the technology isn't quite up to the same snuff as film prints, and b) because computers crash. Who'd trust their family history to a computer?
She dwelt on the issue of family photos being a seminal feature of our concepts of our lives. People her age, she said, only had a few grainy black-and-white photos of them as babies; the only context that identified the featured baby as her was the clothes worn by the other people in the photos; the baby may as well have been clip-art. But today, kids are growing up with all their childhoods fully archived-- photographed in full color, blown up to poster size, videotaped, recorded in all ways imaginable-- "they're media darlings," she said.
And yet we want to have those physical photos locked away in boxes. The physical reality of photos that we can lift and that take up space in the closet reassures us.
And yet, as she says in the wrap-up of the article, it's up to every generation to preserve its legacy by embracing the technologies of the next generation. So she may have to bite the bullet and jump into the digital photography world. And here's the bit that I found interesting:
A classic demographical experiment is to ask a person, "Your house is on fire. You can run in and grab one personal item. What will it be?"
Up till the early part of the 20th century, the response was always "The family Bible."
After that, it was "The family photo album."
And as she closes the article, we have passed another milestone: How many of us would answer, "My computer"?
I would.
Because I don't have any non-digital photos... or indeed much of anything of value that isn't on my computer. I have geek toys, but they all juggle data (whether photos, MP3s, Palm contacts, or DV video), and that data is on the computer now. Everything else I have... well, I could always get new ones.
I wonder how significant to the human condition the answer to that hypothetical question is? Since there have been so few changes to the common response in recorded history, one would think it's pretty darn fundamental...
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18:26 - Okay, who's been flouting the Temporal Prime Directive?
http://www.sci-fighter.com/news/newsfeb02/feb21aluminium.php3
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Transparent Aluminum has been developed. (Well, "aluminium", which has the same chemical structure. Heh.)
It looks to be legit-- der Spiegel is a pretty reputable German news organ.
So I guess now we can make... uh, starship shielding, or something...
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12:27 - Phinally!
http://www.macworld.com/2002/04/features/photoshop/
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At long last, we have a ship date for Photoshop 7.0 with its native Mac OS X support.
(Well, not so much a ship date as a ship quarter-- "Second quarter 2002"-- but it's something.)
Photoshop is for many people the last thing holding them back from upgrading to OS X, or if they already have, from ditching Classic. For me it's actually one of two things (I'm still waiting for a good Telnet/SSH program like NiftyTelnet), but now the floodgates can open for things like native scanner drivers, plug-ins (like AlienSkin), and all the other graphics tools that depend on Photoshop for their legitimacy.
I've always thought that Photoshop was one of the best reasons to use a Mac, because it takes advantage of two fundamental design features that make the Mac different from Windows: 1) The program takes up the entire screen area, and 2) no critical functions are handled by right-click/contextual menus.
It's been a longtime point of contention that Mac programs, when made active, take over the entire screen; click on any program, and its menus replace the menus at the top of the screen, rather than each individual program window having its own specific menus. There are arguments for and against both methods, and I'm not prepared to suggest that one is inherently better than the other. In many cases it's better to do it the Windows way-- to have menu controls be a part of the program window itself rather than up at the top of the screen, disconnected visually from the program you're working in. For "palette" style programs like ICQ and WinAmp, it makes more sense for all functionality to be encapsulated within the palette.
But programs like Photoshop showcase the very best reasons to have a program take over the entire desktop context. In Photoshop, you need all the space you can get; you have floating palettes docked all around the screen, and you need to see all your work images side by side, arranged so as to maximize space, with each picture taking up no more space in toolbars or title bars than you can possibly get away with. You need a global menu bar at the top, out of the way; hideable palettes that you can arrange around the edges of the screen, snapping them into position; and above all you need to be able to see behind the palettes to other programs you might be using.
A crucial part of Photoshop's workflow is the ability for images to float freely on the screen, so you can see them against the backdrop of a working desktop environment. You need to be able to see how the colors work together. You need to see how it a picture will look against a web page. But on Windows, this functionality is crippled by the MDI (Multiple Document Interface) scheme, which is quite possibly the ugliest interface metaphor ever dreamed up. A Windows program needs to maximize use of the desktop-- so it creates one gigantic, gray-background window with menu bars at the top, and all your palettes and windows float around inside the big gray box. It's opaque, drab, murky, and it prevents you from treating your images as objects on your desktop along with all your other objects, which is fundamental to how Photoshop needs to work.
The other thing about Photoshop is that it does not try to load functionality onto the right mouse button. Graphic art is a very complex set of tasks, and it's only going to confuse users if all the possible tasks are made into modal, contextual right-click options. Everything in Photoshop is accessed through the menus at the top, and right-clicking is reserved for quick shortcuts to tool-specific options (all of which can be accessed in the Tool palette). This is the philosophical extreme opposite from, say, the GIMP-- in which NO functionality is kept in menus, but EVERYTHING is accessed through modal, contextual right-click menus arranged in a deeply nested, impenetrable hierarchy. As I've said many times before, the GIMP's UI is a brilliant one-- as long as you're a robot. It's completely useless if you've ever used another piece of software in your life.
A single mouse button will allow a Photoshop user to accomplish every task possible, but will be a major liability in a program like GIMP. But in a more useful comparison, Photoshop could have succumbed to the Windows style of design and made itself a lot more like GIMP by loading functionality into the right mouse button-- but it hasn't. Why? Because graphic artists and designers are not geeks. They want a simple, concise, visually helpful layout for their tools, one that will guide them to the (often very complex) menu selections for what they want to do. They don't want to have to sit and wonder or experiment for hours to figure out whether the coffee-stain filter script is under a menu, or under a right-click option, or under a right-click-then-navigate-through-hierarchical-menus layout, or in a palette, or what. Using Photoshop is eminently possible with only one mouse button-- I've done it for years without ever right-clicking. And like the good student of design knows, if you want to know where to put the paths through your grounds, don't put in any paths-- just let the people walk where they want to walk, and next spring, pave the paths that they have worn in the grass. Likewise in software design: Observe that people want their functionality to be visible and accessible through the obvious means they have to hand (clicking on explicit menus), and design the functionality accordingly. Adobe has done this. And the result is a program that basks in the directness of the Mac OS user interface, rather than feeling as though it's crippled through a lack of right-click options (as many other programs do).
Photoshop 7.0 will be a $150 upgrade for registered users, so I'll be setting that aside for April. Now to hope that it's all Microtek is hoping for before they release a native OS X scanner driver. Pleasepleaseplease...
UPDATE: Matt Robinson says I'm right, and that I'm full of crap too. Read! Read it I say! And whatever you do, don't read it!
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| Saturday, February 23, 2002 |
01:48 - Tit-for-Tat
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000350.shtml
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I mentioned this Game Theory post by Steven den Beste a few days ago, but today I thought about it a little more. (And no, I still haven't seen A Beautiful Mind. Tomorrow, probably. After I take care of those boxes.)
Specifically, I was considering the "tit-for-tat" model of playing the Prisoner's Dilemma game: you do what the other guy did in the last round. So you play fair until he cheats, at which point you cheat, and if he plays fair, then you're back on track. This model is not ideal, but it's been demonstrated to be the most effective one available-- and so it's the method upon which the nuclear Mutually Assured Destruction contingency and the Geneva Convention are constructed.
When Tit-for-tat plays against itself, it plays fair for the entire game and maximizes output. When it plays against anyone who tosses in some cheating, it punishes it by cheating back and reduces the other guys unfair winnings.
No-one has ever found a way of defeating it.
Maybe not. Except in the Real World.
Consider this hypothetical situation: Two adversaries playing tit-for-tat. Everything goes along fine forever, nobody cheats.
Except then you inject one cheating round on one side: One guy cheats. And his opponent then cheats in retaliation. The first guy returns to tit-for-tat-- and he cheats. So does his adversary. And now everybody's cheating, and it's a cycle that will not be broken until a second injection is made: a voluntary "play fair" round that one guy decides to do, just out of the goodness of his heart (because surely there's no rational reason to do it). But that's the only way to get both sides to play fair again.
It strikes me that this model is a lot closer to how the Real World works. We all sort of instinctually follow the tit-for-tat rules; by our nature we try to avoid confrontation if we can avoid it, especially if we're in large organizations. We won't soil our own nest by being needlessly mistrustful; but we'll react if we're threatened. But human interactions are very complex, especially in large organizations; they involve lots of misconstruable shades of meaning, and lots of rationalizing and self-assuredness-- including the concept of "I do this for the greater good". And when a country makes a decision to undertake some back-door ploy, or to cut a third-party deal, or to do anything that isn't out in the open and done by the rules agreed to by the adversary, the game has had that first cheat injected into it. Once the adversary finds out about it, he cheats back-- and then the two opponents are locked into a cycle of mistrust and constant cheating, unbreakable except by a good-faith act by one of the adversaries who does it regardless of whether it makes any financial or political sense to do it.
This is where the US and the Soviet Union were throughout the Cold War. Who was the first to inject the first seed of mistrust into the game? Nobody really knows. But the result was clear: neither side trusted the other to play by the rules. We always assumed they knew more than they were telling us, and they assumed the same of us; we always assumed they were readying some sneaky move against us, and they assumed the same of us. And yet both sides knew that tit-for-tat was still the best model for handling the game, and so we kept using it-- continuing to distrust, until the good-faith motions on the part of Gorbachev's moribund USSR injected the solution into the game, leading to the collapse of that country and its superpower status, and also of the Cold War and the large part of our long-standing policy of mistrust.
Tit-for-tat does remain the most effective policy, it's true-- but only in an ideal world, where both sides follow that model and no cheating ever occurs, or where a tit-for-tat player plays against a randomized player (where no pattern forms based on feedback injected back into the system by the game's results).
But neither of those conditions accurately describes the Real World, in which everybody plays by tit-for-tat on the surface, but where we always keep the possibility of spontaneously cheating open... and where human nuance leads to a real or imagined cheat finding its way into even the most well-intentioned game. And then follows forty years of bristling and glowering and waiting for someone to make a move. Hardly what I'd call "maximized output" or "ideal"... but for human nature, that's what we can expect.
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01:19 - Light on the East Bay
http://homepage.mac.com/btman/PhotoAlbum4.html
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I spent today up in Oakland and Berkeley visiting with my parents-- it's a convenient meeting point that's easy for them to reach and about 45 minutes from me. We had lunch in Jack London Square, then drove up through their old haunts (they used to live in the area before ditching the city life). As Telegraph Ave. climbs through Berkeley, the street vendors cluster more and more thickly until a couple of blocks from the UC campus, where knitted caps and hemp products are sold from tables from which flows smoke from smoldering incense. Apparently not that much has changed in 30 years.
Up Strawberry Canyon and thence to the Lawrence Hall of Science, a favorite destination of mine as a kid, and still fun today-- especially for the view of the San Francisco Bay Area, which is quite possibly the best and clearest view available in the area. The weather today shifted schizophrenically from overcast to rainy to stabbed-through with clear blasts of sunlight, and by the time I got back home the clouds had broken enough to give me that fully-lit-green-hills-against-dark-cloudy-sky contrast that I love so much.
Then I headed over to the Pepper Tree place where we watched The Fast and the Furious, which Paul ought to like (it has a Supra in it)-- interesting idea, a rice-boy street racer movie in which the only Asian characters ride motorcycles. Not half bad, actually, if ridden through with cliches ("No, Fidget Boy! Don't put up the pink slip for your car so cockily as collateral against this race! Can't you see how the director is trying so hard to pretent he's being nonchalant about the scene? Except if the scene is so routine and as-planned, why would he bother filming it? It's a setup, I tell you! Why don't you just talk about how you'll go home from the war, marry your girl Mabel Sue, and get a nice little house with a white picket fence and a tree with a swingset--KABOOM!")... big and loud, and thoroughly enjoyable.
Anyway, this is yet another Saturday that I've spent almost entirely not at home. That's great and all, but I've got a lot of geek-toy boxes to throw away-- PS2, digital camera, iBook battery, iPod, FireWire drive enclosure, DV camcorder, steering-wheel game controller, and iBook, all stacked under my animation table. They'll have to undergo a winnowing tomorrow, whether they like it or not.
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| Friday, February 22, 2002 |
21:55 - For the love of God, STOP it with the Scooby-Doo already!
http://www.petitiononline.com/Scoo/petition.html
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An online petition to get Cartoon Network to air less Scooby-Doo.
Not that I have any evidence that these things work, but for the sake of common decency and my own sanity, I implore all who watch CN and have at least three fibers of taste to rub together to rush to the site and add their voices.
Cartoon Network has some of the best new programming on the air today; yet they insist upon filling entire weekends with Scooby-Doo and its horrific spin-offs. Every night I'm lulled to a fitful sleep by the sounds of Scooby-Doo solving some damn mystery with Don Knotts or Cass Elliot or the Addams Family or Sonny & Cher, and washed-up 60s actors are not my idea of things I want in my head while I sleep.
We need "Adult Swim" to be expanded, we need "O Canada" and "Late Night Black & White" back, and we need the same people who realize the genius of Genndy Tartakovsky to pick up whoever at the studio thinks Scooby-Doo is at all enjoyable to watch, pick him up by the neck-scruff and the crotch, and hurl him shrieking from the 27th-story window onto the midday freeway traffic below.
And then all will be well with the world.
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21:49 - Chuck Jones: 1912-2002
http://www.cartoonresearch.com/news.html
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He was certainly getting on in years, but he never lost his love for the art.
What I find discouraging, though, is that none of the major news sites have picked up on this yet. They'll run retrospectives on obscure B/W film starlets of the 20s, but so far no mention yet of the passing of this last icon of Warner Brothers' golden age. We'd already lost Friz Freleng and Mel Blanc and Tex Avery; Chuck was the last pin to fall, and so now we can close the book on that whole chapter. It passes from living memory into the annals of legend.
Too bad "Thomas Timberwolf" sucks so much, though.
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17:43 - Free Speech... or Free Beer?
http://gilder.com/AmericanSpectatorArticles/Lessig/Control.htm
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Isn't it nice when all the topics I've been posting about recently all come together in a single article?
This one, by Lawrence Lessic of the American Spectator, explores three themes that I've been on lately: 1) Apple, 2) Copyrights and digital music and video piracy, and 3) the concepts of "freedom" as we in the US see it and as others elsewhere see it.
It's a long article, and I admit I haven't even read through it all yet-- I'm posting it here as much so I can remember to read it completely when I get home as to get it into circulation among those who read this blog. But just from reading the first few pages of it, I was struck by how it so neatly drew together all these subjects that interest me. It looks like it'll be a good read, too.
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14:45 - Just another day on the river...
http://www.netcopspsi.com/temp/towboat.htm
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And this guy just happened to be there with his camera when this occurred. Imagine all the things that go on when nobody's there to record it for posterity...
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14:14 - The Tale of Lola
http://www.applelust.com/alust/oped/Editorials/Archives/nancy_quest.shtml
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Nancy Reed at AppleLust details the story of her quest for a new iMac. (I suspect that the Fry's she visited was the same one I visited today, in Sunnyvale-- which has an iMac on display. As I was playing with the screen and resizing Finder windows to see how fast it went, I kept wondering where that soft but recognizable tune, "Glade" from Trevor Jones' Last of the Mohicans soundtrack, was coming from-- it was so clear and had lots of bass, but I couldn't figure out the source of what I thought was store Muzak. Then I opened iTunes and discovered that it was the iMac playing it. Man, I'd underestimated those little round speakers.)
It's looking like it'll be another week or two before iMacs are shipping in sufficient quantities for me to be able to bring one back in triumph to work and have it kick aside this petulant beige Win2K machine. But I find myself watching the news sites now, making casual calls to the local Apple Stores and ComputerWare, and walking by Elite Computers next door (where I'll probably end up getting it from) and pressing my mouth up against the glass and blowing my cheeks out.
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09:28 - Is this how easy it's become?
http://www.macnet2.com/opinion/kyle/index.shtml
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Kyle Hanks on MacNETv2 has a column describing his recent experience with a die-hard PC user friend who heard about the "Microsoft playing Big Brother with Windows Media Player" debacle that I talked about yesterday-- and decided that Microsoft had gotten caught being indefensibly evil for the last time. He decided, voluntarily, after years and years of considering Macs to be irrelevant, that now was the time to go with Hanks to the Apple Store and find out what the real story was.
He told me that it really made him angry. Month after month, year after year, Microsoft was constantly getting caught violating the trust of its customers. He was fed up. He was disgusted. He was ready…to…consider…. a…. Mac.
“Whoa” I said, “you what??” He said it again. He wanted to go to the Apple Store and look at the iMac and everything else in the store. “It's time to really consider a change” he said, “If the Mac can do what I need it to do then I want you to help me buy what I need.” “Not a problem.” I said. “I won't push you though, I won't try and talk you into this, if you do it you do it on your own. I don't want you coming back to me and blaming me later if you find out you made a mistake.” He said that's exactly what he wanted to hear.
They go into the store, they check out all the machines, they see the bottom end and the top end, they discuss the pros and cons, they go through the checklist of software and features. The friend goes home with a new G4 tower-- not the top-end one, but a respectable one by any measure.
That was on Wednesday. Today, the friend is if anything even more sure of the rightness of his purchase than he was two days ago, and he's now spreading the word to his own co-workers.
What I found most interesting was this:
My friend confessed to me that a lot of PC users are worried about “Big Brother” and really want to move away from Windows. “All they need is the right excuse,” he said. “I intend to do whatever I can to convince my PC buddies to come to the Apple Store and see that there is an alternative. We don't have to put up with this crap anymore”.
I myself am finding that it's less and less a matter of people having to be convinced that Macs are not crashy or slow or irrelevant or little boxes with 9-inch black-and-white screens. More and more, it's simply a matter of pointing out that Macs exist-- because often that simply slips people's minds, and once they're reminded of it, they're more than willing to be wooed by the charms of the platform.
And if the revolution is truly beginning, we have to give Microsoft just as much credit for it as we give Apple. Apple provides the compelling alternative... but Microsoft just won't stop providing reasons to ditch Windows.
Nor will they, unless they see these kinds of conversions start happening on a scale that affects their bottom line. If they see it as a threat, they'll have to shape up their business practices and their bundling techniques.
So c'mon, everybody-- let's all go Mac! For Microsoft's sake!
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| Thursday, February 21, 2002 |
21:19 - Brian the Mallrat
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Bigger is not always better. Especially when it comes to malls.
The mall near where I live is the Eastridge Mall, off Capitol Expressway, right next to Raging Waters. You can even see it in one of those photos I took from Quimby road. It's got three levels (or two, depending on how you count the weird pseudo-split-level near the middle that shelves a whole bunch of stores onto a semi-floor that puts me in mind of Being John Malkovich), a ton of stores, and all the parking in the world. When it opened in the late 80s or early 90s, it was one of the biggest malls anyone had ever seen, and it served the whole upscale eastern residential region of Silicon Valley.
You'd think that such a mall would be a good place to look for a software store, wouldn't you?
Well, let me tell you this: Eastridge Mall is completely useless. Every single time I've ever been to Eastridge, I have left angry and unsatisfied. For all its stores and all its parking and all its locationlocationlocation, it's the worst mall I've ever been in, especially when looking for a simple software store.
Why is this? It's because Eastridge is a mall that has passed the Shoe Event Horizon. To paraphrase Douglas Adams, it is a place where it is apparently no longer economically feasible to open anything but a shoe store. Shoes own Eastridge, to the exclusion of anything else. I went into the mall last Christmas, looking for a place to buy a computer game. I went to the map kiosk near the entrance. I looked for "Electronics"-- okay, nothing. I look for "Computers"-- nothing. What do I find? About thirty separate entries for shoe stores, under like five different categories. MEN'S FORMAL. WOMEN'S FORMAL. MEN'S ATHLETIC. WOMEN'S ATHLETIC. CHILDREN'S. This cannot be happening, I told myself. This can't be-- Oh, but wait! Look, under "Specialty"-- there's an Electronics Boutique! ...And it's right down below me, right across the entrance plaza on the first floor, just down an escalator. In fact, it's right th--
And that's when I noticed that the Electronics Boutique, evidently recently enough that the kiosk had not been updated to reflect it, had been taken out-- and replaced with A SHOE STORE.
So I've not been back to Eastridge since then, except on one or two morbid occasions where I was in the area and felt the need to go in and see if anything had magically changed. It hadn't. I no longer hold out any hope that there is anything in that mall that stocks any item I might want to buy. I have one pair of shoes, and it does me just fine, thank you.
Now... on the other hand, there's Vallco Fashion Park. It's in Cupertino, just a couple of miles from work, screened from the freeway by thick pine woods and a tasteful soundwall. The mall straddles Wolfe Road-- it's mostly on one level, with a first floor only at both ends of the mall, on either side of the street. It's very small, especially compared to Eastridge. Small, quaint, quirky.
And yet every time I've been in it, I've found exactly what I needed and left satisfied. There are all kinds of places to park-- street-level lots, a garage under the mall, a circumference road. There's a large video arcade at one end, in the cavelike first floor that only extends for a few stores before ending and forcing you upstairs, and right next to it is a candy stand with super-sour gumballs. Upstairs is a comic shop with Vertigo trade paperbacks a-plenty. Further along there are stores that specialize in chessboards, a big-windowed restaurant right over the middle of the street below, and a costume jewelry store with the best name I've ever seen: "C'est Faux". Then there's a Nature Company, a place to get alpaca blankets, during Christmas a free gift-wrapping station, and best of all, not a ^%$@&$ shoe store in sight.
I went into Vallco just yesterday after work to get a new 64MB Flash card for my camera, and a new battery. I went in the Sears side, where there was a map kiosk as soon as I came out into the mall interior. I didn't even need to look at it, though, because out of the myriad camera stores in the mall, one was staring me right in the face from across the entrance plaza: Ritz Camera. I go in, ask for the two items, find exactly the ones I'm looking for, and I'm out of there and on the road again in ten minutes.
I only wish I still lived in Santa Clara or Cupertino, so Vallco could be my local mall. Not San Jose, where I'm stuck with Eastridge. Maybe I should just walk there all the time and wear out some shoes.
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20:33 - Freedom and Liberty and Boobs
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Something that struck me while I was in Toronto: The US is pretty darn puritanical.
In Canada, as Hiker told me, they're allowed to show bare breasts on network TV as long as it's after 9PM. At midnight we flipped past a show that had something I'd honestly never seen before, even in R-rated movies: full frontal male nudity. "The Penis Puppeteers", or something like that. It was brought home immediately to me just how much we censor ourselves in the US-- it seems completely alien to us to see female nudity outside a movie or HBO, or male nudity under any circumstances. Why is this? Why do we claim to be the nation that has the most freedom on earth, and yet we whip out the flaming crosses if we see a bared nipple or if someone nearby smells of marijuana smoke?
If I were more cynical and Huxleyish, I'd say it's all part and parcel to the idea that what Americans crave is material freedom-- the right to have guns in the house in case the tanks start rolling through the streets-- while the freedom that Europeans and Canadians and Japanese enjoy is more the kind of stuff that keeps people happy but harmless. You know, soma for the mind-- pornography, drugs-- the things that keep people engrossed in their own worlds and unconcerned with issues like government trends and censorship. Americans will forego easy and legal access to weed and bare breasts on TV, if it means they get to keep their free speech and their guns. We'll even toy with prohibition of alcohol-- but we won't entertain the notion of mucking with the rights that we think really matter.
But that's really not what I think. These are just thoughts that came to my head on the way home tonight, and I thought they'd make for an interesting set of thought experiments for anyone who feels like testing whether they hold any water or not. I'm fully aware that anything I've said in the preceding paragraph can probably have more holes poked in it than all my combined readers have fingers. But that's really my point, I guess-- think about it. Disprove it, prove it, argue against it, argue for it. See what aspects of real life bear it out and which ones contradict it.
I know it's got me all blurry now, thinking about whether it's better to have the human liberty of Amsterdam, or the political liberty of Atlanta.
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20:08 - Okay, now that's a book I'm gonna have to get...
http://www.amazon.com/exec/obidos/ASIN/0743227077/qid=1014349899/sr=2-1/103-8851737-
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A book called Them: Adventures with Extremists by John Ronson, discussed tonight on NPR in an interview with the author, covers some fascinating characters: among them Omar Bakri Mohammed, the man who has called himself "bin Laden's man in Britain" for years. Ronson spent a year with the guy, driving him around, helping him hand out anti-homosexuality leaflets, going to his jihad training camp near Gatwick airport, and watching The Lion King-- something that Omar says he does every night, because it's the only way he can relax. We're not talking "watching it and shouting over the dialogue about how it is a product of the great Zionist Satan". We're talking "singing along with Hakuna Matata at the top of his lungs".
Apparently this guy is just a pleasant dork, willing to hand out his leaflets upside-down shouting "Save the Orphans!" just to get people to take them, and whimpering about "How can they be so cruel? Why do they call me bin Laden's man in Britain?" after he has called himself exactly that for years. This book of Ronson's is apparently full of stuff like that, and if the anecdotes are anywhere near as fun to read as they were to listen to, this should be a hoot.
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16:03 - Windows Moment of Zen
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Well, I sure can't add anything to that, can you?
"Mile: approximately one mile in length."
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14:34 - Oooo, legal precedent...
http://www.law.com/cgi-bin/gx.cgi/AppLogic+FTContentServer?pagename=law/View&c=Artic
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This was posted on February 7, but I've been meaning to link to it with a few thoughts. The gist of the article is that a court has ruled that it's legal for one site to post thumbnails of pictures hosted on another, unaffiliated site... but it's not legal to post the full-size pictures that are identical to what's hosted on the source site.
This is quite separate from questions of "deep linking" and bandwith leeching, which is an issue in itself. This case deals with presentation-- whether a site (like, say, a blog!) can link to copyrighted artwork on another site by presenting the full-blown content, or whether it has to be made into a thumbnail.
I've been feeling vaguely uneasy about my inline image uploader for just this reason. I have it so I can embed any picture from any site into an entry in my blog simply by putting <picture> into the body where I want it to go; it then prompts me for a file to upload or a URL of a picture on another site to download, and then it scales it if I say it should and applies the appropriate <IMG> parameters. The upshot is that the image is stored locally on my server, rather than relying on a remote URL, so it will always work no matter how the other site might reorganize.
But what if it turns out that this isn't legal? Whether or not I'm keeping a local copy, I have to make sure I scale down any pictures and make them links to the original site, instead of posting them inline at their full size. Comic strips are the best example of this that I can think of right off the bat.
Most of the time, when I link to a comic that I think is funny or noteworthy, I make it a thumbnail and a link to its home server. But on occasion I've simply linked in the full-size comic, with a link to the home server and appropriate credits-- but it's still presented full-size on this page. That's now been made explicitly illegal, and I'll have to be careful of that.
Where does the line get drawn? How much smaller does a picture have to be before it becomes considered a "thumbnail"? Does HTML scaling count, or does it have to be a genuinely resampled image?
I'm not complaining here-- far from it. If anything, I'm pleased to see that some legal bodies have enough understanding of how the Web works to be able to prosecute this case in accordance with the spirit of the Web-- that people want to be able to post their original content without fear that someone else will be able to redisplay the full-size images without going through the original content provider's site navigation and authentication checks and so on. But they do want others to be able to link through thumbnails-- they're visual and direct, and most importantly the reinforce through a layer of indirection that the original content is kept somewhere else, that the person with the thumbnail is not the originator of the content.
Now if only these same lawyers can tackle the issue of bandwidth poaching (sourcing images inline that are hosted on other sites, thereby causing the other sites' bandwidth to be siphoned off by users who aren't even viewing the other sites themselves). Forum avatar users, take heed...
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11:54 - D'oh!
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Last night, UPN showed one of those inexplicably rare early Simpsons episodes: "Dead Putting Society", the one where Bart is pitted against Todd Flanders in a miniature golf competition.
It's a second-season episode, one of the first ones where we start to see Homer shift from being the grouchy but erudite breadwinner to being the giddily vacuous but beloved moron. We also start to see Lisa be book-smart and philosophical, Flanders be religious (though he actually responds like a human would to Homer's tauntings, unlike in later episodes where he becomes much less realistic), and Rev. Lovejoy be sarcastic, cynical, and devoid of either love or joy. In short, it's one of the first times where the show really starts to be identifiable as the one we've grown to know as well as the insides of our eyelids.
But there's a problem: in syndication, they tend to chop out bits of scenes in order to save time and insert more commercials. Not out of any kind of censorship, purely because of licensing agreements. Usually the edits don't affect the story very much. But in this episode, there's one edit that manages to destroy what I think was one of the best early Simpsons moments ever. It's when Homer is uproariously reading the sappy apology letter that Ned slipped under his door, and the kids are laughing along with him:
Homer: [reading Ned's letter] ``You are my brother.'' Homer+Lisa+Bart: [giggle] Homer: ``I love you.'' Homer+Lisa+Bart: [laugh] Homer: ``And yet, I feel a great sadness...'' [tries to stifle a giggle] ``... in my bosom.'' Homer+Lisa+Bart: [finally lose it and laugh uproariously] Marge: I think that's terrible! A man opens his heart to you and you make fun of him!
Marge then excuses herself, stomps off around the corner-- and starts giggling helplessly herself.
Lisa: Read the `bosom' part again, Dad!
Marge returns and tries to restore order.
Bart: Bosom. Marge: I wish our family was as close as the Flanderses.
Except... this is what originally aired, and what we had on tape for a long time. But it's not what showed last night in syndication mode. The edited version takes this carefully crafted, exquisitely-timed scene and chops the heart out of it: it cuts straight from Homer and the kids losing it over "In my bosom" to Marge trying to restore order and Bart saying "Bosom". It skips over Marge hurrying into the next room so she can guffaw out of sight-- one of the greatest bits I think the writers ever came up with. It makes Marge human, subject to the same urges as the rest of her family, instead of the joyless drudge that she appears to be in the edited version.
It's like Cartman's mom in South Park... when the boys are talking and laughing about how much of a fatass Cartman is, his mom sweetly tries to defend him: "Oh, he's just big-boned!" Stan responds, "He must have a huge bone in his ass!" And unable to keep it up any longer, Cartman's mom helplessly laughs along with the kids. That is an effective use of a character, and some of the funniest stuff in any of these shows.
The problem with syndication editing runs deep, though, and one has to imagine that the people doing it don't have much in the way of humoristic sense-- despite the fact that the job of editing broadcast TV shows for time is quite possibly one of the jobs where that skill is most crucial. (Why is it that everybody in every job is the least suited to do it? Like when I go into a sporting goods store to buy squash equipment, and none of the employees have even heard of squash? You'd think they'd, like, probe people's knowledge of the field they'd be specializing in, during the job interview? Bah, anyway....) So a biting scene like:
Bart: Nothing you say can upset us. We're the MTV generation. Lisa: We feel neither highs or lows. Homer: Really? What's it like? Lisa: Ehh. [shrugs]
Turns into...
Bart: Nothing you say can upset us. We're the MTV generation. Lisa: We feel neither highs or lows.
... Thoroughly emasculating the exchange of its punchline and its reason for existence. Don't these people get it?
C'mon, Fox-- we need that second-season DVD set! Don't let us down! We've got the full first season in its unedited glory; now for the rest of 'em!
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11:03 - Why is Microsoft watching us watch DVD movies?
http://www.ComputerBytesMan.com/privacy/wmp8dvd.htm
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Good ol' Microsoft. The new Windows Media Player in Windows XP "phones home" with unique fingerprinting information every time you play a DVD, sending Microsoft information about the DVDs you watch and tying that information to your e-mail address and (if you're unfortunate enough to have signed up for one) your Passport account.
Y'know, everybody is concerned about the loss of civil liberties after 9/11, and how we're willing to accept some inconvenience and some loss of personal freedom in the name of public safety. But I think a much more pressing problem, one that is equally relevant and dangerous in a much shorter time-scale (some things do still move at Internet time, and the rise of an oppressive government isn't one of them), is that nobody seems to show any concern about the tightening grip Microsoft holds over the online world-- and how the whole phenomenon of digital spam and direct marketing is made all the easier and more legitimate with each new Microsoft thing that we decide to accept in our lives.
The Windows OS and the Web both reached the peak of their usefulness years ago. There have been no new features in either technology that have brought better ease-of-use, better security, better speed, or a genuine lifestyle revolution since the advent of ICQ, blogs, and Napster. The only new advancements in either context have been for the benefit of advertisers and direct marketers. Hardly a website exists nowadays that isn't plagued with banner ads. P2P file-sharing applications have embedded ads in them now, and everything in Windows now ties in through the ubiquitous web-browser substrate to direct all user activity to advertising streamed from MSN.
This is the "new computer revolution": the mass-media-fication of the thing on your desk with the keyboard.
This is the only area in which Microsoft is equipped to expand, in fact. It's the only untapped market where it's so hard to screw it up that they can succeed as well as they did with the shoddy Windows OS in the first place (its success is purely because they were able to get it to run on cheap, crappy, anonymous hardware). Spamming is easy, and Microsoft knows it. Their only challenge is in making it tasteful enough that the frogs who see it won't jump out of the saucepan, but will sit still for it until they're boiled alive.
Have we become such passive pansies that we will continue to suck up everything that flows out of Redmond? What will it take to get us to realize where this is all going, and to jump out before it's too late? How much more do we have to put up with before laws are passed that make UCITA and the DMCA look like parking regulations, and we're no longer allowed even to question where our personal data is going when Microsoft downloads it at will from our centrally-managed, rented, illegal-to-open-the-cover utilitarian computers?
That's where we will end up if nothing changes.
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| Wednesday, February 20, 2002 |
21:03 - apple.slashdot.org
http://apple.slashdot.org
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I guess it was bound to happen, now that Apple is officially a "nerd" platform-- and what with people like Jordan Hubbard to post articles. Slashdot has now opened up an official Apple subsection, complete with a vaguely Aqua-esque look on the title bars.
One could be cynical and posit that this was done in order to get those damn Mac people out of the "regular" Slashdot-- a playpen to keep the freaks in, so they wouldn't pollute the discussions with their delusional rantings whenever someone posts an article about Apple's overpriced hardware or their foolish backing of BSD instead of Linux or their audacity in charging money for their OS.
But I won't. I'll just be happy that there's this legitimacy being granted to the community, even if it is little more than a pot/kettle name-calling contest in the worst-case scenario, and the source of pressure for "bsd.slashdot.org" and "be.slashdot.org" and "amiga.slashdot.org" in the best-case (and, in fact, current) scenario. I think there's realism behind the move, and I applaud it. Good luck, CmdrTaco.
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19:24 - Apple Retail Stores-- Everything but the whole "selling" part
http://www.macnet2.com/opinion/oped/index.shtml
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A BusinessWeek article posted yesterday draws attention to how Apple's retail stores are getting a fantastic amount of traffic-- but that the people who comprise that traffic aren't actually buying product.
Why? Well, as John Manzione says in this article, it's because the people who man the stores are hired to be cool and engaging and talk about Macs-- but not to be "salespeople".
Now, it's all well and good to play the "Everything's fine as it is" card and defend current practices as you'll find in today's As the Apple Turns; sure, we don't want to have to picture being sold a Mac like we'd be sold a car. But c'mon... there comes a time when you gotta just hold your nose and jump in. Apple's boutique stores are expensive investments, and not only are they a dangerous liability if they don't turn up the flame on big-ticket purchases, but it's also unhelpful and negligent for them to let customers make their own (uninformed) decisions about what computers to buy based entirely upon what they're able to do with the machines sitting on display. The staffers can make sure the machines are in tip-top working order, yes, that's all to the good. That's the biggest thing the Apple Stores have going for them over the more workmanlike pure-sales outlets like Best Buy and the like, or the one-stop full sales-and-service centers like a local Apple Certified Reseller or Specialist. But Manzione's observations tell it all: when the only real big-ticket sales that occur happen because the buyer already knew what he wanted, and no helpful upselling is done to help the guy accessorize or even be sure to be fully equipped, that's not just sloppy sales technique-- that's cruising for a dissatisfied customer.
Maybe there is another phase of focus planned for the stores. Maybe they're thinking about hiring more for salesmanship in the future than for college-kid charisma. I think that would be just what we need, especially if we're going to be convincing people that these are machines that serious people use. You're spending thousands of dollars on a lifestyle choice when you buy a Mac. That's a decision perfectly comparable to buying a car, and as obnoxious as car salesmanship is, it does serve a worthwhile purpose-- and it keeps the sales offices in business.
I love the way Apple Stores feel. I hope it doesn't change much. But adding just one "closer" to the sales staff in each store would probably give them that extra percentage point they're so desperately aching for.
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19:02 - Then again, there's stuff like this...
http://www.news24.co.za/News24/Technology/Science_Nature/0,1113,2-13-46_1136195,00.h
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A lioness in Kenya has been... well, doing something that's going to cause rampant speculation from animal psychologists to theologists to vegetarians to Lion King fans the world over. She's been running around the preserve with a baby oryx in tow.
The lioness puzzled wildlife experts, game watchers and villagers in Samburu after it struck a friendship with an oryx calf, escorting and protecting it around the game reserve for 15 days.
Tourists and game workers had watched in disbelief as the lioness and the tottery brown baby oryx walk side by side and lay down to rest with all the intimacy of a mother and calf.
She even permitted the calf's mother to nurse the baby before resuming her guardianship. Experts believe the lioness had bonded with the calf after both had been abandoned by their own kind.
The calf was eventually attacked and killed by a male lion while the lioness was napping. She howled in mourning for hours afterward before vanishing into the bush for a time.
And now she's following more herds of oryx through the preserve, trying to continue doing the same thing.
I can just see the sitcom ideas. "Can't you see we're in love? Can't you accept our relationship for what it is?"
Naah, must just be all those waves of positive energy coming out of the palindromic day and stuff.
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18:48 - 200220022002, or something
http://www.cnn.com/2002/TECH/science/02/20/world.time/index.html
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Yeahp-hh... it's that time again. Well, maybe not again, but it always feels like the same damn thing yet another time when we come up against some supposedly significant date or time. Tonight, in case you haven't heard, is 20:02, 20/02/2002-- a palindromic date/time.
Now, I'm the first to admit that having the HP workstations in the UGCS lab all simultaneously emit a squawking .au of "Pi Time!" to the lab stereo rig at exactly 3:14 in the morning is a whole lotta fun. I'll even get behind "Pi Time Texas Style" like we had one year, where at 3:00PM (see, Texas once legislated pi to be equal to 3) the whole hovse ate a variety of pies in the dining room. And I'll also acknowledge the importance of certain times that may present programmatic challenges, such as Y2K, 9/9/99, and S1G.
But when we have to go to such bizarre lengths as we're doing tonight to convince ourselves that there's some cosmic meaning to stupid numbers, I very rapidly run out of patience.
First of all, as should be very obvious, "20:02, 20/02/2002" is a very arbitrary designation for a particular date and time, and there are a dozen other ways of spelling it that are just as valid. The typical American arrangement for the date, for example, is 02/20/2002, and we don't usually use the 24-hour clock. Besides, what time zone is this supposed to apply to? And why do astrologers and numerologists and "palindromists" like the one in the article continue to insist that there is some correlation between how fast the earth spins in space (the time of day) and how fast the earth swings around the sun (the date)? To say nothing, naturally, of all the parts of the world that don't happen to go by our year-numbering scheme, even if they did accept that an arbitrary line drawn through Greenwich was somehow tied in to the cosmic ley lines and planets millions of miles away and had some profound effect on us in our daily lives.
"For two to three minutes there will be a massive surge of positive consciousness. It will be a moment to bring healing, a moment to bring peace," [Israeli psychic Uri Geller] said.
Asked how he would co-ordinate the meditations of his followers around the world, Geller said:
"I would appreciate everyone concentrating in GMT [Greenwich Mean Time], but if you can't do that, take a moment when you can ... The message is be positive, be optimistic and believe in yourself."
All right, fine, can't complain about those goals. But I just fine it dreadfully discouraging that we have to make up these kinds of stupid excuses before we can justify being positive and believing in ourselves. Yeah, on all those meaningless non-Greenwich-centered non-Gregorian non-European maybe-ordering-the-numbers-slightly-differently non-palindromic days, feel free to snarl at people and spend your days in despair and misery, because it'll all be made okay by the worldwide surge of positivity and peace when all the little LCD readouts on the cesium clocks line up in a certain magical way.
Hey, if it helps you, great. Go nuts. I'm not standing in anyone's way if they want to pretend that tonight all the world's nuclear warheads will mysteriously disarm themselves and al Qaeda's lurking sleepers will be struck with the unaccountable impression that they're really Zen Buddhist monks and that keeping the gravel in their rock gardens immaculately raked is more important than there being a McDonald's in Kabul. It'd be nice, yes. But you know, the sun don't care 'bout these things.
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13:10 - Wish I had this to read in that Microec class...
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000350.shtml
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Okay, who-all has a working understanding of game theory and the Prisoner's Dilemma? Let's see those hands. (And no fair if you've just seen A Beautiful Mind.) Oh, and how many can apply it to real-world situations, both personal and global?
Yeah, I didn't even have my own hand up. But den Beste sums it all up very concisely over at USS Clueless today, and explains how it all makes sense in contexts like drug dealing, World War II, and the Geneva Convention.
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11:20 - O-ho-ho-foto!
http://www.ofoto.com
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A few days ago I ordered prints of the pictures I took up on Quimby Road last week. iPhoto's print ordering system goes through Ofoto, Kodak's online print service (I think they're a partnership or something), and the prices start at 49 cents for a 4x6-inch print, 99 cents for 5x7, and so on up, varying with the area of the print. (Actually the price goes up quite a bit faster than the area, now that I look at it... 4x6-inch prints are by far the best value.) It's more expensive than taking a film roll down to the drugstore (which is usually about 25 cents for 4x6), but I'm willing to pay a bit more for this kind of convenience. Want an extra set of prints mailed to my parents? Click. Want to order all sorts of different numbers of different sizes of every picture in your roll? Clickety. Want another set of prints made from photos you took six months ago? Ka-lick. Want to order two or three photos from each of the last ten batches of pictures you took? Klakow.
Besides, the mailer the photos come in is exceptionally nice-- as only Apple can package. The envelope inside has a window in front and a contact-sheet print. And the prints themselves? They look mahvelous-- even better than they look on-screen, in fact. I'm very impressed.
Before Kris told me that the print prices were actually higher than what you'd pay at the drugstore, I was really sort of wondering about how the economy of scale would work. Film prints are done in batches of 24 or 36, because that's how big a film roll is. Digital prints, though, can come in orders of one through God-knows-how-many. I wonder how many orders they'll get for batches of just three or four prints? The packaging can't be cheap; there's bound to be overhead, and the smaller the order, the more they're forced to suck up. (Then again, the shipping portion of the cost adds from $3 to $10, so people will have an incentive to consolidate orders.)
In any case, I like it-- I like it a lot. I think I'll be using this service quite a lot in the future.
I do have a film roll from Toronto that I need to get processed, though-- it's the photos that Hiker and I took from the CN Tower, including those great shots of us lying on the glass floor (whee!). So now that I know the name Ofoto, I figure they've got their act together for their film-processing service as much as for their digital-prints service. I'll give them a go. They send out a free film mailer with their "welcome" kit, and process the first roll free, so hey-- how wrong can I go?
And of course once I have the digital versions of these photos, they'll go into iPhoto and join my collection of pictures just waiting to be ordered for whoever wants 'em. (Hey, Mom-- this is what you've been waiting for all this time, huh?)
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| Tuesday, February 19, 2002 |
01:11 - Axes of Evil & Stuff
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This was forwarded past my little bleeping humor scanners, and since I don't have a place to link to that has it, I'll just include it here in its entirety:
Bitter after being snubbed for membership in the "Axis of Evil," Libya, China, and Syria today announced they had formed the "Axis of Just as Evil," which they said would be way eviler than that stupid Iran-Iraq-North Korea axis President Bush warned of his State of the Union address.
Axis of Evil members, however, immediately dismissed the new axis as having, for starters, a really dumb name. "Right. They are Just as Evil... in their dreams!" declared North Korean leader Kim Jong-il.
"Everybody knows we're the best evils... best at being evil... we're the best."
Diplomats from Syria denied they were jealous over being excluded, although they conceded they did ask if they could join the Axis of Evil. "They told us it was full," said Syrian President Bashar al-Assad.
"An Axis can't have more than three countries," explained Iraqi President Saddam Hussein. "This is not my rule, it's tradition. In World War II you had Germany, Italy, and Japan in the evil Axis. So you can only have three. And a secret handshake. Ours is wickedly cool."
International reaction to Bush's Axis of Evil declaration was swift, as within minutes, France surrendered.
Elsewhere, peer-conscious nations rushed to gain triumvirate status in what became a game of geopolitical chairs. Cuba, Sudan, and Serbia said they had formed the Axis of Somewhat Evil, forcing Somalia to join with Uganda and Myanmar in the Axis of Occasionally Evil, while Bulgaria, Indonesia and Russia established the Axis of Not So Much Evil Really As Just Generally Disagreeable.
With the criteria suddenly expanded and all the desirable clubs filling up, Sierra Leone, El Salvador, and Rwanda applied to be called the Axis of Countries That Aren't the Worst But Certainly Won't Be Asked to Host the Olympics; Canada, Mexico, and Australia formed the Axis of Nations That Are Actually Quite Nice But Secretly Have Nasty Thoughts About America, while Spain, Scotland, and New Zealand established the Axis of Countries That Be Allowed to Ask Sheep to Wear Lipstick. "That's not a threat, really, just something we like to do," said Scottish Executive First Minister Jack McConnell.
While wondering if the other nations of the world were serious, a cautious President Bush granted approval for most axis, although he rejected the establishment of the Axis of Countries Whose Names End in "Guay," accusing one of its members of filing a false application. Officials from Paraguay, Uruguay, and Chadguay denied the charges.
Italy, meanwhile, insisted it didn't want to join any axis, but privately,world leaders said that's only because no one asked them.
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23:00 - Ouch.
http://story.news.yahoo.com/news?tmpl=story&u=/nm/20020219/bs_nm/tech_be_microsoft_d
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Just one thing to comment on in this article:
Shares in Be rose 2 cents, or 20 percent, in Nasdaq trading.
Damn, that smarts. Good luck to 'em...
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19:25 - Who's the Retard Now?
http://www.msnbc.com/news/709309.asp?cp1=1
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A column by Rob Long printed in Newsweek International, for the benefit of our overseas contemporaries, entitled "Letter From America: Putting Up With Dumb Americans". Hey, with a title like that, you can't not read it, right?
Well, what it turns out to be is the latest in the endless series of essais toward trying to make the American mind understood in such a way that we don't appear indignantly defensive, blindedly jingoistic, or horrifically ignorant. It's a more difficult job than we might think, considering all the ammunition we might call to hand (national achievements, prestige, vibrancy, yadda yadda); most of the time we're prey to our own imperfect abilities to communicate the ideas that are so crucial to the success of this endeavor.
Well, read the article, because that's specifically what it tackles. Not one of us is really capable of expressing the things that need to be expressed without coming across as fanatical in somebody's eyes. The most level-headed gun fancier can quote all the statistics he likes, but listeners who are combing his words for an excuse to whip out the labelmaker and plaster "Redneck" across his forehead are guaranteed to find something.
Bloggers are especially vulnerable to this trouble by the instant nature of their commentary. When Lileks or den Beste or Reynolds posts an opinion on a development hours after it happens, it isn't going to be as well-thought-out or as well-researched as an op-ed written two days or two weeks after the fact. So there's more volatility in the blog world than there ever was before the national stream of consciousness became something into which we all assimilated ourselves. There's more opportunity for us to come across as brainwashed sheep or dangerous fanatics or insulting boors than if we had the time to sit down and wrap everything with rationale and precendent.
The article isn't an apology for clumsy Yank communicators as much as it is a somewhat snide, self-serving way for us to think of ourselves as "Right all along whether other people realize it or not"; but it still contains some interesting thoughts and some points which bear discussion. At the very least, it does say something about human nature: we crave simplicity, and a privileged culture will design for itself the most simplistic world possible. When we find ourselves with more to say than we're equipped to convey, it speaks more about our relative success and subsequent satisfaction than about our inherent inability to comprehend why we even do what we do. It all just feels too natural for us to be able to explain it.
In any case, I'm rather impressed by the author's cavalier use of the word "retard" in such a widely-read publication. Fifteen years ago such a word was taboo beyond measure on the schoolyard; now it's made a pop-culture comeback, and the meaning hasn't really even been altered. It's gutsy, but oddly refreshing.
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18:53 - Drake strikes another smashing blow for the Queen
http://www.cnn.com/2002/WORLD/europe/02/18/britain.marines/index.html
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Just too surreal to pass up.
I find it weirdly comforting that things still happen that we can chortle about in the context of long-dead national rivalries and centuries-old naval warfare traditions. Even to be able to have a military exercise of this size go awry, only to have the nations involved simply shuffle their feet and try to keep from laughing, is a welcome feeling today. I can just see the British and Spanish heads of state meeting tonight in some heavily-guarded anteroom deep in the presidential palace of an impartial nation... sharing a bottle of gin and laughing their asses off.
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17:49 - The Cult of VersionTracker
http://www.wired.com/news/mac/0,2125,50329,00.html
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Ahh, so Wired has discovered not only the joy that is VersionTracker, but also the cult of people who hover constantly over the Reload button all day long hoping to be the first to see the link posted for the next point release of iPhoto or GraphicConverter.
It's like VersionTracker is a blog written by all the world's Mac software developers. And it's very widely read.
2 million Mac users, and 200,000 Windows users. Interesting weight there (though of course the Windows side was zero until a few months ago, when the site added Windows software tracking, much to many users' chagrin). But this article certainly tells me more about the site than I'd really realized...
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15:39 - Take this, Dean Kamen...
http://www.megway.com/home.html
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So you thought the Segway was cool, huh? Well, say hello to the Megway.
It's probably cheaper.
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| Monday, February 18, 2002 |
23:02 - Y'know, it's good to be versatile...
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You ever notice how in Canadian bilingual announcements, the French voice is always female and the English voice is always male?
I'll bet all kinds of psychological and philosophical conclusions and speculations can be derived from this, about gender roles and societal norms and cultural significance in a world context-- but not by me.
At any rate, the leg of the flight from Toronto to Chicago (hi, Marcus-- no AirPort in O'Hare, dagnabbit!) was an actual Air Canada flight, not merely a United flight where everyone mentions Air Canada a lot. So we had all the bilingual signage, a last fond reminder of Canada on the way home.
I always find myself noticing, though, that French is getting harder and harder to keep in sync with the English content. I can understand enough written French to get the gist of a piece of text and know what it says and what it doesn't say, and while reading the in-flight magazine, enRoute, quite apart from the fact that it has half the content of most such magazines with the same number of pages, I noticed a number of interesting little omissions and translational stumbling blocks. A story in English that talks about "putting shrimp on the barbie" (with reference to a Barbie doll surrounded by shrimp in a particular surrealistic dish) converts to French in the form of "barbiecue", which is cute, but misses out on the majority of the historical and international punnage that leads to the joke's existence in the first place. In another place, the English version of a story talks about how "Since the tragic events of September 2001, people have been turning more toward the comforts of the kitchen"... but in French, September 2001 is never mentioned. I can only begin to speculate why.
There are always space concerns. One only has to look as far as the seat in front of you to see how the relative word bloat of French ends up impoverishing the meaning of what is written in it: "Life vest under front of your seat" translates to "Gilet de sauvetage sous votre sičge", which doesn't specify the front of the seat. The versatility of English allows for concise constructs like "life vest", whereas French finds itself groaning under the weight of its rules. "Pričre de garder les ceintures bouclées," the sign continues-- trying gamely to absorb a useful word like "buckle", but finding it unwieldy under French phonetics.
French and Spanish both make no distinction between "security" and "safety", a shortcoming that seems rather silly in this day and age. The two languages both use the same word for both concepts-- securité and seguridad, respectively. It's hard to argue that there's no difference between the words. But as I said in an earlier blog, the shades of meaning available in English (where there's a meaningful difference between "after" and "following" and "in the wake of"), while daunting to those first learning the language, make for a lot less potential confusion. When there are lots of synonyms for a concept, and any one of the possible words will hit near the speaker's intended mark, it's much easier to make oneself understood in such a language than in any of the nightmare circumstances of American tourists in Europe fishing desperately for the right word-- the lone, single possible right word-- to express a thought in the Romance language of the region.
English isn't the prettiest language on the planet, not by a long shot-- particularly not the way Americans speak it. But as a tool that can drive just about any bizarrely-shaped screw on the workbench, there's never been anything like it. Nor is there likely to be.
And since English, like Perl, encompasses parts of the vocabulary and even the syntax of many of the foreign languages that have been agglomerated into it, I can think of worse fates for the languages of the world... at least in airports.
UPDATE: Matt Robinson informs me that "buckle" actually comes from the French word. Okay, okay-- I admit I didn't do the etymological research to make sure the example I had to hand was a good one. But the fact is that I could name a dozen others off the top of my head: cederóm, for instance, the word for "CD-ROM", or the weirdness of seeing "kitch" in a French sentence, as it was in another article in the same magazine (to say nothing of "sandwich"). And when the best translation they can do for a column called "Counter Culture" is "Le Challenge du Chef"... :)
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23:01 - I... have a problem...
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Okay, so here I am, blogging on the plane on the way home from Toronto. I knew this thing would become a habit. Ah, but at least I'll bet Hiker is beating me to the bloggin' table anyway-- he's got a little less far to go before he reaches a net connection.
Anyway, I'm back in US airspace now. Customs on the outgoing side from Pearson Airport was very busy-- the writhing lines of people waiting to see customs officials wound back and forth eight times across the sizable floor. You get to fill out the customs declaration form while in line, but they don't provide any pens or writing surfaces unless you get out of line-- so there's a lot of borrowing of writing implements and people kneeling on the floor to write. One would think this is a prime candidate for a move to electronic input-- they've got very slick automated checkin kiosks these days (always very seamless at Pearson-- swipe your card, press a button, and out pop your tickets); why not let international travelers walk by a kiosk, tap in a few responses to questions, and have it pass the form through electronically?
The Customs official gave me reason to remember the encounter. He was a brusque, straightforward type, with a crisp, clean-cut, mid-20s Ben Affleck sort of look about him. I handed over my passport, kiosk-issued boarding pass, and floor-etched declaration card.
"What'sYourCountryOfCitizenship?" he barks, staccato, almost accusingly. "USA," I reply. "WhereIsYourResidence?" "San Jose." "WhatWereYouDoingUpHere?" "Visiting a friend," I say as matter-of-factly as possible. "DidYouSeeTheBallet?" This startled me, but I kept my feet. "The ballet? No," I return as levelly as I can. "AllRight,ThankYou!" He waves me through. I glance back at him, eyebrow raised, corner of my mouth quirked slightly. He's got the same weird, conspiriatorial smile and eye-gleam-- just for the briefest of seconds before he turns his attention to the next person in line.
The ballet, eh? I either just got profiled extremely efficiently, or cruised in the absolute least likely of places. Either way, I'm not exactly the most reassured that I've ever been.
Anyway, once through the customs gate, it's effectively US territory all the way to the gate, and down the jetway onto the plane; so now that I'm on my way down into Chicago, there to switch planes and ride the currents following the sunset back home to San Jose, I can feel my metabolism already spinning up its flywheel again as it always does when I come home from Canada. (Last time, in August, I got to Gate T before I suddenly realized I was so hungry that I ate four consecutive bags of chips from the vending machine.) So before the rush hits, I'll use this space (it's as good as any, right?) to thank Hiker, Tony, Steve, Torrle, and the rest of the Toronto gang for a helluva fun weekend. You guys all rule.
Even if you did get me liking Digimon. Damn you all to hell for that.
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| Thursday, February 14, 2002 |
09:53 - Some Ernest Talk at BSDCon
http://www.theregister.co.uk/content/4/24060.html
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The USENIX BSD Conference has been the site of some fairly entertaining dialogue from Apple, particularly Ernest Parkabar, according to The Register. This includes numerous interesting barbs at Linux and Microsoft, and colorful metaphors (bringing Mac OS X up to FreeBSD 4.x status is "like porcupines mating").
There's the to-be-expected smirking about how BSD is now three times more popular on the desktop than Linux; but more interesting is the general tone, that Apple has sent two staffers (including Jordan Hubbard) to cement the company's ties to the BSD community and to encourage X11 developers to bring their apps to Mac OS X.
This should actually be a pretty easy sell. All the tools are there; Aqua and the Interface Builder are surely more attractive development foundations than fighting with X. To say nothing of the much bigger potential market (though that market is of the willing-to-buy-Apple-hardware set rather than the build-a-cheap-box-from-parts-at-Fry's set).
Something that's bound to be attractive in any case is the preemptive multithreading than Mach offers. Mac OS X, Linux, and FreeBSD all have preemptive multitasking, yes-- that's a fundamental feature of any UNIX. But preemptive multithreading (the ability for individual programs to efficiently run many tasks at once) is something that only Mach has in a mature state-- it's been built-in since the beginning. Linux is only just now starting frantically to try to stack it on top of the already Gothic-looking kernel; FreeBSD is further along in its efforts, but it still isn't at a really usable level. So that's a definite plus point.
At any rate, it's definitely good to see Apple maintaining its commitment to that whole "Hey, we've got UNIX inside!" thing they've been touting. And Parkabar sounds like he's a hoot.
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09:07 - Gonna be sparse around here for a few days...
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I'm going to be in Toronto for the weekend, so don't expect there to be much in the way of bloggage here until Monday night.
I must say, though, that the airport today was the least backed-up that I've ever seen it. Not only was there no three-hour line for the X-ray machines, there was no line. At all.
So now I've got two hours to sit and read fragments of newspapers. Er-- wait! I have The Net! All hail Wayport!
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08:58 - Oh that's right, everything is a web page now!
http://slashdot.org/comments.pl?sid=27946&cid=3004066
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Someone on Slashdot has posted the source for a Windows Instant Messenger virus that's been running around the net.
... Instant messenger virus? Hmm... this code looks like... HTML and VBScript. Almost as if... as if... the Instant Messenger thing parsed HTML and VBScript.
But of course it does. Just like everything else in Windows, the Instant Messenger is just another modified IE window. Meaning, just off the top of my head, that people can send you messages out of the blue containing code that will execute as though opened voluntarily in a browser window.
Do I have to explain how monumentally stupid this is?
Instant Messenger clients have pretty much standardized. They have a certain feature set and nothing more. The text window is for TEXT, not for formatted HTML and JavaScript and popup ads and what-have-you. This is exactly the kind of "Oh, let's add features because it's easy, regardless of risks they might introduce" thinking that has pervaded Microsoft for the past seven years. Allowing IE to open BMP images. Putting lots of half-assed checkbox features and pretty colors into Pocket PC. Making everything in the OS into a web page and every application into a browser.
Some have talked about software developers needing to be licensed. If they were, I doubt many people at Microsoft would pass the exam.
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| Wednesday, February 13, 2002 |
23:40 - He may like the Xbox, but at least he thinks like me...
http://www.lileks.com/bleats/021202.html
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A couple of days ago, James Lileks expressed dismay over the fact that modern driving simulators are lavishly rendered and geographically accurate, but you don't get to enjoy any of it because you're too busy racing.
I want a relaxing driving game. I want to start in New York and end up on the Santa Monica pier, and I want to stop at motels, watch local TV, step outside and hear the crickets before I go to bed. Flight sims give you this sense of real-time ordinary life; why not driving games?
Bingo. This goes right to the heart of what my fantasy has been for years and years: a driving simulator where you can just travel freely on any road, going wherever you want to go, exploring the entire world-- the same kind of thing you could do in real life if not for the realities of having to buy gas, pay for hotels, take time off work, deal with car trouble, get pulled over for speeding in strange states, and so on.
It's getting to the point where that's possible, if not inevitable. Flight simulators now map very crisp satellite imagery onto selected regions of the world; it'll only be a matter of time before everybody has enough disk space (if the map detail is kept locally) or bandwidth (if it's streamed from a server on demand) for the entire world to be mapped, and you can explore any area you feel like without the terrain expanding into big flat bitmap chunks as you land or suddenly giving way to generic "filler" terrain. That's coming, and it's only a couple of years away.
Likewise, and this is only likely to be a little further off, a driving simulator could map all the roads in the country-- terrain and elevations and vegetation would have to be modelled a lot more finely, but it's doable-- and buildings and bridges and mailboxes and retaining walls and other cars could all be modelled fairly simply.
The barriers standing in the way of doing that today, or with any given level of technology, is simply a matter of storage space and CPU power and RAM availability and bandwidth, and those things will all increase with time. But there's a slightly more annoying problem, too: national security.
Flight simulators like Microsoft Flight Simulator and Fly! are apparently barred from going into more detail with their terrain maps than GPS units are allowed to display, because of the possibility that such detailed locating mechanisms could be used for targeting in, oh, a terrorist attack involving a guided missile. Legal regulations limit the precision of GPS devices (as used in cars and hiking gear) for precisely that reason, and so presumably any further detail to which sim games might go will be hampered by this little issue.
Unless, of course, all the roads and map elements are given a certain, imperceptible amount of mapping jitter... just take the map layout, apply a grid to it, and do a very slight deformation to all the points on it, warping the map to fit. That way the location data would be useless for anything real. This would be less feasible for flight sims than for driving sims, but not insurmountable. Even the tiniest of warpings to the map would put the uncertainty of the accuracy of any given point well into the hundreds-of-feet range, which is comfortably beyond the feds' limits of discomfort.
So, yeah-- don't worry, James. It's coming. Yeah, I was disappointed as hell to find that 4x4 Evo denied you the pleasure of just driving around in beautifully-rendered mountains exploring in favor of reckless racing; but one day it will all be here-- the game where you get to drive to Santa Monica, the game where you get to fly to Great Slave Lake, the game where you get to walk around town and talk to storekeepers. That's the future of gaming that I'd like to be able to enjoy.
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21:18 - Okay, that was a rather surreal little scene...
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I was in Taco Bell waiting for my food. As I stood there, a girl came in the side door carrying two Round Table Pizza boxes (there's a Round Table across the intersection). She passes the pizzas over the counter, and the Taco Bell guy hands her a bag full of tacos. They exchange brief pleasantries, and she leaves.
I had to blink a few times. No money exchanged hands-- just food. It was like the barter system! "Do this often?" I wanted to pointlessly ask.
Makes me wonder what the world would be like if the only possible businesses were restaurants-- like we'd passed the Shoe Event Horizon, only with food. People would make food, exchange food with each other, buy things with food... hey, it's like the Martians from War of the Worlds who don't bother with food because they just suck out the blood from their victims and thereby bypass all that tedious digestion stuff. Hey, we've already taken the first step-- and I saw it, right here, tonight!
C'mon, everybody: Shut up, Brian!
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19:10 - It's not going to get any better, folks...
http://finance.lycos.com/home/news/story.asp?story=26200929
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Goodie, another security vulnerability in Passport and Hotmail.
In this instance, however, the keys to the exploit are actually hidden within the source code for the Hotmail login page. The code, visible to anyone knowledgeable enough to select "View Source" from the menu of their Web browser, reveals a "hidden" field that -- when populated with the desired username, saved as an HTML file and executed in a Web browser -- produces the targeted user's "secret question."
"Cisco Kid" -- the nickname for the hacker who helped to develop the exploit, said Microsoft simply has no good explanation for leaving something so central to authentication in plain text.
One would think, "Gee, XP has been released, Passport is in use, and all this centralized user-management and privacy and authentication stuff is surely all figured out and bulletproof by now, isn't it?"
Well, guess what: it isn't. It's not getting any better. Every time some new Microsoft service comes out, there's a whole series of security exploits in it just waiting to be discovered. They're never going to "get it right". It's just not going to happen. If you're waiting for them to amass enough knowledge and expertise not to make stupid mistakes like embedding cleartext challenge data in the page source at Hotmail, you may as well wait until the heat-death of the universe before using Passport or .NET, like I'm doing.
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19:00 - Imagine if you will: A world without chocolate...
http://hikeryote.blogspot.com/2002_02_10_hikeryote_archive.html#9653875
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Hiker blogs about a worldwide cocoa shortage (the horror!):
The space at the grocery checkout reserved for candy bars will be a void, and the void could be filled by anything... like more tabloids! And more tabloids leads to more rumors about celebrities, which leads to massive trouble for Hollywood. The lawsuits and bad blood would destroy the entertainment industry. All because you can't get a KitKat.
Hmm... you know, "Tabloids" actually sounds like a decent candy...
But I don't think there are any two English words more horrifying than the last two words in his post.
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18:55 - Yay, Telstra!
http://it.mycareer.com.au/opinion/macman/2002/02/14/FFXM2MNFNXC.html
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Here's a sane, reasoned article that lays out the facts about Apple and its place in the computer industry without any flowery prose but with plenty of optimism-- just the kind of thing that puts dimples in our cheeks.
But what made this one notable for me was the addendum at the bottom:
Telstra, which had previously said gloomily that it wouldn't any time soon be supporting Mac OS X on Australia's biggest Internet service, has relented and recently told anxious Mac users that it was training staff in OS X and would be up to speed by April.
Hear that, everybody? Not every PR announcement about a company's support for Macs is about how they're stopping it. It's starting to go the other way too, now, for the first time in a while. This along with the new interest among game developers in OS X as a design and build platform makes for some pretty encouraging under-the-surface news.
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10:59 - EU wants to regulate orchestras' noise levels
http://news.bbc.co.uk/hi/english/entertainment/music/newsid_1815000/1815904.stm
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Have you ever wondered what America would be like if the Teamsters and AFL/CIO ran the government? Well, you need wonder no more.
The directive has already been agreed by Britain and other EU member states and will receive a second reading in parliament later this month.
The parliament wants to reduce the decibel limit of noise in the workplace to 83, the point at which workers have to wear hearing protection.
A single trumpet is said to play up to 130 decibels and the ABO fears that the directive would effectively silence performances.
Libby MacNamara, director of the ABO, told BBC News Online: "It will stop us playing any loud music whatsoever, affecting almost of all of the pieces played by orchestras."
Well, they've certainly succeeded in making me speechless.
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10:51 - Okay-- three points on that one.
http://www.appleturns.com/episode/?id=3559
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On As the Apple Turns yesterday--
...Candid talk from Apple's senior director of hardware, Greg Joswiak-- who, as his name indicates, also holds the enviable position of being the world's first sentient being cloned from the spliced DNA of Steve Jobs and Steve Wozniak.
Maybe I was just in the mood for it, but I don't know when the last time was that I laughed so hard at work. But I'm sure it was at something else on AtAt.
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09:30 - Yeah, I knew the old fart was cool...
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Greg Kihn, the aging rocker who does the morning show on KFOX (San Jose's classic rock station), just took a few minutes in one of the little interstitial monologues to talk about how his son Ry just got himself an almost-new G4/733 from eBay (for about $1100) and the necessary software to outfit himself with a digital recording studio and start recording tracks like Jars of Clay does.
Greg then went on to mention how he has one of the original iMacs-- "Back then it was the fastest thing in town, and now it's the slowest thing in town"-- and said he's probably going to be getting one of the new iMacs later this week. I oughtta keep my ears pricked up.
(In the next interstitial he mentioned how Apple used to give the station new equipment to review and talk about on the air-- but those days seem to be gone.)
Now if only KFOX would provide their online stream in something other than Windows Media. Grrr...
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| Tuesday, February 12, 2002 |
00:11 - Dunno if Britney'll like that, though...
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000315.shtml
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I seem to have oversimplified a bit in my blue-sky blatherings on software and music piracy-- specifically, in trying to lump music and software piracy into the same bucket. This really doesn't fly as much as I'd hoped it would, as USS Clueless points out in a direct response (wow, a first for this young blog!).
I find myself trying to apply the same kinds of standards to the question of pirating music and pirating software; it's not staying put in my brain. I can't keep the argument steady. Some days it seems that exactly the same rules apply to the two industries, and other days I find myself trying to write about them in the same paragraph and failing to complete sentences in the same hour that I begin them.
But as den Beste points out, the two industries are on very different footings already; the software industry is still new, and they've never sold anything that couldn't be copied by users and hence manufactured without raw materials. The music industry started out in a publishing metaphor, under the assumption that consumers wouldn't be able to make free copies-- and then had to adjust to such developments as they came along.
So, okay, the software industry gets to price products into the hundreds and thousands of dollars, primarily deriving those price points from the large-scale corporate installations that account for their actual, measurable market share, rather than from how much Joe Hotmail is willing to pay for a copy of Photoshop before he gives up and grabs a cracked copy. This has been pointed out to me by numerous people-- the software world takes piracy into account in their business models, and pretty much always has.
Whereas music keeps getting sold for $15 a CD, of which less than a dollar might end up going to the artist. I refer to the Courtney Love article at Salon for an entertaining first-hand view of the subject, biased though it might be.
Software engineers don't tend to need, want, or expect to be compensated in the same way as Courtney Love has been.
So, yeah, music might benefit from being sold as a "perishable" item, like a magazine-- after all, Newsweek doesn't care if you Xerox it, and they put all their content online anyway. It's all ad-driven revenue. That's what all solutions seem to come back to: ad revenue. But let's extend the metaphor (I'm not actually trying to make a point here, just exploring the thought): Music could be published in online "albums", without much regard for digital rights or anything in the music stream itself-- plain old MP3s (or a clearly superior successor) would do. But the online "album" would be a website-- full of information on the band, biographies, reviews of the music, artwork, lyrics, message boards... in other words, the evolution of what currently passes for album art.
Are there ways to encourage people to buy original albums instead of doing downloads? Sure. Ironically, one of the best was lost in the transition from LP to CD: album art. There still is album art, but it isn't possible to do it well in 25 square inches. The old 12" album, especially if it had foldouts or multiple pages, could carry a lot of excess material over and above the material on the record itself. Two examples from the golden age of album art: Thick as a Brick, and Yessongs. But there may be other ways, such as holograms on the CDs.
Hey, screw the physical media-- let the imagination run wild here. A definitive web album for the music-- run by the record companies and with content produced by the band, and containing ads for revenue and possibly "pro" features (cool interactive games or streaming movies, for instance) to collect more fees, the fees currently realized by magazines in the form of subscriptions-- which has the music itself in the definitive, downloadable form. Sure, you could download the songs and then P2P them to each other. But why bother, if it's freely available right from the source, with so much value-added digital material available right there? I think fans would flock to the sites if they were definitive. A bare MP3 without all the attendant features would feel like a 2nd-generation copy of a movie taped off TV with commercials versus a DVD.
Are record companies currently padding their prices on the assumption that some CDs are going to suck, or be 14 tracks of crap and one hit, so they can count on getting the full price even from someone who just wants the one hit? Are most artists afraid of their own filler material, as Courtney accuses? If so, then a model where music is available in unfettered digital format online where people can pick-n-choose what they want to hear might indeed encourage artists who rely on filler to sort of fade away. But then, is that a bad thing? Probably not, except the big question that remains is one of numbers. How much would the loss of all that filler hit the labels? How much advertising would be necessary in order to make up for lost CD sales? How much money could they save by not having to make and distribute so many CDs? Is there an equilibrium among these variables? I suspect there is, but it isn't going to be at a point where the current number of active artists or the current market caps of the record labels would be able to remain the same. Those figures would have to change. A lot.
But now, the more I think about it, the cooler this seems. People do want to have their materials from a "definitive" source. They like feeling like they're getting the real thing, not a copy of a copy of a copy (even in digital media, it's still an uphill battle finding an MP3 that's free of encoding glitches or an MPEG where the quality is tolerable and the little end-pieces and bugs that get tacked on by the people who do the encoding aren't too obnoxious). The world of P2P is hardly one where pristine media is ubiquitous. Far, far from it.
I do have a lot of MP3 files-- about 90% of them are ripped from CDs I own, and almost all the rest are from friends I already knew rather than faceless Gnutella sources. I'm not exactly a typical example, I realize. But the problem with audio piracy is founded in the whole "high-volume copying" thing; making one or two copies to share with friends is noise, but putting it online for a million people to download is a big statistic. So I guess the way the industry needs to change is by looking at what people find compelling about P2P sharing, improving on that experience, and providing the same service for free and with better value-adds. Advertising is a small price for the consumers to pay for online albums... and we'd still be able to fill our iPods to our heart's content.
Let's just hope those numbers work out, eh?
(Oh, and by the way-- the aspersions in my previous post on this topic that I cast upon people making up excuses and justifications for piracy-- I wasn't aiming those at den Beste, but at the general atmosphere and mentality that I'd been picking up and responding to in earlier messages. No commentary on the ethicality of what den Beste suggests was intended.)
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17:42 - QT6! QT6! QT-- aaaaAAAgh! Nooo!
http://www.apple.com/pr/library/2002/feb/12qt6.html
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Argh! So close and yet so far.
QuickTime 6 was previewed today at the QuickTime Live! conference; it would have been released for general download, except that Apple is delaying the release until the licensing terms for MPEG-4 are improved.
The MPEG-4 licensing terms proposed by MPEG-LA (the largest group of MPEG-4 patent holders) includes royalty payments from companies, like Apple, who ship MPEG-4 codecs, as well as royalties from content providers who use MPEG-4 to stream video. Apple agrees with paying a reasonable royalty for including MPEG-4 codecs in QuickTime, but does not believe that MPEG-4 can be successful in the marketplace if content owners must also pay royalties in order to deliver their content using MPEG-4.
“MPEG-4 is the best format for streaming media on the web, and QuickTime 6 is the first complete MPEG-4 solution,” said Philip Schiller, Apple’s senior vice president of Worldwide Product Marketing. “MPEG-4 is poised for great success once the licensing terms are modified to allow content providers to stream their content royalty-free.”
So at least it's for a good cause. MPEG-4 owes a lot to QuickTime-- its file format is based upon the QT standard, and Apple has been instrumental in its development-- but Apple thinks it won't take off unless the licensing body (MPEG-LA) allows people to provide content without having to pay a royalty fee for the privilege of using the codec.
Hmm... okay, so the biggest codec provider for the new standard is holding off on releasing the player until they can force the standards people to let random folks on the web post videos for free download. Sounds pretty reasonable to me. And it sounds like it has a fair chance of succeeding, too-- after all, MPEG-4 can't exactly take off without a player to let people see the content, and Microsoft is certainly doing everything in their power to get people to forget open standards like MPEG exist. Real seems to be supporting MPEG-4, but so far the licensing terms-- which Apple is protesting by not releasing QT6-- prevent anybody from streaming Real content in MPEG-4 without having to pay.
Seems to me that MPEG-LA has nowhere else to turn; they can hope that somehow Real/MPEG-4 content will take off, royalties and all, but I don't think that'll happen. Content providers will just use DivX, like they're doing now. If there's one lesson we should have learned by now about technology, it's that people will always adopt an inferior technology if it's free and the superior alternative costs money.
DivX is okay, but ill-supported outside of the AVI framework (which is decidedly non-cross-platform). If MPEG-4 can reach critical mass, the AAC audio, interactivity, and downwards compatibility will be a better deal all around than DivX, with its MP3-based audio and its focus on non-streaming movie content. We've got something good waiting in the wings here; MPEG-LA had better realize that and let people start jumping on board before Microsoft releases some competitor codec that only needs a foot in the corporate door before it'll be accepted as the de facto standard.
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11:52 - iLuxo Has Arrived!
http://www.apple.com/hardware/ads/newimac.html
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The long-awaited Pixar iMac ads are up-- and they're quite funny indeed, as is anything Pixar makes. There are two of them-- one 15 seconds long, which should be called "Navel Contemplation"... and the other, 30 seconds long, which has the iMac shakin' its thang to a degree that only Lasseter could have envisioned.
The model doesn't even squash-n-stretch much, if at all; it's really a great example of why Pixar is the leader when it comes to CG animation and bringing just about anything to life. When 2D animators go for jobs at Disney, they're tested on their ability to animate a sack of flour in classic Frank & Ollie fashion. In 3D, the gold standard is Luxo Jr.
What's especially funny is how the little R2D2-like bleeps and chirps the iMac emits are so much like those in the Luxo shorts-- only different, like the iMac is Luxo's long-lost dot-com millionaire cousin. I'm glad they're playing up the resemblance in just the way I thought they might; people can't make fun of its lamplike shape if even Apple touts it as being related to a lamp, right? Besides, it's too cute to hate.
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10:07 - Okay, that I like...
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Apparently someone in the press asked the captain of the U.S. luge team what his strategy was. He said, "Lie flat, and try not to die."
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| Monday, February 11, 2002 |
03:24 - Aaaaaahhh! Take cover!
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...Okay, so the powerful, penetrating wave of crackles and booms that swept over the Valley from about 11:55 to 12:30 were the fireworks from the Chinese New Year tickover-- it's really amazing hearing how much more lively this is than on December 31. Perhaps "lively" isn't even the right word-- maybe "apocalyptic" is closer to the mark. It was loud... and all that just from ground-level type firecrackers.
After I realized what it was (Homecoming? Terrorist attack? Oh wait, it's midnight and February!), it was really fun to listen to. Oddly reassuring to know that there are so many people living in San Jose having such a good time with the occasion. Happy New Year to all of those folks.
Homer sleep now....
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19:27 - Piracy-- a different tactic
http://denbeste.nu/cd_log_entries/2002/02/fog0000000307.shtml
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This one's from USS Clueless; den Beste notes that the software and music industries are starting to rethink their strategies in order to exist in an environment where it is assumed that piracy will happen, rather than to simply try to keep people from doing it.
I just have one question, though: Doesn't that amount to the companies condoning piracy? And if so, why should anyone pay for software? If the companies are effectively giving away their software and music (which is what they'd be doing, if they don't try to enforce IP rights), what incentive is there for anyone to buy the genuine article?
As long as music can be reduced to audio, it can be redigitized and converted into an unprotected MP3 which can be distributed online. No amount of digital protection can prevent that. So far most pirated music is digitally converted mostly because that is still easy. But if it is made impossible technologically, an analog redigitization won't be enough worse in quality to affect this. And any computer with a sound card sold in the last ten years is capable of doing this.
The music industry must go through a psychology change. The problem now is that they see pirated copies as representing lost revenue. They count up each copy as one they were not paid for.
The customers don't view it that way. To the customers when they buy the material, they also think of themselves as buying the ability to make some copies of it. They want to be able to play in on their stereo, but they also want to be able to make compilations of the music in the order they like, and they want to be able to copy their favorite tracks or even whole albums onto portable players. This is not viewed by the customers as being piracy; it's considered a value-add for the product itself. It is part of what they think they are buying.
As long as the industry doesn't see it from that point of view, they will continue to try to fight the future. No industry can ultimately survive if it thinks of its customers as enemies; ultimately the industry has to adopt the point of view of its customers and cater to their desires.
You cannot sell someone what you want them to have. You have to sell them what they want to buy.
This genie first escaped with the first "product" that could be manufactured effectively for free, by the end user: digital data. It plays by different rules than physical objects which have to be manufactured by the company that invented them, for a certain cost, using certain processes. Certainly it's reasonable to suggest that we need entirely new laws to handle this kind of monkey-wrench thrown into Adam Smith's beautiful but second-millennium model of economics. But we're still left without any guidance as to what those new rules might be.
The industry has to start thinking of the glass as half full. The copies stolen are not lost revenue; what they are is copies of ones where were bought. If the pirated copies did not exist then the purchased ones would not have been sold. The pirated copies are actually an indirect source of revenue.
I get the feeling that there's a valuable and important point in here somewhere, but it seems to have gotten garbled somehow. Pity.
There is no technical or technological solution to this, and also no legal one. When 50 million people break a law, it is the law itself which is suspect.
Okay, fair enough. But if the solution is for the music and software industries to 'create its own equivalent of "cable TV"'-- to stop being old-school, ultra-conservative content vendors and become innovators in content delivery to a degree that hackers can't match, then it's effectively suggesting that the music and software industries will have to be completely torn down and replaced with something so different as to be unrecognizable. Pay-for-play (or tip-for-play) Napster? Ads embedded in Word? If the product is free, the only way for the producers to make any money is through the consumers' good will-- and I don't think any consumers will be willing to cough up thousands of dollars to support the development of software like Final Cut Pro or Maya. And can you imagine corporate enterprises with budget line-items looking like this:
"Corporate rollout, Photoshop; 1270 installations; total voluntary donation: $1,000,000"
Maybe the model of paying individually for pieces of software is all wrong. Maybe what we need is a model whereby companies develop software under government contract, provide it ubiquitously, and collect payment from the government in the form of taxes, or public utility bills. That's how we get our freeways and our sewer systems. It's that way because only the government is equipped to provide those things, and because you can't very well steal something that's ubiquitous, can you? It provides the fulfillment of the people's need so that nobody has to build their own roads or dig their own sewage ditches, because it's all handled for them better than they could handle it themselves.
Radio is a "utility" that nobody steals for the same reason. It's ubiquitous, and the costs for it are hidden in advertising. The key to stopping music piracy is to provide the equivalent of radio-- an always-on, at-the-fingertips source of on-demand music and media that can be received anywhere and without any explicit payment. This can be done; things were this weird at the beginning of radio, and they'll have to do the same kind of feverish standardization and technological development that they did back then. The question is whether the companies will be willing-- or able-- to be disbanded or restructured as appropriate to achieve these goals.
Until that's ready, though, the laws are the best they can be according to the current rules. Declaring a New World Order and saying that the old rules don't apply is not an excuse for breaking current laws. Yes, a revolution is coming, but don't go guillotining patricians just yet. You may be glad of the bargaining power you'll retain if the companies don't have to see you as such an enemy.
And for God's sake, let's lose the ludicrous after-the-fact justifications for piracy, huh? If you're going to break current IP laws, at least own up to it and show some good faith that you would pay for the software if you had the means. Don't make up stuff about how piracy is really what makes the world go 'round, and how people are all really entitled to having everything for free, and blah blah blah. "Suffering needlessly"-- Jesus Christ.
At any rate, it'd sure be nice to see WMA and SDMI completely fail and MP3 remain popular, wouldn't it?
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16:42 - I saw this, and immediately thought of you...
http://www.newscientist.com/news/news.jsp?id=ns99991910
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A large quantity of fossilized dinosaur vomit has been discovered in England.
A co-worker of mine apparently received 11 e-mails from friends pointing him toward this URL within about half an hour; he's rather dismayed that "fossilized dinosaur vomit" made so many of his friends instantly think of him.
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16:29 - Moment of Zen
http://www.griffintechnology.com/audio/pwrmate.html
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PowerMate: The Ultimate Assignable Controller
The PowerMate has a beautiful polished aluminum finish and an amazing feel. The brilliant blue LEDs give it a floating futuristic appearance. And the glowing base dims and brightens to reflect the volume level of your computer. And we did not stop there. We included all of the small things that customers have come to expect from us including a pulsating base when your computer is asleep and adjustable brightness level of the glowing base.
Yes, but... it's... it's a knob.
Or am I missing something crucially important?
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12:11 - Another for the MS Outbreak Files
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It has been a constant source of amazement to me that people are still willing to use Microsoft Outlook, even after exploit after exploit and vulnerability after vulnerability are revealed along with completely stupid workarounds or solutions from Microsoft. People just keep absorbing the risks and inconvenience, and then they're surprised when they get viruses or stealth ad-ware trojans.
This new revelation, posted by Bear Giles to the comp.risks newsgroup, is so good I have to simply quote it in its entirety.
Yet another Microsoft Outlook exploit is on the loose... and this time the arrogance of the recommended solution is breathtaking. The problem is the built-in support for UUENCODED text within the body of a message. Prudent programmers will use a starting pattern such as
"\n\nbegin ([[:octal:]]+) ([^\n]+)\n"
and subsequently verify that each line has the expected format. Even checking only the first few lines (e.g., verifying that the first character correctly encodes the length of the rest of the line) essentially eliminates any chance of a false hit.
Sadly, it will surprise few people that Microsoft cuts straight to the heart of the matter. If your line starts with "begin " (possibly with two spaces), Outlook/Outlook Express WILL interpret the rest of the message as a UUENCODED attachment. It doesn't need a preceding blank line, nor a following octal number. It doesn't need subsequent lines that actually look like UUENCODED data.
There are some reports on slashdot that later versions of O/OE have discarded the "view source" command, with the effect that the rest of the message is permanently lost to the user. The use of this bug as a DOS attack on mailing lists that use a 'digest' approach is left as an exercisefor the reader.
Naturally, it hasn't taken long for the malware writers to jump on the bandwagon. All you need to do to get around the "strip executable attachment" killjoys is to put the malware right in the body of the message! Just start a line with "begin 666 www.myparty.yahoo.com" and you're off and running!
Microsoft's official position, at http://support.microsoft.com/default.aspx?scid=kb;EN-US;q265230 , is stunning in it's feeble-mindedness simplicity. We, and by "we" I mean every person on the planet who may ever send a message to an O/OE victim user, or have a message forwarded to such users, are advised (with editorial comments) to:
* not start messages with the word "begin"
(actually, it's *any* line starting with the word "begin". And that's effectively a ban on the word "begin" for anyone using a mail agent with transparent line wrapping, e.g., the web mail portals that some ISPs are pushing.)
* capitalize the word "begin," even when used within a sentence. E.g., "We will Begin the new project when Bob returns from his vacation."
* Use a different word such as "start" or "commence." E.g., all training materials for new Visual Basic programmers shall henceforce refer to "start/end" loops instead of "begin/end" loops.
Microsoft's justification for suggesting a significant change to the English language instead of fixing their bug is given as:
"In a SMTP e-mail message, a file attachment that is encoded in UUencode format is defined when the word "begin" is followed by two spaces and then some data,..."
Needless to say there is no citation given for this "fact." That's probably related to the fact that UUENCODE was defined by UUCP, not SMTP, and that every encoder/decoder I have seen requires a leading blank line and a octal file permissions code.
But the damage is done - since malware is exploiting this bug we now get to put into place filters that don't just strip executable attachments or properly formatted UUENCODED blocks, we also have to strip *improperly* formatted UUENCODED blocks!
Bear Giles
Got that? Because of a bug in Microsoft's software, the entire English-speaking world-- not just people using Outbreak, but anybody who might send messages to anybody using Outbreak-- are supposed to avoid using the word "begin". We're supposed to change our use of language to accommodate this stupid software and its bugs.
What will it take? I've been asking myself this for the past four years-- What will it take for people to realize that Outlook is quite possibly the worst piece of network-capable software ever written, and that just because it comes for free on your computer does not mean that you have to use it?
But no, the world is content with things as they are. People would rather have a really horrible, shoddy, inconvenient, insecure product for free or cheap than to pay a little more for a product of much higher quality. This is why Microsoft has won: they realize that the key to sales is price, price, price, at the expense of quality, speed, security, convenience, ease-of-use-- everything. Just price it low enough (better yet, give it away free) and nobody will listen to a word the competition has to say.
Just wait until there is no more competition, and then you get to charge whatever you want.
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11:22 - MT-NewsWatcher, huzzah!
http://www.smfr.org/mtnw/
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At last, at long last! I've been waiting since March 24 for the Carbonized version of MT-Newswatcher to appear-- and now it's finally here! Ha ha ha haaah! No more butt-ugly Classic windows taking up all the vertical real estate and underlapping the Dock so I can't resize the windows! No more choppy graphic display! One more step toward being Classic-free!
...Well, not quite. Apparently the new version doesn't take into account the Dock, so it still underlaps the Dock at the bottom of the screen. Shozbot.
But still! MT-Newswatcher is/was one of three Classic apps that I use regularly, and now that Photoshop is on its way, I'll soon be down to one: NiftyTelnet/SSH. I still need a telnet/SSH client with good session management, automatic login, window preferences, Command-clicking on URLs and other text, and all the other goodies. It still amazes me that nobody has seen fit to Carbonize NiftyTelnet/SSH or any of the other clients that do the same thing. How can people continue to ignore this functionality?
(And please don't tell me "Just use the Terminal"! C'mon... there's a command-line FTP too, but it hasn't stopped people from writing better FTP programs like Fetch and Anarchie.)
At any rate, MT-Newswatcher is finally here, and that's a big piece of my little usability puzzle. Good ol' Simon Fraser comes through in the clutch. Hip hip Hooray!
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| Sunday, February 10, 2002 |
19:11 - This is what Sundays are for...
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It was another beautiful day today, so I did what I've been meaning to do for a long time: I lit up the ZX-11 and rode it down the whole length of Monterey Road.
South of San Jose, the road follows the north-south valley next to the railroad, extending some twenty miles before it gets to Gilroy, where 101 joins it to cover the old route to Monterey. The old road is there between San Jose and Gilroy, though, with few cars and lights that get spaced further and further apart-- though you can see them coming a mile away, a rare thing in the Bay Area-- as you pass through the regions between towns.
The first of these towns that you get to is Morgan Hill, named for the peaked-cap hill just west of the town, part of the southern ridge of the Santa Cruz mountains that separate the Monterey Road valley from the ocean. Morgan Hill is a very surprising little treat to find so close to Silicon Valley: it's an agricultural town, with no freeway nearby and with a downtown area centered around Monterey Road that has diagonal parking on tree-shaded sidewalks for the little shops making up the traditional downtown shopping walk. No strip malls, few gas stations-- even the Rite-Aid is in a stand-alone little red-tile-roofed building, and it doesn't even have a Safeway facing it across an L-shaped shopping center. Very refreshing.
After the downtown area of Morgan Hill, I had my eye out for interesting-looking roads into the mountains that loomed up on the west with enticingly steep little canyons and green tree-terraced hills; I saw Watsonville Road leading off that direction, and made a note of it for later.
Gilroy is next; its downtown is very similar to Morgan Hill's, but the town is a lot more touristy, because of the garlic and the fact that the freeway comes back to meet and absorb Monterey Road there. There are a number of residential streets coming off of Monterey itself, giving the impression that Gilroy is an old-fashioned agricultural town like Morgan Hill, that is trying to fashion itself into an outlier of Silicon Valley proper-- it has a Caltrain station right in the middle of the old tree-lined downtown, the old root-broken sidewalk suddenly turning modern and crisp, with the red-surfaced crosswalks and stick-supported saplings saying "Brand-new! We're modern!" Still no good restaurants in the town, though.
Highway 152 broke off from the middle of Gilroy, though, with signs indicating that it was on its way to Watsonville: Would I like to come along? Well, hmm-- let me check. Yes! I followed it as it beelined for the hills; it wound its gently curving, eucalyptus-lined way down a deep valley full of vineyards and farmer's markets, and then met up with a northward-pointing road: Watsonville Road. Some guys on Harleys were turning onto it. Aha, I thought: I've just discovered my route home. For later. Not now.
As soon as I passed the turnoff for Watsonville Road, continuing westward, the air suddenly turned crisp and cold-- we hadn't even begun climbing or entered the canyon yet, but it was as if the road knew I was on my way up, and was dispensing with the heat just to welcome me. It's the same air that I always feel in the Santa Cruz mountains further north, up in Saratoga, when we're heading up to Alice's Restaurant; it appears the hills feel the same down south, too.
About five miles of entertaining, uphill twisties under a dark canopy of trees later, the road reached the crest of the hills-- and it was brought home to me in an instant just how razor-narrow this ridge of the mountains is, because I came around the last curve to find bright sunlight staring me in the face: the westward-sinking sun over a broad valley, spread out under me like the vistas from Quimby Road-- not quite as dramatic, but every bit as pretty. There's even a turnout with a wall for sitting and staring, right where the road comes out of the trees. And of course I had no camera.
Ah well. The road comes down from there down the escarpment-like westward slope of the ridge, reaching the floor of the coastal plain after about three miles. And then it was Watsonville.
This town-- well, this agricultural community is only separated by a narrow ridge from the tech and suburban centers of Cupertino and Saratoga and Los Gatos, but you'd never know it from looking: this town looks more at home up in Northern California somewhere, or any place hundreds of miles away. It's got pickup trucks and farmer's markets-- no fruit stands, those are for tourists; and this is no tourist town. It's a real, live rural community, but one with a surprising dash of Japanese restaurants sprinkled in among the taquerias and burger places.
It's also bigger than it looks at first. You see the "city limits" sign, you see a few downtown-looking buildings, and you think you're through it. But then you look down the road and see that it just keeps getting thicker and thicker with houses (not the modern big-block stucco-walled clay-tile-roofed tract homes, but real live individuals' houses) and businesses, and then finally-- it gives you plenty of warning, but somehow it still comes as a suprise-- you find yourself in a real, live, honest-to-goodness downtown. There's even an ornate, early-20th-century-looking hotel of about six stories right in the middle; you turn around it, and the buildings suddenly look modern and cosmopolitan, and the streets canyonlike; it's as though emigrants from Monterey and Ojai started their own little colony, and tried to make it look like Pasadena. And then there's that green, flowing ridge of hills at the edge of town-- it's really fantastically attractive.
So anyway, I headed back just before sunset, bypassing the vista point at the ridgetop so as to have as much light as possible; I didn't, however, try to keep up with the squid gangs on their Hayabusas and Ducatis that kept passing me on tight inner corners. I'm still a beginner, guys; I'll catch up in a year or two. So over the ridge, through the chilly tunnel of trees, and out into the dim valley of Monterey Road again. Except this time I took Watsonville Road, which was almost deserted of cars, full of great straightaways, and a helluva lot of fun. It met up with Morgan Hill where I'd seen it on the way south, and I was back on course.
Having now seen the western, off-the-beaten-path region of Morgan Hill, I know now that it's got a rather large residential area after all-- a modern tract-home area, as a matter of fact, with lots of little twisty roads, and even a posh enclave called "Sorrento" with palm trees and a fountain. People were walking around on the crisp, new sidewalks in the dusky air; it was oddly comforting. I noticed more hints of 2002 on Monterey Road, too, including a coffee shop with a pointed cupola on a gazebo that matched up whimsically with the profile of the Hill behind it. I'll definitely have to bring my camera next time.
So, back up Monterey, then up Silver Creek Valley Road, and so back home. And the motorcycling season has officially begun.
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12:33 - Another Olympic Perspective
http://samizdata.blogspot.com/2002_02_10_samizdata_archive.html#9566729
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This one is from David Carr on Samizdata:
Short of that I think I'll pass because former footsoldiers of the East German secret police dressed in sequin jumpsuits and doing triple-salkos is the very antithesis of my idea of entertainment and is it just me or is there something disturbingly reminiscent of the Nuremburg Rallies in those torchlit opening ceremonies? For sure the sight of all those glowing hopefuls being paraded around in their humiliating 'national costumes' with a 'Strength-Through-Joy' grin on their faces has a jumper-over-the-head factor of about 50. Those about to die of embarrassment, salute you!
I suppose it would be extravagantly churlish of me not to mention the transformation of Olympic events from taxpayer boondoggle to corporate sponsor-fest which, at least, has put a stop to the bankrupting of cities in which the spandex-circus was unfortunate enough to land. In those days they were not so much athletes as locusts in lycra, devastating a whole landscape before buggering off and leaving behind grand white-elephant stadia like monuments of a long lost race.
But corporatisation has had the unfortunate side-effect of morphing the games from dull and condescending expressions of post-war aspiration to multi-culti clappy-happy jamborees in which we are all supposed to enthusiastically join in North Korean style.
I suppose this one's noteworthy because it takes a about as dim a view of the Olympic ideal as I do of football, though of course this one is better written than my football rant was. Still, I don't find the Olympics quite as objectionable as football, if only because without them, most Americans wouldn't know that other countries existed.
That's another fun point: The only way in which most Americans see other countries as meaningful is when they're treated as sports teams.
"Yeah, man, I'd like to see Russia go up against the Sharks!" Am I the only one who sees just how ridiculous is the concept underlying that statement? And yet we hear it all the time during the Olympics.
Good thing? Bad thing? I'm not prepared to say.
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12:24 - Cat Haiku - a chestnut for us all
http://www.astraeasweb.net/cathaik.html
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This is only one URL of thousands for this same list of Cat Haiku... it's been traveling the Internet for some time, but it deserves to have attention drawn back to it on occasion. Especially for readers such as Hiker and my parents who will undoubtedly find it riotously satisfying.
The rule for today. Touch my tail, I shred your hand. New rule tomorrow.
Grace personified I leap into the window; I meant to do that
Wanna go outside. Oh, crap! Help! I got outside! Let me back inside!
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| Saturday, February 9, 2002 |
02:42 - More Sage Words from Up North
http://www.globeandmail.com/servlet/GIS.Servlets.HTMLTemplate?tf=tgam/columnists/Ful
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Rex Murphy of The Globe and Mail-- a Toronto paper-- shoos away whatever impressions might be lingering that we're under any moral obligation to treat the Guantanamo prisoners as anything other than virulent protozoa:
As dear Osama has spelled it out, the women and the children, the armed and unarmed, adult or embryo -- all are agents of the "great Satan" and therefore legitimate targets.
We can summarize these "rules" succinctly. Al-Qaeda can kill whom it likes, when it likes, for whatever reasons it likes, by any means and in any number it likes, while operating in stealth and secrecy among its target populations.
Given that this is a fair accounting of the group's modus operandi,on what grounds will anyone argue that these people are entitled to the protections of the Geneva Conventions or any other convention? They have no entitlements. They forfeited, by their actions, such entitlements. If they are being treated by those protocols, it is by the moral largesse of the U.S. military.
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17:29 - Software Piracy-- of course! It's actually good for us!
http://users.volja.net/unciaa/index.html#12
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Unciaa says:
Suppose we're talking about software that is really good and people would be willing to purchase. What then? Well, see, another problem appears- people have limited budgets. A lot of people cannot afford to live by almighty rules that essentially say "I would rather use nothing than a stolen program". If you live by those rules, I have a sneaky suspicions you're also one of the people that can afford all their software, but I can assure you that a lot, nay, most people aren't that lucky. They have a limited budget and they don't want to suffer needlessly just because they don't have enough income to pay for all their software. And sometimes it's also the case of the product registration and payement being too much damn trouble to be worth it. Your average computer user, one that uses their computer for more than that one Office copy that is, is between 15 and 25 and less than half of those have credit cards or the ability to send checks.
Of course... how could I be so short-sighted? Some people can't afford sophisticated software. So of course they're going to pirate it! How dare you be shocked? After all, everybody has a right to own the best software, but only the rich should be required to pay for it. Hey Ferrari! I'm suffering needlessly because I can't afford a 360 Spyder, you heartless bastards!
I tell you, I am getting reeeeeeally sick of hearing people come up with ways to justify their breaking the law. "Oh, if g4m3rZ are made to stop pirating games, they won't buy them, and the hardware manufacturers will stop innovating, and the hardware and gaming industries will collapse!" Uh-huh, and remember when Bill Gates said that the US government had better not punish Microsoft, or the American export economy would collapse-- because Microsoft is such an integral part of the country's financial well-being?
What this all is code for is that people are using software that they couldn't in their lives afford to buy, all because they found a cracked version somewhere; and because the cops aren't actually knocking on their doors, it's much easier to sit and poke at a straw-man argument and preen about how they're really the moral majority, than to stop using the software that they have stolen. I'm sure their tune would change if the cops did come knocking; but until then, using pirated software isn't "stealing"-- it's just a natural material welfare system! Yeah, that's right! It gives people the tools they need and want, but you only have to pay for it if you're rich and too stupid to see the light!
It'll certainly be a beautiful world when the whole free-market economy has converted over to the rules of software, won't it? High-school kids will own Mercedes and Ferraris, street bums will be able to have houses if they want, and companies will be able to refuse to pay corporate taxes if they don't feel like it-- as long as they're too small or poor to pay what the government says they owe. Oh, glory to the future! Bring on the Golden Age! Hail the insight of the Free Thinkers of the Internet Revolution!
Sheesh.
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17:06 - Ouch!
http://slashdot.org/comments.pl?sid=27697&cid=2978632
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A Slashdot reader comments upon the state of Linux, and damn it's funny. I can just picture this dialogue in the mouths of the guys from Penny Arcade.
What's even funnier is the shrieking responses. The truth hurts, don't it?
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16:51 - Macs are Good, Wintel is Evil-- so says "24"!
http://www.macobserver.com/article/2002/02/09.1.shtml
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A Mac Observer article on Fox's new show "24"-- in which the good guys use Macs and the bad guys use Wintel machines. Even down to the viewer being able to tell who the traitor is among the good guys, or the undercover person is among the bad guys.
Cute... very cute.
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16:23 - Quimby Road
http://homepage.mac.com/btman/PhotoAlbum3.html
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It's the price I pay for getting up late on weekends: by the time I was out and looking for lunch, the sun was past the middle of the sky and was starting to back-light the western hills, the ones that form the backdrop to the great panorama you get from Quimby Road. But it was still a better sky than I'd seen all winter (the clearest skies around here tend to come during the summer; winter tends to be smoggy and gross), and so I grabbed my camera and headed up the mountain. Lance and I had gone up there a number of times on our motorcycles, but I'd never before remembered to bring my camera.
I had to park at the very summit of the pass, the only place where the road straightens out and where a car can be parked-- except, of course, they've put up "NO PARKING ANY TIME" signs all along that stretch just to annoy people like me. So I put my car on the shoulder of the driveway of a ranch that sits at the summit, and walked back down to the corkscrew. I hadn't counted on the distance from the corkscrew to the summit being about half a mile of very steep ground. By the time I got back to my car, the bicyclist who I'd passed laboring his way up the mountain had passed me again while I was taking pictures, and again on his way back down. I passed him a fourth time in my car as I engine-braked my way back down to the valley floor.
My only regret now is that I didn't have a bigger memory card in my camera. I oughtta pick one up.
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14:18 - Ah, I knew there was a reason...
http://www.apple.com/imac
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Dave brought up an interesting point last night, that he'd read about somewhere: The iMac's ports are all arranged along the back as part of a conscious design decision, so that if a six-year-old grabs the machine and decides to carry it across the room without unplugging the cords, the base will swivel and the cords will all pull out. It couldn't do that if the ports were on the front, as many pundits have suggested would be a better idea.
Anyway, it's a gorgeous day in the Bay Area, and I'm going up into the hills to take a walk and some pictures.
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13:06 - There's nothing to worry about...
http://www.apple.com/powermac/
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I was in Elite Computers yesterday over lunch, oogling over the one display iMac they have until they start shipping in quantity (around the end of the month) and I can take one across the street for my new desk machine.
They did, however, have one of the dual-1GHz PowerMacs on display, with a Cinema Display and all the trimmings; I thought I'd fiddle around with it and see how well it trotted. Forget Quake frame-rates and so on, I want to know how fast it loads apps and switches windows and stuff.
Well, DDR RAM or no DDR RAM, this thing is a monster. I didn't have a stopwatch or anything, but I got a good subjective idea of how it moves-- I'm used to my single-450 G4 at home, where in order to launch IE, it goes "click"... 2 seconds, then "title card", then two seconds, then full browser up and ready. Not unusably slow, but I've certainly seen better. (A fair comparison on Windows, by the way, would be launching Netscape from a cold start-- because IE is now effectively a kernel process, meaning that it launches as instantly as a folder window.)
So on the dual-1GHz box, from click to title card to ready, takes about as much time as it takes to say "click-titlecard-ready" as fast as intelligibly possible.
Launching QuickTime? "click...up". Launching Sherlock? "click...up". Launching iTunes? "click....up."
This thing's a frickin' beast, and it will definitely hold its own until the G5s are here-- at which time the 400MHz system bus will make even DDR seem slow. (Imagine, DDR RAM on a 400MHz bus-- 800MHz RAM...)
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| Friday, February 8, 2002 |
03:01 - Some Olympic Thoughts From den Beste
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000296.shtml
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It's been a long time since anyone with breasts actually competed in "Women's" gymnastics. In what is essentially a strength sport, women lose out in strength-to-weight ratio to girls and men. A man is stronger per weight than a boy, but a girl is stronger per weight than a woman. As a result, when you see the pictures of the Olympic gymnastic teams, it looks like a crime is being committed. You've got a whole lot of 13 and 14 year old girls with narrow hips and flat chests running around with men aged between 19 and 25 who are, leave us face it, quite virile. If they were out on the town together they'd all be arrested.
Interesting points...
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00:44 - Well, that's one attack-free day down...
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I watched the Olympic Opening Ceremonies with a bunch of the usual Friday-night friends; aside from the to-be-expected cuts-away to hockey games whenever the Olympics cut to a commercial (and sometimes when it didn't), it was a really enjoyable show. Sure, it's ostentatious and scripted way beyond any hope of being ascribed any spontaneous energy; but oddly enough I didn't much mind.
After the Parade of Nations, the long stage/rink show got underway, and it was awfully impressive. It was an artistic interpretation of the history of the American West, with a ceremony by the Five Tribes of local Indians blessing the games, followed by the involved musical extravaganza with skater puppeteers operating huge (20-foot-tall) puppets that had been designed by Michael Curry, the man responsible for the animals in the Broadway production of The Lion King. These ones looked every bit as cool, especially the giant ghostly moose and the bear. Awesomely effective.
The sports announcers have got to go, though. I don't need Bob Costas telling me "Oh, and here we have the two Eastern and Western railroads coming down the aisles, to come together in a symbolic gesture commemorating the driving of the Golden Spike at Promontory Point", or to hear Copland's "Rodeo" come on as part of the musical production only for one of the announcers to quip, "Well! Now it's suddenly become a 'Beef: it's What's For Dinner' commercial," just reinforcing the dismal fact that those ads are now the first thing we think of when we hear that piece. How very American of us to ruin the performance by barging in during a well-choreographed number set to a musical classic and tying it to a TV commercial.
I'm always vaguely embarrassed by the Parade of Nations, especially when the Olympics are being held within the US, because first you have a couple hundred nations following their flags with maybe two or three athletes each; and then, at the end of the procession, along comes the USA-- just another team, right? Well, no, they've got approximately 25,000 athletes so as to make sure that these other countries that worked so hard to field one athlete to compete in one event won't have a ghost of a chance. The Olympics are supposed to be seen as impartial and non-nationality-specific, but it always comes across as a showcase for America-- our only outlet for condoned overkill, unchanged since the fall of the USSR, the catalyst for us developing that tradition of overkill in the first place. It's not something we're really prepared to scale back, evidently.
But on another note, I had to do a double-take at Bush's little speech declaring the Games open-- because he was standing in among a huge crowd, no Secret Service agents in sight, right down on the field. Usually, as the commentators noted, heads of state are always seated in a heavily-secured box of some sort, and they speak from there. This may be the first time since Kennedy that a President has put himself so ostentatiously out in the open and among the crowd. I guess the security at the stadium was really that tight, that his handlers allowed this to happen. Since the cameras picked up no obtrusive displays of security (like the tanks at the Super Bowl), the reassurance of the image was genuine.
So, all in all, an exhilarating show. The jingoism was kept to a minimum (the US didn't march in behind the WTC flag, having been told not to by the IOC-- they had a low-key ceremony with it earlier), though the symbolism of all the rituals (and the commentators explaining how it should all be interpreted) did get a little bit old. Remember back when people could put on a show, and the spectators were supposed to be able to watch it and figure out what it meant for themselves? I guess that's not a luxury we have these days. But all things considered, it was great fun, and a very impressive show. Kudos to all involved.
Now let's just hope we can make it through the next two weeks without an "incident".
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11:00 - Hey, he said it...
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On NPR last night, between the store and home, I heard a snippet of the "Remembering Jim Crow" segment they were doing-- talking to people who had lived through it, what it was like, and how things have changed.
They mentioned, almost in passing, that many whites in the South are still bitter over the loss of plantation fortunes in the Civil War. They had one guy saying, "I inherited enough to buy my wife's Oldsmobile when my folks finally died... but my grandfather's grandfather had three huge plantations on the Mississippi-- I don't know how many slaves he had. [wistful pause] I coulda just imagined those days, goin' out huntin' on the grounds... clean them ducks... skin that deer... yeah, I coulda done with that. ...And I think you could too."
I don't know if there's anything I can say in response to that that can draw to it any more ridicule than it already must have.
Is killing things all these people know how to do?
Then again, this is NPR we're talking about, so I'm sure that if they wanted a good line to quote from somebody who missed the antebellum days, this one was just too good to pass up.
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| Thursday, February 7, 2002 |
00:14 - To Return to Seanbaby...
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Now, while I had myself a good hearty set of guffaws over the Seanbaby article I posted earlier today, there's something about it that I wanted to bring up and point out.
It's not about how it's right on the money. It is. Security is pretty much moot when compared to the initiative of passengers who realize that the plane they're on isn't simply being diverted to Havana, that if they just sit and let the terrorists do their thing it won't be a matter of avoiding a few box-cutter papercuts or black eyes, it'll be a matter of life or death for themselves and thousands of people on the ground. Hence the first three flights on 9/11 that crashed into their targets because the passengers thought it was just a "routine" hijacking, and the fourth-- after the passengers heard what had happened-- that did not, because the passengers stood up and started kicking nads.
See Hiker's post on the subject for more on that.
No, what I want to talk about is the fact that airport security is a joke, a joke worthy of Seanbaby-- and you know what? Everybody knows it. Even the government. Especially the government.
Here's the thing, see. Airport security is an illusion, a very carefully crafted illusion. X-ray machines and metal detectors are placed at a security checkpoint in order to convey that YOU ARE ENTERING A SECURE AREA. The purpose of this is to make the passengers feel safe. The purpose is not, or is only secondarily, to make the passengers be safe.
Hence Argenbright. Argenbright is cheap. They can run the X-ray machines; not perfectly well, true, but hiring people who can run them perfectly well would cost a helluva lot more. Ticket prices would be about twice as high, at least. And so the balance that is currently struck means that passengers get a certain amount of reassurance for a certain amount of cash outlay, and it's stable and satisfies the laws of supply and demand.
I don't mean to put this into such playing-cards-with-lives terms. I'm not trying to justify or condemn the way security is. Just to describe what's going on.
The FAA needs to meet a budget just like everybody else; the airlines have to meet their revenue numbers. We've seen what happens if they're grounded for even one day: whole airlines go out of business. It's that expensive. And an airline going under, or even missing its numbers, hits the stock market hard. It's in the entire country's interest to make sure the machinery of the airline industry moves along smoothly, and in order for that to happen, security has to match a certain features-for-price point. The three-hour lines for the X-ray machines won't last much longer, because the FAA won't pay for that level of work by security personnel for any longer than it absolutely has to-- and how long it has to is determined by how safe people feel, which is measurable by how many tickets they buy.
That's another interesting point, by the way. I've flown several times since 9/11, and frankly I've never noticed that security is that noticeably tighter. All I've noticed is that the X-ray machine line is a few minutes longer, they make you take out your laptop and send it through the machine separately and sort a few more things into different-sized bins, there are guys in fatigues with rifles standing around and looking uncertain, and people without tickets aren't allowed to go past the security checkpoint.
It's that last point that presents the only real inconvenience I've noticed about the airports. We now have to say good-bye to our loved ones before we go through the metal detector, then trundle through the long and winding terminals to our gate, there to wait for hours reading newspapers that other people have left behind, instead of spending those last few moments together and saying good-bye only at the last possible moment. Likewise, you can't meet whoever is greeting you until you've exited the baggage area-- not as soon as you get off the plane, like before. No more very-best-of-humanity exchanges between family or friends or lovers just outside the gate. Loki from Dogma would be so disappointed.
I'm told that this is a feature peculiar to American airports; in Canada and elsewhere, people without tickets have never been allowed into the secure area. Now we're just doing what everyone else does. This got me thinking: What exactly does such a measure protect against? Screening out people without tickets wouldn't keep terrorists out; they can buy tickets just as easily as anyone else can, and they can't very well get on a plane without a ticket (and a hijacked airport doesn't travel dangerously fast). I guess it might help keep the crowds from getting too thick in the secure area, and there might indeed be some merit in having people be quiet and introspective and pass the time with newspaper fragments while waiting for their flights to board instead of talking and laughing with their friends. Maybe it means they don't have to staff as many security guards throughout the terminals.
In any case, American airports really aren't set up for good-byes and greetings to occur near the screening area. There are no restaurants outside the secure area; before a recent flight, a friend and I had to eat plastic-wrapped sandwiches from a portable snack stand while sitting on luggage containers before saying good-bye. The old way will come back, and probably soon. You know why? Because the only reason it's gone now is that it's a quick, cheap way to provide more illusory security-- the passengers will think, "Hey! They're not allowing non-ticketed-passengers into the secure area. That's got to mean we're safer!" And they won't think about it too deeply, they'll walk forward with more of a spring in their step, and they'll buy tickets more readily. That's the goal.
The FAA might just as well have banned the use of laptops in the terminal. Not for any true security reason, but because it's cheap and easy to implement, and it's visible and easy to whip up a justification for it. People would quite readily think, "Well, yeah, maybe terrorists are known to use laptops to plan their operations beforehand or something," and they would absorb the inconvenience and feel more reassured that somebody is doing something. And the ticket sales would flow.
So to bring this point full circle, Seanbaby's article is spot-on, yes... but it's pointing out foibles that the FAA knows all too well, but it would just as soon people not draw attention to it. It's shouting about the emperor's lack of clothes. I want to be very clear here: I'm not advocating censorship of satire or exposure like Seanbaby's... but what's it trying to accomplish? If millions of people read it, would they all demand real security instead of illusory security? Well, if that's what people decide they want, sure-- but it'll cost a lot more, in the form of sharply hiked ticket prices. And it probably wouldn't catch all that many more perps than Argenbright does already. Argenbright can catch 90% of what federal employees would catch, for 40% of the pay.
It's not just a simple matter of "We need more real security". Richard Reid would have gotten through regardless of whether the X-ray machines were being manned by feds or by contractors-- he kept his bombs in a place where they weren't equipped to check. The guy who arrived in Buenos Aires today with an axe in his head would have set off no additional sirens at the security checkpoint. Real security in air travel, ever since about 9:00AM on September 11, has been handled with great and deadly efficiency by the flight crews and the passengers themselves on the planes.
We know now that any threat made on a plane has the potential to be something we should stand up and fight with immediate and deadly force, and we also know that hijackers will not be armed with anything more dangerous than boxcutters or shoes with plastique in them. We know we can take them out very easily if we just stand up and start punching as soon as we notice something's wrong.
And so security at the airports will recede back to pre-9/11 levels, or something very like it; but the people on the planes won't let down their guard. Thus we have both real security and illusory security, handled most efficiently by those who are best able to perform the respective tasks according to their natural capacities.
I'll be flying in about a week. I'll be one of the most effective pieces of airline security in the airline industry that day. I plan to do my job to the best of my ability.
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19:13 - Somebody please listen to this man.
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000284.shtml
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"It's a fair cop, but society's to blame." "Oh, all right, we'll arrest them then."
Steven den Beste on the subject of Columbine, Lindh, and other cases of "Oh, it can't possibly be the individual's fault-- it must have been those violent video games or those alternative lifestyles that sent him round the bend!":
Why did Klebold and Harris shoot up Columbine high school? It's because they decided to do so. It's as simple as that. Who is responsible? They are. Since they're both dead, it's an unsatisfying answer. We want someone to blame, someone we can punish. But sometimes you can't get what you want.
Is it possible to prevent that kind of thing from happening again? Yes, but the price is too high. Klebold and Harris and John Walker Lindh are statistical outliers, and when a society is as big and varied as ours is, one in a million is damned well a long way from the center of the bell curve. The only way to prevent that kind of thing is by completely regimenting society in ways I could never accept. Millions of people play violent video games and then go about their lives as normal people; violent games do not make people violent. Millions of people listen to heavy rock music; there are many people whose parents break up or come out, or who adopt strange religions. Nearly everyone's parents screw up one way or another. Ultimately each of us has to play the hand that life deals us, and do the best we can with it. If we screw up, we have to accept responsibility for ourselves. And when others screw up, we have to let them, or force them, to take responsibility for themselves.
Ever since Beavis was banned from using the word "fire" because some rattly-headed youngster set his house ablaze, I've been deeply, deeply bitter about this phenomenon. Oddly enough, I used to blame the kid: "Gee, thanks for ruining it for all of us!" ...But the fact is that nothing would ever have been ruined for everybody if the kid's parents hadn't been so good at deflecting any accusations that, well, maybe it was their fault for letting the kid watch Beavis & Butt-head despite the "parental guidance" warning, or maybe the kid's fault for being a goddamn idiot, regardless of his age. No, it can't be the poor innocent kid's fault! And it can't be the poor distraught parents' fault! No, it's gotta be society that caused this to happen. So it's society that we'll punish.
In the absence of being able to blame bad things on Satan or the vapors like we used to, we desperately want there to be some big, oppressive, menacing force that's just lurking in wait to put worms in our brains and make us shoot up schoolyards. Way back when, we dealt with these kinds of problems by burning the perpetrators at the stake-- but if they were already dead or beyond reach, we reacted by going to church a lot and burning everybody at the stake who might turn out to be a problem. Suspicion was all that was needed. The people want to go home happy; they want to sleep well in their beds. And they can't do that while thinking that the kid next door could be the next to go nuts, when we could have prevented it by locking him up in a box with pillows and teddy bears.
I'm sick of having the good things in life ruined for me. We've already had nature itself do that with sex and with food that tastes good; let's not contribute to the problem by demonizing things that most humans understand how to handle properly. This isn't Salem anymore. We're better than that. Aren't we?
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18:41 - See, this is the honey-pot that Microsoft saw the Xbox could be.
http://www.penny-arcade.com
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Touché, indeed.
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12:05 - Almost... there...
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I'm almost ready to resume my normal life of work, after yet another day of fighting and kicking and pleading with Windows 2000 to pleeeeease be nice to me. I gave up on the server machine and nuked-n-paved it, and now I'm trudging through the reboot-after-reboot phase of Windows Update, bringing it into sync with all the current service packs.
I have to do them in a very specific order, according to all the Win2K gurus who have been offering me helpful advice lately, both within the company and otherwise. If, for instance, I install the "Critical Updates Pack" (at the top of the list) before installing "Service Pack 2", I'm told it will install about 500 files before suddenly realizing "Hey! SP2 isn't installed! I shouldn't actually be doing this!" and run away.
I get this image of Snake, the on-the-run ex-con from the Simpsons, saying "Ho! Try using this system, pig! Bye!" and jumping out the window.
Book 'im, Lou.
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11:46 - Seanbaby Smacks Up some Stupids
http://www.seanbaby.com/news/terrorism.htm
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Well, it's about time: Seanbaby has weighed in on terrorism, and more specifically, on Americans' reactions in the months following the day on which we all suddenly started paying attention to it again.
Because this is Seanbaby we're talking about, be warned of coarse language. But much more importantly, be aware that the coarse language is all part and parcel to the fact that this is an article that anyone who's tired of all the tiptoe-around-the-touchy-issues BS that's been wafting through the air over the past several months will find very, very refreshing. He tackles airport security ("The only problem with security is that it's based around pretending to be an idiot. A clerk asking me if I packed my own bag isn't going to foil anyone's smuggling operation, but the two of us have to pretend to be stupid enough to think we're keeping the world safe. Airport security quadrupled after September 11th, which meant that security personnel had to pretend to be idiots four times as hard."), Anthrax ("At the end of it all, Anthrax finished neck and neck with domesticated duck attacks for total kills."), racial profiling ("While airport security agents are pretending that tweezers are deadly weapons, they're also pretending not to notice that slightly over one hundred percent of terrorists are of middle eastern descent."), and our obsession with erasing any mention of terrorism or the World Trade Center from all of our pop culture and media, including the upcoming E.T. release, which will apparently not contain the line "You can't be a terrorist for Halloween!" ...I didn't realize that. Here I'd thought we had gotten over that already.
In short, shelve your propriety and read. I have some commentary to offer about it, but it'll wait until another post.
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11:19 - "A TiBřřk once bit my sister..."
http://reviewboard.com/Section/Cover/g4powerbook
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Several weeks ago, someone at Reviewboard Magazine published an online review of the TiBook. It was a very negative review-- hardly the kind of thing we'd expect even from a confirmed PC magazine, especially since almost every other review had been glowingly positive.
Well, it turns out that the editor in question's boss just got back from vacation, and he noticed that the first review had been full of glaring factual errors and was in general just wrong. He's done his own review of the TiBook, and it's much more complimentary.
Let's touch base on each of the items and why they are cool. The G4 Processor (which can be had up to the 667Mhz speed now and that model has a 133Mhz bus speed to compliment it farther) is pretty fast for a 550. Being a PC person for the last ten years I have to say I was thinking to myself... 550Mhz? What are they thinking, I have a 2 Gigahert PC.
When I fired it up and tried things out it wasn't slow at all. In fact the 1 Megabyte of L2 Cache, which runs at the speed of the processor provides a huge buffer of high speed, short term memory to the CPU. It makes a world of difference when you are doing things and the benchmarks where off the chart when I compared it to an INTEL 550Mhz Processor or an ATHLON 550Mhz Processor.
In fact I had to compare it to a 1Ghz PC Processor to get a good comparison. That impressed the heck out of me.
...
3/3 stars. Apple does make a better mousetrap.
Oh, and those responsible for the previous review have been sacked.
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| Wednesday, February 6, 2002 |
21:08 - On the Subject of Stupid People...
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The movie I saw last night was Le Pacte des Loups-- that is, The Brotherhood of the Wolf. A French movie, as if that weren't seriously obvious from the title and the fact that the actors all had French names.
It was really fun, all things considered. Well, maybe not fun per se-- maybe impressive is a better word. This movie had everything! French kung-fu, werewolf drama, gothic creepiness, period costumery and idiom, big swords in designs I've never seen before (a thwacky one that slings into a barbed chain like a Chinese yo-yo), sex, historical context-- yeah, everything. Even bullet-time and Matrix effects.
It's those bullet-time effects that I think are nearing the end of their popularity, now that I mention it. Lots of the fighting scenes in Loups cuts fairly gratuitously to slow-motion camera rotations, sometimes with a smooth transition, usually sharply. Yeah, it looks pretty cool, it gives you a better idea of what's going on, and it means you don't have to shoot quite so much actual fighting to fill up the footage-- but darn it, it's getting old. I didn't mind seeing the spoofs of the Matrix bullet-dodging scene in that Atari-retrospective QuickTime movie and Conker's Bad Fur Day, or the bullet-time spoofery in Shrek or the genuine uses of it in every Jet Li film since 1998, but now that Kung Pow is coming out (and telegraphing the fact that it's going to be doing Yet Another Matrix Spoof Scene in the trailers), I think it means the era is ending. We'll look back and consider Crouching Tiger to be the pinnacle of the use of the technique: subtle, effective, smooth.
But at any rate-- about half an hour into Loups, I had my shoulder tapped. I turned around to find a large guy in a t-shirt; big, angry-looking, thick-moustached, like the guy playing Barliman Butterbur in Lord of the Rings-- except looking considerably more put out.
"'Scuse me," he growls. "Do you know if the whole movie's gonna be this way?" Meaning, I understood, the French dialogue with subtitles.
"Well, yeah," I say. "It's French."
He sits back in his seat with a harrumph. About one minute later, I hear his seat creaking, and he sidles out and trundles down the stadium-seating stairs, grumbling and swearing to himself.
I'd love it if I could be the type of person with the mental powers to feel sympathy for these kinds of people, I really do. But when it becomes so obvious that the things they get angry about are so trivial and easy to work around, as with this guy or Hiker's bus lady or the couple in the taqueria, and that they're getting angry purely because they're unwilling to admit that they made an error in judgment or just a slight wrong turn and it is not the world's fault for not turning on its heels to cater to the actions they happen to have taken... well, I just don't have it in me to do anything but extend my tongue, hold up my nose so my nostrils are visible, and go "Thhppbbtllltlttpppt!"
When Kris and Chris and I were walking back from lunch one day a few weeks ago, down the left-hand side of De Anza Blvd., we were passed by a college-age kid on a bike. He was barreling down the bike lane on the wrong side of the road, right under sign after sign saying "BIKES USE OTHER SIDE". He came very close to colliding with us from behind on the sidewalk. We'd barely had time to realize what had happened before the guy, now in front of us, shot out from behind a hedge just where a car was pulling out onto De Anza. He swerved in behind the car, regained his balance, turned and started yelling and swearing at the car.
Chris, an avid bicyclist, had regained his presence of mind by now: "Try riding on the right side of the road!"
And the guy responds, still shakily getting his balance, with a middle finger tossed over his shoulder. Chris cheerfully replies, "Yeah, same to you!"
It's that end bit that I wish I'd been able to punctuate with something really stinging. Because watching that idiot pedaling off into the distance, head still shaking with unheard oaths, we all wished simultaneously for there to be some kind of cosmic come-uppance for pure willful idiocy. Not some kind of pansy best-revenge-is-living-well garbage. We're talking about lightning bolts from heaven, or light poles falling across the bike lane at just the right time, or just one blessed moment of Jhonen Vasquez-style head-explodey power.
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09:46 - Such Hardships We Face
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I was in a taqueria in Fremont last night; as I was finishing up, the clock was winding towards 9:00, closing time. As I took the last few bites, the proprietors turned off the OPEN sign and started stacking chairs on the tables, and the light behind the counter went out.
Just then, a couple entered the store. The guy had sort of curly puffy hair, a baseball cap, and a tank top-- sort of like Carrot Top if he went to the gym and had a Camaro. The female was sort of dumpy and frizzy and in her rapidly progressing 20s, with that haughty sort of I-was-once-a-cheerleader-dammit air about her. They came into the store and went up to the darkened counter.
The surprised proprietor, sweeping up, said, "Oh, we're closed now-- sorry," with an apologetic look. Now, most normal people would take this at its face value, right? You walk into a mostly darkened restaurant at 8:59:59 where the OPEN sign has been turned off and the chairs are stacked on the tables, and you pretty much expect that they won't be eager to serve another customer, right? And even if they were by some miracle of customer service, you'd understand their hesitation, right? You'd maybe cut them a little slack, even show some astonished gratitude?
But no, these people decided to stand there and argue for at least a couple of incredulous sentences. I couldn't hear much of it, but it took a good half-minute for the employee with the broom to convince them that the "Store Hours" sign outside wasn't blatantly lying. Finally they swung around and stomped out the door; but just before disappearing into the night, the woman turned back towards the interior of the store and in that nasal, petulant voice that causes a little ganglion at the back of any hearer's brain to fire off the "heave a large sharp rock immediately" instinct, she said, "Whatever."
Then they were gone. And the excellent burrito I'd just finished suddenly tasted like mud.
Like the woman on Hiker's bus, this little incident burned itself into my mind and could easily have ruined my night if I hadn't been on my way to see a movie that completely took my mind off of desperately stupid examples of humanity. Who the hell-- no, never mind. I'm not going to go off on this tangent. I have peace of mind for the first time this week, and I'm going to cherish it.
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| Tuesday, February 5, 2002 |
02:39 - Feel the Power of the Dark Side...!
http://www.zdnet.com/anchordesk/stories/story/0,10738,2844895,00.html
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It's sort of hard to imagine David Coursey's month of Mac slumming going much better than it has. The ZDNet editor whose avowed Windows loyalty has resulted in quite a number of sneering Mac-condescending columns in the past is enjoying the hell out of his new iMac, to the point where he's now recommending it almost without qualification.
None of the photos I've seen do the new iMac justice. It's hard to take a picture of a white computer with a clear frame around the screen and make it look good. It is especially difficult to do this against a white background, as Apple is prone to do. They had the same problem with the iPod, which people thought was much larger than it is because they had seen it only on a billboard. Now, they didn't think it was that big, but...
If you are trying to show off the iMac base--about the size of a big salad bowl turned upside down--it's hard to have the monitor in a normal position. This is probably why the best pictures of the new iMac, such as they are, have been taken from the side. That shows off the arm that connects the screen to the base rather nicely.
Of course, this hasn't stopped him from taking "Before" and "After" photos of his desk-- Before, with XP, and After, with the iMac. He's almost apologizing for the fact that the photo of the iMac isn't more spectacular by muttering over how it really, really looks better in person. The guy is rooting for this machine. And he apparently can't get enough of iPhoto, either.
This, coupled with the nicely platform-agnostic attitude of our corporate IT department and my horrific experiences with Windows 2000 (they're not over yet-- I still haven't gotten the server machine to behave to my satisfaction), I'm wondering what luck I might have in req'ing a new iMac for my desk machine. If only for the ergonomic advantage! I mean, hey-- just think, companies would no longer have to hire consultants to come in and tell each employee how many books to stack under their monitors to prop them up to the proper level. Everyone could just glide them to the right place. I don't think we'll come anywhere near grasping just how groundbreaking and this-will-change-everything the movable screen idea is, until everyone has at least tried it and seen it in action. This is the Next Big Thing in PC design, no fooling. It's only a matter of time before it hits everyone else like a ton of sharpened marbles and the clones start marching on us. (Apple's got patent pending on that neck design, though!)
By the way, The Mac Observer has a meta-article covering Coursey's findings. It's worth a read in itself.
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02:21 - Lord of the Rings -- if written by...
http://www.flin.demon.co.uk/althist/auth.htm
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Tolkien fans new and old, follow the link and chortle: "Alternative authors' versions of Lord of the Rings". Ian Fleming, P.G. Wodehouse, Rudyard Kipling, Meatloaf... yep, it's all here. Lots of it is quite funny, too.
However, it touches on something that's vaguely bugged me ever since Whose Line Is It Anyway? came to America. In the British version of the show, they could have an entire recurring improv game of "Writing Styles"-- you know, like "Film & Theater Styles", but about authors instead. The comedians would narrate a scene in the voices of Shakespeare, Edgar Rice Burroughs, Agatha Christie, Tom Clancy, James Joyce... and the audience would get it! They would know these styles! To the British wit, or even to the casual TV-watching Nielson family, knowing what Joseph Conrad or John Grisham wrote like was just as central a pillar to cultural awareness as knowing what Charlie's Angels or Beavis and Butt-head sound like is to Americans.
This is one of the improv games that was dropped rather unceremoniously as soon as Drew Carey got his greasy mitts on the show and started turning it into the current RyanColinWayne&Guest that it is today; gone are the days of a stream of unpredictably diverse comedians who can whip up an extemporaneous song in the style of Gilbert & Sullivan. Is this because Brits are as a rule more cultured and well-read than Americans? Or is their idea of pop culture just different? It certainly seems at first blush (at the very least) that it involves a whole lot more effort and literacy to appreciate the British version of the show than the American one. To say nothing of the fact that the dry rapier wit of Clive Anderson was what drove the whole show onward in the old days, and now Drew is a dead weight that forces Wayne and Ryan to be even more zany than usual just so as to keep the camera off him.
But then, by all accounts the show is much more popular and successful now than ever, so who am I to judge what parts of it were effective or not...?
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16:34 - Windows Melted!
http://64.2.43.44/~btman/WindowsMelted
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This is the state of my desktop machine at lunch today. I know, I couldn't believe it either. Yes, this is a CRT doing this, not an LCD doing really bad interpolation. This is how it froze.
Incidentally, this is another iPhoto Moment begging to be told. While I was clawing my cheeks in agony staring at the screen of my once-working computer, I came to the conclusion that I ought to take pictures. So I went upstairs and borrowed a digital camera from a co-worker. He gave me the camera and the USB cable, and held up a CD. "You want to install the software, or...?" I said, "No thanks-- I've got iPhoto!" We don't need no steenking drivers.
Take photos; plug in; press Import. Go to Share, press Export, save web page to my machine at home which is mounted via AppleTalk. Five minutes and I'm done.
Then I had to reboot my Windows 2000 machine 19 times in succession.
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| Monday, February 4, 2002 |
20:54 - Curse you, Bill! You'll never... break... my spirit!
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It all started so innocently. I was going through my test plans, and saw that I should revisit Login functionality. The first few testcases involved web-user-interface testing through MSIE, so I fired it up.
"There is a new version of Internet Explorer available!" it crowed at me upon launch. Well, not surprising, I guess; I don't use the browser very much except when testing calls for it. So I click where it tells me to click, I wait about half an hour, and it tells me I'm upgraded to IE6. Okay, nifty. "Please reboot now," it says.
Well, fine. Par for the course when the OS thinks the browser is part of it. I reboot, and when the machine comes back up and tries to log onto the corporate network, the NT Logon Script goes nuts-- something crashes with an illegal operation, something else in a DOS box starts to spin out of control in an apparent infinite loop, and only repeated cancelings and oaths get it to stop. I hunt down Robin, our IT guy, and ask him what the problem might be.
"Oh-- you're using Windows 98," he says, upon seeing my machine. "That's your problem." Turns out the logon script no longer supports Win98. Okay, fine-- I'll upgrade to Windows 2000. Not a problem. ("Don't worry-- I won't make you run Windows XP. I don't know of any IT shop in the country that has allowed Windows XP in yet," he reassures me.)
So in goes the Win2K MSDN disc. "Would you like to upgrade to Windows 2000?" Why yes. It does its thing, I go through some bizarre BIOS-checking and hardware-compatibility-checking pseudo-web-presentation things, and it finally tells me that I've answered all the questions I'll need to. "The process will take approximately 40-55 minutes," it says confidently. "Your machine will reboot four times." (Four times? Okay, I'm sure that's all necessary for some bizarre black magic it does-- we can't expect it to do it all in one shot like most operating systems, right?) And then it goes to shut down.
"Windows 98 is shutting down," it tells me. That full-screen 320x200 splash screen sits there motionless for ten minutes before I decide that I'm not getting anywhere this way; it's already written to my boot blocks, I figure. It can't do any more damage if I just reboot it, right? Well, what the hell. Ctrl+Alt+Delete has no effect anyway, so I hit the reset button.
It does its 80x25 text-mode thing; oddly comforting to know that in the 21st Century, Wintel boxes still look like MS-DOS if you strip away the blankets of comfort that swath them during normal operation. It finishes that and automatically reboots a second time.
Ooh, now we're in graphics mode-- sort of, anyway. Sixteen colors of glory. "Windows will now attempt to detect hardware like your mouse and keyboard," it says. (Never mind that my mouse and keyboard both work fine-- see, there's the pointer moving around.) "Your screen may flicker for a few seconds during this process." Fine; no problem. I've done this about a bazillion times before. What could go wrong?
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That's what my screen turned into after the progress bar got about halfway across the screen. It flips into text mode, and suddenly we've got a screen full of apostrophes (or backquotes, or whatever). And the system is frozen, of course; not even a Ctrl+Alt+Del can wake it. So in the middle of an installation or not, I hit Reset again.
Same process. Same detection screen. Same progress bar, and BOOM! Same screen full of backquotes.
I call some team members over. They've never seen anything like this before. I call Robin over. He's never seen anything like this before. Now, I can specifically recall seeing exactly this same thing happening about a year ago when I upgraded our entire VoIP lab to Win2K, but for the life of me I can't remember what the hell I did to solve it then, or whether I ever did. So I tell myself to just calmly take the CD out and put it into my NT4 server box, which I also need to upgrate to Win2K in order to test PolicyCenter, our centralized server product. Note that the server box has exactly the same hardware as the first machine.
"Would you like to upgrade to Windows 2000?" Why, yes. Thank you for asking. Of course, this time it's Win2K Server, not Professional; so they figure I don't need to see the pseudo-web-page things about BIOS compatibility or upgrade packs; instead, it's just something about Signed Applications or something-- aw, skip it. Off I go into the reboot cycle.
Text mode thing: fine. Conversion to NTFS: Not needed. Keyboard and mouse detection stage.... I brace myself, expecting a screen full of backquotes. But no... it actually completes this stage without incident. Took a bloody long time, but it worked.
Ah, now for the actual installation part. They said 40-55 minutes, right? Well, about 30 minutes into "Installing Distributed Transaction Manager" without the progress bar advancing by so much as one pixel, I start to get a little suspicious. By the time it has taken 15 additional minutes on "Installing COM+", I am downright perturbed. My eyes are starting to hurt. But-- wait! It's done! An hour has passed, but it's done! Just "a few final tasks", and I'm home free! Four simple check-box items!
"Installing Start Menu Items" goes by without incident. And then "Registering Components"... and the progress bar gets about 30% of the way through-- and then stops.
Thirty-five minutes later, the progress bar has not moved a micron. "What are you doing? WHAT are you DOING?!" I shout at it repeatedly; but of course there's no "console" or anything (like in Mac OS X and every UNIX installer) to give me a straight answer. The hard disk light isn't blinking. My mouse still works, though, so I use it to mark my place on the progress bar and take the CD out to try some more troubleshooting on the first machine, my desktop box-- the one with four years' worth of archived work data, all my e-mail, all my software, all my test tools and so on-- the one that is currently a screen full of apostrophes.
David gets back to me to tell me that he was able to find nothing about this problem on Microsoft's support site, which (in accordance with their annual custom) they have helpfully reorganized to take previously convenient and accessible information and seal it away in a vault so that the only way to find anything out is to know what you're looking for beforehand; so no luck there. He gives me four floppy disks-- "Just use the 'Repair Windows 2000 installation' option", he suggests. Floppies? Windows boxes still depend on floppies? Well, whatever. I go back to the box and load up the floppies, one after another, into the little DOS text-mode thing. Fifteen minutes, and the thing is finally loaded-- and meanwhile my server installation hasn't moved a muscle. The progress bar is still right where I marked it.
"Repair Windows 2000 Installation," I almost pleadingly select. It pops up a choice: "Press 'C' to use the 'Repair Console', or press 'R' to use the 'Emergency Repair Mode'." Mmmkay... with some trepidation, I press 'C'.
"Enter your Administrator password!" What? I don't HAVE one! I never got that far in the installation, dumbass! Well, okay, I try a blank password-- and it works. I know this because it gives me... a C:\WINDOWS\> prompt. Oh, goodie. I'm sure I can do a lot of good here. I look around, conclude that this isn't where I wanted to be. So I type "exit", and... the machine reboots.
AAaaaruuuugh! No, I am not spending another fifteen minutes putting in floppy after floppy and waiting for this damn thing to load "TOSHIBA Floppy Disk Driver for Laptop LT675A" and "Adaptec SCSI Adapter 29106 Ultra Fast Wide Deep Long SCSI-17b" just to try whatever the hell this 'Emergency Repair Mode' might be-- which clearly isn't going to help much on a system where nothing has even really been installed yet. I yank the last disk out of the drive, and it reboots right back into the keyboard/mouse check screen-- and back to the apostrophes.
But wait! The server installation suddenly moved! 55 minutes later and it's finally making progress on "Registering Components" once again! Ha ha ha haah! We get signal! Ooh, wait-- it's hung up again. But no, only five minutes later and it's finished! Now only "Saving Changes to Files", and then "Deleting Unnecessary Temporary Files", and we're done! Boom-- it's finished, and we reboot! Hip hip hooray!
Well, one more reboot, that is. After I log in to the Win2K desktop, it tells me some stuff about driver installation being complete, and (of course) "One or more drivers or services failed to start up". Nice-- sure am glad this thing installed so cleanly. I reboot as instructed, and back it comes.
...Or does it? This time, after I log in to the network, it takes fifteen minutes for it to give me mouse control. It's a nice normal mouse pointer in the desktop workspace, but it turns into an hourglass instantly if I put it over the taskbar... but I am equally prohibited from clicking whether in the taskbar or in the desktop area. I can't click on ANYthing. Whoah! Finally, the "Configure Your Server" thing comes up! ...Or maybe not; it's only painted partway, with the frame and title bar but no contents. Well, I usually just ignore this thing anyway; I click the X, and I instantly get a "Program not responding" window. What you say! OK, get the damn thing out of my face. Now maybe I can run something, right...? Well, no, I can click now-- but double-clicking on anything, like the shortcut to the builds server or the "Connect to Internet" thing that never dies, with the big colorful gaudy mouse-pointer-in-supernova icon, results in an icon that blinks dark for a second and then goes back to normal. Nothing ever launches. I can bring up the Task Manager, but as far as it's concerned, I'm running no applications at all. Of course not! The only one that seemed to be loading wasn't responding. (No CPU activity or memory usage is reported either, just for your edification.)
Finally there's an error message, about two minutes after I double-clicked on it, that the link to the network resource (with the builds directory) can't be reached. Aha! No TCP/IP settings. Something must have gotten munged. My Network Places (what, "Network Neighborhood" was too grammatical or clearly stated for you?), Properties-- oh, a window with stuff in it. How special. I've always thought TCP/IP settings should be treated as files, you know? Gawd. Anyway.. wait. The only thing in this window is "Make New Connection". Aren't there, like, supposed to be other configurations...? Like for my LAN connection?
Well, let's click on "Make New Connection". Hmm... a wizard. it appears to be asking me for my modem information and ZIP code. No-ho-hooo, I'm not running my Win2K server on a dial-up. "Cancel", I say.
A dialog pops up. "Blah blah need phone information blah blah. Are you sure you want to cancel?" I have two buttons available, Yes and No. "Yes", I click. The dialog goes away... but the wizard doesn't. Um... I said, "Yes, I want to cancel." So I hit Cancel again. "Are you sure you want to cancel?" "YES!" The dialog cancels, the wizard sits there happily.
One more time! "CANCEL!" "Are you sure you want to cancel?" "FORTHELASTFUCKINGTIMEYESIWANTTOCANCEL!" ... and lo! The wizard quits!
(Try this on your own Windows 2000. It's really quite sensational. They've built in an internal counter to force you to say "Yes, I am sure I want to cancel" three times before it believes you and does what you say. "First you must answer me these questions three, ere the other side you see!" the grizzled wizard cackles. No, Microsoft knows what we really want. They have our best interests at heart. These are the people who will be controlling our credit cards in the very near future. Warms your heart, doesn't it?)
So anyway. I clearly have no viable option for entering my TCP/IP settings, on this machine which has so faithfully been running NT4 for the past three years. Does Windows 2000 Server ship without the software necessary to run on a LAN by default? Hmm, maybe I need to "Install Additional Networking Components," like it suggests so helpfully over on the left. Whoo, another wizard! three options. I pick "Additional Networking Services" or something that looks equally likely to be useful. It asks for the CD-- I yank it out of the apostrophe box and cram it in. It seems happy; it installs files. The progress bar gets to about 90%... and then a dialog: "You must have Microsoft IIS installed to add these components." And then an error dialog citing some incomprehensible hex number in parentheses.
By now I am visibly shaken. Okay, I am shrieking with rage. Oh, look! The checkbox says these Additional Networking Components (whatever the flying fuck they are) were actually installed, IIS or no IIS! But still no LAN settings to set. Well, hmm-- let's go into Add/Remove Hardware! I always love this; "I'd like to install a new sound card, please!" "Yessir!" And big robot arms come out of the floppy drive, pull a sound card out from behind my ear, and retract it into the box and install it with clunking and whirring sounds. Well, okay, that only happened once. And it didn't work this time, because as I was disappointed to see, about five of my devices had big yellow DANGER signs on them. And my Ethernet card icon was a big yellow question mark. Windows 2000 has never heard of my so-called "Intel EtherExpress Pro" or my "Intel PCI Bridge" or my "Creative SoundBlaster 16".
God, I'm sure glad we have this great, modern new OS to "upgrade" to, and to remove support for this shoddy, useless old hardware that nobody in the world uses.
So I abandon Mr. Server to its little mind games. I look back with furor at the apostrophe box. I use Lynx on the new server I'm building to pull up Google. A quick search on the terms "windows 2000 installation detection text screen apostrophe backquote ` god damn bill gates fucking piece of microsoft shit" turns up no useful results. So after noting with some despair that Robin had gone home some two hours before, and the rest of my team had followed suit, I looked up at the clock and decided that I would leave my useless driver-less server and my desktop machine with its screen that says
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and go the hell home.
Perhaps tomorrow will bring glorious insight and the resurrection of my machine with all its crucial data. Perhaps I will end up buying a new drive to install Win2K on and mount this drive on as a secondary, just like I had to when the Windows 98 installation botched my Windows 95 disk with its store of crucial data. In fact, the Win95 disk is still mounted in there. I foresee a pattern emerging here.
So in any case, for everybody for whom Windows 2000 is working really well, I'm really and truly glad to hear it. I don't know what it is you are able to do that makes the system acquiesce to your needs, but I clearly don't possess those faculties. I admire and applaud you. But mostly I'm just glad to be back home and away from Windows. For one more day.
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15:11 - Well, yeah, there's that one downside...
http://joyoftech.com/joyoftech/index.html
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12:13 - And a new day dawns...
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Okay. I wasn't in any kind of shape last night to talk about this rationally, as any of my (very patient) friends who bore with me through my rantings and ravings can attest. But now that I'm a little calmer, I'll see if I can't explain just what it is about sports-- specifically organized professional team sports, and more specifically football-- that gets under my skin like a syringe the size of a turkey baster.
Hiker has a post which does a good job of explaining what's so slimy about pro football in a much calmer way than I could do-- to give you a hint, I would talk about double-Y-chromosome prison escapees and drug addicts being paid salaries the size of some countries' GDPs to ram their heads against each other in a gladiatorial arena and break each other's legs for the entertainment of millions of pot-bellied, bald, beer-stained couch primates who will go to bars and discuss pointless statistics with each other and drink till they pass out if their team wins, and go into furious rages and beat their wives and children and crash their cars if it loses. It's about the most quintessentially debasing thing that we as a country do, and it's held up as the Pinnacle of Twentieth-Centry American Culture and the advertisers' paradise, the start of the new sales fiscal year.
But I'm not going to do that. (Hah! See, I didn't really say anything in the preceding paragraph.) My problem with sports is rooted in academics. I spent my high school years trying to find a university to attend where my $30,000 tuition wasn't inflated to that level by athletic scholarships being handed out by scouts at the high-school football games, giving kids with single-digit IQs a free pass to go to Stanford or UCLA just because it would make their sports teams better. These universities have to staff remedial Geometry classes so the schools can pretend their athletes are students, while they're really just rewarding them for never having even bothered to go to classes in junior high with a free ticket to some of the most prestigious places on earth to learn, while kids with 1550s on their SATs can't go because the school won't pay their tuition, no way. Why foster a genius at your temple of learning when you can recruit a thug to help you get a trophy?
My high school didn't have much of a problem with the "jocks vs. nerds" mentality, but a lot of my friends did. They grew up in an environment where the jocks could do no wrong; a star quarterback could get away with date rape or breaking some math nerd's arm simply because he was going to take the school to the finals, and the coach ain't gon' have none o' that persecution happenin' to his boah, no way! So meanwhile, while the schools pretend to value education and academic excellence (silly me, that's what I thought a school was for), all they do is send signals to the kids that all being smart will do is get you beaten up, and if you were so smart, you shouldn't have provoked him, you whiny little geek. Only the Strong Survive.
I specifically went to a college where the only NCAA-level sports were badminton and fencing, and where I knew that my and my parents' $30,000 per year wasn't going to subsidize some gorilla who would lower the school's academic standards and turn the social atmosphere of the campus into just a bigger, less regulated version of high school. I seriously think more people should consider Jesse Ventura's proposal that colleges should-- not get rid of their athletic programs, keep those-- but stop pretending the athletes are there to be students. If the colleges want sports teams, let them hire one right out of high school, have 'em play in their stadium, feed 'em whatever drugs they need-- but don't conflate these two completely incompatible goals, of fostering academic excellence and of fielding a winning football team.
Then they go on to the pro leagues, and many will speak in proud, chest-puffed tones about how these are men at the top of their games, after a lifetime of achievement, that these are the less-than-one-percenters who have succeeded beyond all hope while the others are now pumping gas (a nicely quaint little statement, now that I think about it). Well, come on. These guys will leave their home team for the hated rival if offered a bigger contract. They'll steal your pen instead of giving you an autograph. They'll get caught over and over on drug charges, parole violations, and a hundred other scandals that traditionally ensnare the Rich and Dumb-- all because their teams and their fans are willing to support them taking home quarter-billion-dollar salaries to slay each other on the field in front of hundreds of thousands of live shrieking drunk spectators and millions more at home. You may call that "hero worship", but I have a different name for it: pornography for sadists. And I want no part of it.
Now, don't get me wrong. I don't hate all sports, not by a long shot. I certainly don't hate playing sports. I've always greatly admired baseball for its elegance-- you can memorize the rule book in an afternoon, and everything is based on "X occurs before Y, therefore Z". None of this ridiculous "3 seconds of man in motion, but if the ball touches the line 5 yards back from the line of scrimmage more than 3/100 seconds before the snap, three coxswains and a giant flying eyeball can be admitted to the field and the defensive mascot must open the Gatorade and plant a flag before crossing the Maginot Line" nonsense you get in football. Besides, in baseball it's all about skill and speed and the ability to execute a perfectly turned play-- not about who can break each other's skull open the most graphically for this year's Sports Illustrated video. I'll certainly watch the skiing at the Olympics, though I'd rather be doing it myself; I'll play squash for two or three hours on a Friday night, and if Chris is reading this, c'mon-- 2AM wasn't that late. But I just get very, very discouraged to find that no matter where I go, who I live with, or how long or horrible the movie is that I go to to try to escape from it, there is no getting away from the horrible brain-scraping squall of basketball buzzers, football whistles, the muffled abdominal impact grunts of hockey, the crowd roars, announcer patter, and the aforementioned choruses of "AAAAAOOOOOOOOWWWWWWHHH!" from the appreciative crowd in the living room whenever anybody gets their head ripped off and kicked through the goalposts on TV downstairs.
... Oh, right. Political relevance. Political relevance... Ah! I know.
See, I can sit here and fume about this Great American Institution, and anybody reading this will probably just shake their heads and cluck their tongue at my misguidedness. But dude, if this were 1955, I would probably lose my job and be tailed every day for the next five years by FBI spooks in black cars just for daring to mouth such opinions-- let alone to post them where just anybody can read them. (Imagine what would have happened if the Internet had been developed when McCarthyism was rampant! ...No, actually don't, unless you're a morbid sort.)
So that's why Super Bowl Sunday for me is like the Christmas season for a Jew-- the entire country going nuts over something that's actively hostile to me and that I can't escape. Now at least I know that next year I'll have to go for a nice, long motorcycle ride or something, long into the night, until the topics of discussion have moved on to something blessedly, mercifully quieter.
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| Sunday, February 3, 2002 |
22:23 - Geez, which bases haven't we covered?
http://www.denbeste.nu/cd_log_entries/2002/02/fog0000000260.shtml
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There are lots of semi-acknowledged or non-acknowledged problems in the world, particularly as regards America and our place in it. For the past fifty years at least, we've sort of let those questions go undiscussed, partly because discussion of one aspect of this complex of philosophical issues implies a need for discussion of another aspect and having as a prerequisite a third aspect (as I said yesterday we have avoided openly discussing the nature of American freedom out of fear of appearing too jingoistic or redneck-patriotic), and so we vapor-lock and sort of hope the people who do talk about them lose interest and go away.
But in the post-9/11 blog world, we have people writing online who apparently haven't heard of these limitations on our willingness or ability to philosophize, and they're methodically tackling each issue one at a time until anybody who has been paying attention should have as good a grasp on the role America plays in the world as a White House Cabinet member.
Steven den Beste of USS Clueless has taken on defense of the Constitution, cultural insularity, Palestine and Israel, European anti-Americanism, Islamic anti-Americanism, and the concept of America as an ideal of government and society. And now he tackles "cultural imperialism". You know-- McDonalds and Levi's and Disney.
If people in Cairo wear Levis, if people in Kuala Lumpur wear Nikes, if people in Kabul watch Schwarzenegger movies, if people in Bangalore watch Baywatch, if people in Kinshasa listen to rock music, it's because they like it.
We don't have to actively spread our culture to the world; it is seductive. Cultural competition is darwinian; and one culture can replace another quite easily. It happens because of a billion individual choices by a billion people, not as the acts of a few. We don't have to actively spread our culture, because it is spreading on its own. And so are our political ideals.
Ideas and attitudes are the most dangerous things we humans have ever created. Wars have been fought over them. And the most dangerous ideas in history are secularism, and self determination. The idea that religion should be an individual thing but never a governmental thing, and that individuals should be permitted to decide for themselves how they want to live without asking permission from their neighbors or the local priest, threaten the old order more than guns or bombs.
One way to tell how confident someone is in their ideals is to see whether they're willing to let you hear what their opposition has to say. If one side says "Read both sides" and the other side says "You should only listen to us because their ideas are too dangerous for you to experience", then you can be sure that the second guy knows his idea will lose. Censorship is the intellectual equivalent of protectionism. It uses the law to protect ideas which cannot survive on their own.
The biggest ideological problem, as he goes on to point out, is that if you're a culture that sees life as a series of trials and temptations that lead you away from the True Right Path-- then you're going to consider such concepts as balanced exposure to ideas and openness to outside cultural influences to be in themselves heretical.
And what this leads to is a deep-down question about the Meaning of Life, and something we must understand about the difference between Western egalitarian society and fundamental religious regimes: For us, religion is something you do. For them religion is something you are.
We tend to treat the church/synagogue/mosque as something you go to for one day out of the week, either to appease some internal nagging sense of need for balance and inspiration in your life, or to appease your mother-in-law, or for a variety of reasons with varying sincerity. But to a member of the Taliban-- one who honestly believes that his cause is the True Right Path-- religion is not simply a part of your life. It is your life. Any personal achievement or leisure activities you pursue must occur within the structure of religion. For us, the default state of doing nothing involves sitting on the couch watching TV. For them, it involves prayer. Prayer is their TV.
So the question, the meaning-of-life question, is this: Can we sit back and posit that our way of thinking is "right" simply because it is so obvious that the natural laws of human nature lead to it, that if we present no obstacles to information most people will come to agree with us? Or is that, in itself, the very nature of "temptation"-- the fact that such ideas are natural and compelling and the destination of highest entropy being the basis for a human being's failure to see the Light?
Most religions, like most oppressive governments, advocate self-moderation as a virtue; they consider the submission to "easy" ideas to be a human failing. In an environment of laissez-faire, humans will embrace ideas of openness, tolerance, democracy, and freedom-- and they will also have extramarital sex, do drugs, lean toward anarchy, and flout law and authority.
This is exactly why religions promote self-moderation and can lead to censorship.
So the Big Question really amounts to whether religion is a set of true laws designed to keep humans out of Hell, or whether it is a human invention designed to keep people from rising up against their leaders.
I think I'll just stop right there.
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19:26 - Black Hawk... eugh.
http://www.cnn.com/2001/SHOWBIZ/Movies/12/28/hol.review.blackhawk.down/
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Damn, isn't that game over yet? I got home after 2.5 hours in the theater, and there's still no end in sight to the shrieks of AAaaAAAOOOUUWWWWWWWWHHH! in the living room whenever large men with inch-thick skulls collide in midair.
I was pretty sure Black Hawk Down was a fairly awful movie between the time that I got home from the theater and the time that I pulled up Paul Tatara's review (linked above), but I had to go check out his opinion of it just to make sure. And, well, it looks like it wasn't just me. This thing really was a dog.
There is nothing original or interesting in Black Hawk Down that wasn't already in Saving Private Ryan or Three Kings. You have the former's brutally graphic violence, albeit 2.5 hours of it this time instead of just the intro-- right down to the surreal scenes where the audio fades away while some soldier picks up a severed hand or arm and puts it in his pocket for later. You've got the latter's weird, yellow, grainy, overexposed film quality, making it look as though the whole film canister is made out of desert. And yet, somehow, it makes both those things look cliché, though they've only each happened once before, like the scenes with that odd bluish tint like the Gladiator dream sequences that show up here for some reason.
But that's not where the triteness ends, no sir. It manages to shoehorn in all kinds of cheap war movie clichés that we've all seen a hundred times elsewhere-- and they're not even handled in an interesting or original way here. There's a scene with the obligatory exchange between a dying soldier ("Tell my parents I fought well today...") and his comrades ("No, you're gonna tell them yourself"), ending with the soldier dying-- whoah, surprise. There's a scene in which a soldier gets captured and interrogated by one of the Somali militia-- a guy who, by his artfully accented, flowery vocabulary appears to have been schooled at a Boston boarding school, and who regales the prisoner with his unique local perspective on the nature of the war and humanity and death, worthy of a star Times columnist-- though he seems a lot less dangerous to be held captive by than the Iraqi guy from the exact same scene in Three Kings. And the movie finishes up with equally trite, contrived, rehearsed speeches on heroism and how "it's all about the man standing next to you" delivered by grunts with Southern accents-- almost embarrassing, considering the meaningless slaughter you've just sat through, and the (surely unintentional, but ironic nonetheless) presentation of all the soldiers as pretty much indistinguishable. Their hair is all cut the same (well, duh, it's the military), but they all pretty much do the same stuff, with the exception of the guy deafened by machine gun fire (who seems to have gone, to coin a phrase, "deaf and m-mmm-m-mm-mmad, suh!", waddling from cover to cover and making oblivious gape-mouthed eye-rolling facial expressions that seem as though they'd be more appropriate in Hot Shots, Part Deux). I've never seen such a movie full of anonymous, only vaguely individual characters before-- the dialogue that isn't spoken in brusque walkie-talkie-ese can be gathered together onto a single page of script.
For all its triteness, Black Hawk Down does get a guy thinking about war and stuff. But what it does, in this day and age, is to remind us just how good we have it. "19 Army Rangers and 1000 Somalis lost their lives in the raid," the movie tells us at the end. Wow, you'd almost get the impression that we treat the enemy as anonymously and dispensably as the movie treats them. We get shot after shot of Somalis getting blown away-- but it's tempered by (a) the interrogator accusing the American prisoner of leading a meaningless life, secure in his money and his comfort... and (b) the contextual sense that one gets while watching the movie, that our rallying cry of "Leave no man behind" is intensely fatuous and egocentric. Especially now that we've demonstrated the ability to flatten a country like Afghanistan by dumping bombs into the windows or rooms where the bad guys are meeting, while losing only the occasional Marine in on-base accidents and killing civilians only by extremely rare accident, like by typos in the targeting computers. By that token, Black Hawk Down may be the last gasp of the Bad Old Days of war where fighting for one's life in the streets of a hostile city while the enemy makes itself indistinguishable from noncombatants was the way it was done.
That's the sense I left the theater with. "Damn, war sucks-- but thank goodness we'll never find ourselves in that kind of mess again."
Yeah, I know we will. But still, I think this movie just confuses people right about now. It makes us feel like "Well, if third-world countries don't want the help of outside nations who want to prevent mass starvation and genocide, then fine-- let 'em fend for themselves." But then it turns around and makes us thankful for the modern age of warfare and Hooray For the USA, or something. I don't know. I think I've completely lost track of my train of thought. I'm sorry-- this is the second time I've gotten this far in this post; the first time I was trying to make a ® symbol and hit Command+R (reload) instead of Option+R, an error which threw the whole 10K or whatever into the bit-bucket. I think it discarded whatever point I might have had too.
Bottom line: I didn't like the movie very much. (Parting note: There's a medical scene that's so cringeworthy that it could only have been dreamed up by someone who noticed that the audience would be so jaded and desensitized by the first hour of the movie that they would have to do something so graphic and visceral, no pun intended, as to take the crown away from the Reservoir Dogs torture scene as the Most-Censored-By-Blockbuster bit on the shelves. And it leads right into the "Tell my folks I fought well today" scene, telegraphed so clumsily that it could have been replaced by a silent-movie-style tinny piano music and a dialogue card reading "WAR DEATH CLICHÉ SCENE #4"... so people who rent from Blockbuster probably won't be missing much.)
But as horrific as the past two-and-a-half hours were, I still think it was better than being in the same house as the Super Bowl.
Now is it over?
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15:00 - Ahh, Super Bowl Sunday...
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... Which means I'll be out elsewhere for the afternoon. Probably seeing Black Hawk Down or something. That'll be nice and depressing. But that won't last long enough... maybe I'll see it twice if it's good. Or maybe I'll go up into the hills and take some photos; no, it's smoggy today. Crap.
Well, I'll be somewhere other than here. The shrieking has already begun. <Homer>And that's my cue to exit...</Homer>
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14:59 - I just had an iPhoto "moment".
http://www.apple.com/iphoto
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Dusty has just finished some work on the tailpiece of his motorcycle; he came up here and borrowed my camera to take some photos of it. When finished, he brought it upstairs and gave it back, saying "Whenever you get a chance, e-mail them to me in JPEG format."
So I plugged it in; iPhoto popped up. I pressed Import, and there they were. I opened up a new Mail message, then selected the three pictures, and dragged them directly from iPhoto to the e-mail. Then I sent it. No exporting to files, no saving, no rescaling. None needed. There's no need to think about files here-- just pictures. Just like iTunes allows us to think about songs instead of MP3 files.
Aaahhhhhh...
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14:50 - We're sorry, Japan! We really are!
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Topsy Turvy was on one of the movie channels yesterday-- it's the movie about Gilbert and Sullivan and how The Mikado came to be written. It's a fun movie-- a great little glimpse, whether accurate or not, into the lives of the pompous, straight-laced lyric writer and his long-suffering composer. It also provides a look at the weird fascination Britain had with Japan at the end of the nineteenth century-- a fascination that led, predictably, to some really stupid presuppositions and a comic opera that shaped Europe's idea of Japan as some funky bastardization of China for decades to come.
I think Japan looked at The Mikado, boggled, reeled for about thirty years, and then said, "Okay, let's get back at those people." Thus was anime born.
Hey, I'm not really being facetious here. What would you do if a bunch of Martians came down to America, looked around smiling bewilderedly and saying things like "How extraordinary! So vulgar, yet so fascinating!", took some Americans on board their starship to study them, make them sing American songs, walk like Americans, dress like Americans, put on little stage shows so the Martians could titter and golf-clap... and then they sent you home and put on a musical production about "The Americans"-- people who dress like Beefeaters with Buckingham Palace shakos, with computers in their chests, miniature conestoga wagons on their feet, and with names like "Grundlebone Ycrberg" and "Slobber-Fabigus", all about how Americans are circus performers who wear funny clothes and shoot each other for sport but otherwise behave just like Martians-- well, you'd be a little put out, wouldn't you? In fact, you might be so taken aback that you'd just sit and wonder for thirty years, and then put on some ridiculous productions about the Martians?
I mean, come on. One has only to look at the subtitle of The Mikado to see what I'm talking about: "The Town of Titipu". And look at the characters' names: Yum-Yum. Nanki-Poo. Ko-Ko. Katisha. Pish-Tush. Who wouldn't be offended by this? It's like G&S couldn't be bothered to figure out the difference between China and Japan-- and while the whole show is a ridiculous show of ignorance about any of the culture that they were so ostensibly fascinated by, it's made worse by the fact that the story is just a transplanted British idea done with funny clothes. I mean, why bother-- unless your specific purpose was to mock a culture that seemed just alien and faraway enough that they wouldn't mind? Like posting websites making fun of the Amish, because they'll never find out?
So I think that anime, with its giant eyeballs and its big spiky multicolored hair and its giant exploding space robots, is directly intended as a retaliatory strike against the West-- it's their way of getting back at us. Certainly much more effective in the long term than bombing our military bases.
So I'd like to take this opportunity to apologize, on behalf of the British of the 1890s, for The Mikado. We're sorry... we're really sorry. We've seen a lot of anime now, and we get the joke now. Ha ha, well done. Nicely played-- you sure got us there. Boy, there's egg on our faces.
In any case, I guess I'm not really that much of a fan of musical theater, new or old; the only modern production I've really enjoyed and respected is The Scarlet Pimpernel. Sure, theater is a really fun experience, and a good way to get away from the crap of daily life. But some of it, even the supposed classics, really stink.
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12:46 - Hasselblad Digital Camera.... <Homer Drooling Noise>
http://www.hasselblad.com/press/detail.cgi?new/969464191.txt
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Recently described as "the Rolls-Royce of digital cameras", the DFinity is nothing you want to try to dangle around with the strap figure-eighted around your wrist. Like all Hasselblad cameras (I just found all this out last night, so don't consider me any kind of expert) the design is retro and doesn't go to any great lengths in favor of miniaturization, because the focus (hee) of the camera's mission is image quality. It takes 2048x2048 images using the CMOS sensor technology that's going into the top-end cameras like the D1 from Canon, as opposed to the CCD sensors traditionally used; the advantage of CMOS is that in low-light conditions, the image artifacts tend to look like film grain, rather than JPEG blockiness.
Inside the camera is a Foveon-developed imager head that incorporates 3 sensors and a color separating prism. The prism is designed so that light entering it is split into red, green and blue components and then focused on each of three 2Kx2K CMOS sensors. Using a prism greatly enhances the system's ability to capture color that is purer than that captured by single-chip single-shot cameras using mosaic filters to create a color image. Further, by placing sensors on each of the 3 prism exit faces, the color of each point in the subject is sampled by three pixels (one red, one green and one blue).
The alternative color mosaic filter method that is used in all other one shot digital cameras, samples the color using only one pixel and guesses at what the other two might be.
The DFinity doesn't have internal storage, apparently; you keep it hooked up at all times to your laptop with FireWire, which allows it to snap a picture and transmit all 12MB of data and become ready for the next shot in 1.5 seconds. All the camera's functionality is controlled through the software on the computer, which works on Windows or Mac, and can even run from across a SMB or AppleTalk network. It's intended for studio professionals and photo artists, not for people taking snapshots of birthday parties. That's good, because while a price isn't listed, it's sure to be in the four digits and pushing five.
But... just look at the sample images they have for download. There's the obligatory cat (a cat seems to be the standard unit of measure for digicam image quality), fruit, and supermodel, as well as several others that look like potential desktop pictures.
Mmmm... sweet.
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| Saturday, February 2, 2002 |
03:42 - Infantile Humor
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Saw this in the restroom at Navy Pier in Chicago; it's times like that that I'm glad I have my camera handy. Hooray for palm-sized Nikon digicams!
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02:39 - A Voice of Reason From Across the Pond
http://www.spectator.co.uk/article.php3?table=3Dold§ion=3Dcurrent&issue=2002-02-
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Well, shut my mouth. It seems that there's a genuinely intelligent and insightful voice in among the crowd-- a Spectator columnist by the name of Theodore Dalrymple who has noticed some very key, original points. For one, young Muslim males growing up in unsavory, backwater British towns like Tipton (where two of the Guantanamo prisoners grew up) find actualization through the same Westernized means as their friends do (eating McDonald's and wearing Nikes), leading to guilt in the face of their non-Western traditions and a desire to lash out in compensatory reaction:
And yet they could not simply reproduce their fathers’ mental world. They were part modern British too, with many of the same debased tastes as their white contemporaries. They would listen to the same music, eat the same fast food, play the same games. (One sign of the acculturation of Asian youth is the adoption of body-piercing and tattooing, the latter despite the natural unsuitability of Asian skin for it.) They would be attracted by the same baubles, such as mobile phones and designer trainers; but they would feel guilty about their lack of cultural purity. From guilty desire and surreptitious identification it is but a short step to insensate hatred and rage; and perhaps it is not entirely coincidental that the three most rabidly anti-Yankee Latin American countries — Cuba, Nicaragua and Venezuela — are those in which the most baseball is played.
And secondly, that Western intellectualism-- whether in Europe or America-- consists of hip self-hatred, because anybody who says anything patriotic or positive about McDonald's and Disneyland is obviously a shallow-minded bigot:
So all Asif and Shafiq ever knew of Western civilisation was Tipton and its discontents. And they were deliberately kept from any deeper knowledge of our civilisation by the kind of ideological self-hatred that has been so strong a current of British (and Western) intellectual life for the last three or more decades, that precludes any pedagogic affirmation of the Western tradition. This self-hatred explains in part the kind of hatred (and contempt) that the Asifs and Shafiqs of Britain, of whom I suspect there are uncomfortably many, must feel. Not only does the ideological self-hatred of Western intellectuals prevent the likes of Asif and Shafiq from learning anything of the Western tradition, other than Radio One and McDonald’s, but it actually supplies them with the tropes with which to justify their pre-existing anger and violence.
Needless to say, the self-hatred of Western intellectuals is not genuine or sincere: they do not really want to beat our supermarkets into souks, as swords into ploughshares (though I must say that, from the human point of view, I personally do prefer souks to supermarkets). Rather, the intellectual’s expression of self-hatred is directed at other Western intellectuals, to prove the self-hater’s broadness of mind, moral superiority and lack of prejudice, and thus earn the approval of his peers. It isn’t only rebellious youth who experience peer pressure; and anyone who pointed out, for example, that for a very long time now the Western medical tradition has been incomparably superior to all other medical traditions in the world combined and multiplied a thousandfold, would forfeit approval, even though what he said was true, and obviously so.
When a child of seven asks, "Why do they hate us?" we would do well to ponder these points. They hate us because we hate us. We're a hate-worthy culture... or else we would act more like we like being us, right? Just look at all these movie critics railing against fart jokes, computer nerds complaining about Microsoft (heh), vegetarians carrying signs outside slaughterhouses, people who refuse to vote because "it only encourages them"?
I've never been a very patriotic person. Part of this is precisely the attitude that Dalrymple points out-- it's hip to hate the West, or at least to feel vaguely guilty about being part of it. But ever since 9/11, the resurgence of patriotism in the US is attributable at least in large part to the fact that nobody here really seems to be feeling that urge to bash ourselves pointlessly anymore. In the vacuum left by that bashing is what looks like jingoism, but is really just self-assurance, confidence that-- you know, we're really not so bad after all.
I wonder how much of the terrorists' mindset can really be traced to this psychology: "Americans have so much money and power, but they despise themselves and call their own culture morally bankrupt. If we destroy their symbols of power, we will not only be fighting the jihad for Islam's sake, we will be cleansing the West-- for the West's own sake!"
And I have to wonder whether all this could have been staved off if we'd all just been a little more visibly proud of who we are and what we've accomplished?
Ah well. If this is the lesson we learn-- that we don't have to flee like Fitzgerald and sip coffee in cafés in strange countries and sniff about the decadence and moral degradation and cultural imperialism of our native country in order to be taken seriously as intellectuals-- then the 3,000 people who died in the World Trade Center are a pretty small price compared to what we paid in the 1940s or the 1860s or the 1770s to learn the same lesson.
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01:55 - A Cautionary Note
http://inappropriate.blogspot.com/?/2002_01_27_inappropriate_archive.html
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Moira Breen of Inappropriate Response has a checklist of advice to people who write stupid editorials or blogs about the war and Those Damned Americans:
If you find yourself incapable of writing a column which isn't a rehash and reordering of some or all of the following themes, you, my friend, have nothing of substance to say:
1) You have an uncontrollable urge to nakedly display your scientific and political ignorance by invoking Kyoto as unassailable evidence of America's selfish, childish refusal to behave like a responsible member of the world community. (You don't know carbon dioxide from Carmen Electra, but you do know how those Americans are...)
Plus a bunch more, all of which are (of course) represented in a Guardian article which she carefully deconstructs tired-old-argument by tired-old-argument. If you're American, read it and enjoy. If you're not, this is a pretty good summary of the War Thus Far: all the overseas anti-war anti-unilateralism rhetoric neatly collapsed into a single Big-Gulp-sized measure, easily corralled and contained for Breen to smash into itty bitty pieces.
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01:36 - "...And a great way to get to work."
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I just saw a Dodge commercial in which the entire Dodge lineup, all in the new trademark red, went barreling through tunnels and over bridges and through just-wet-enough-to-produce-a-roostertail race courses, with cars flipping into the air and leaping over each other; and at the very end, they all line up outside a hangar and a squadron of fighter jets swoops down through it and whooshes out past the camera.
Suddenly I was struck by an image of what it must have been like in the pitch room of the ad agency:
"And then all five cars are lined up outside the hangar, each one next to an F-15; the camera's trucking back like this, see, so you can see them all sequentially. Yeah-- and then a face-on shot of the hangar, the camera pans up, and you see the F-15s dropping down out of the sky, they come down into the hangar and fly through, see, and right out past the camera, one by one, with the cars sitting down below. Then cut to the slogan card, and out."
Can you picture an ad-man from the 60s sitting in on this session? Can you imagine what that must have sounded like?
These kinds of effects were once-- not so very long ago-- leaps and bounds beyond even the reach of filmmakers like Lucas, even given a budget the size of Western Europe's GDP and five years to do it. And now a lowest-bidder ad agency can do it for a thirty-second spot in six weeks with off-the-shelf software, and it gets run at 1:30AM in between episodes of Battlebots.
What's more, this ad is pretty darn cool. It's over-the-top, even gratuitously so, but it's also conscious of itself-- it knows it's overboard, it knows the audience knows it's overboard, so it doesn't even bother trying to appeal to one's sense of reason or rationality. It just goes all-out. But then, on the movie screen, we have Planet of the Apes.
Many have speculated about how advertising is the force which will permeate every aspect of our lives from breakfast to dreamtime, from cradle to grave. But, well, speculation is moot-- it's already right here. Why bother making a good movie when an ad is so much more effective?
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21:32 - The difference between a straight date and a gay date
http://www.littleyellowdifferent.com/index.php?z=2002_01_01_archive.html#9189018
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Ahh, Claim Jumper. My friends in LA will remember many fine, hysterical evenings there. Biggest darn mozzarella sticks this side of the Deep Cheese Fryer of Time. And remember those clam chowder bowls? Huh? Hey, are you listening?
Whoops, almost let this post drift into LiveJournal-land. Anyway, yes, the joke involves a fair amount of stereotype-- but hey, good humor does. Life is pretty darn boring if you don't get to caricature it a little bit. Stereotype doesn't have to be malicious, and frankly, it seldom is. Hell, it's gay guys who know the best gay jokes, after all...
I think Brak says it best: "You know... love is a happy time, all throughout the Universe. It's when the male part of the species goes to the female part of the species and says, "Hey! You wanna go on a date? And she would say, "Well... yes, I would like to go on a date"-- if you're lucky! And then you go to a restaurant, and she gets something called a "salad". And then he gets a big piece of beef, that he eats. And that, to me, ladies and gentlemen... is love."
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19:20 - al Qaidamon
http://www.newgrounds.com/portal/content.php?id=42797
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Eeeeew.
As has happened so frequently in the post-9/11 world, political commentary takes the form of instant audio/visual/interactive comedy. We've had the "Come, Mister Taliban" movie; we've had the satires on The Onion, we've had the Osama's Convenience Store game, we've had a hundred little Flash movies. And now we have... another one.
This one, "al Qaidamon", takes the controversy surrounding the Guantanamo prisoners and lets the average Joe get a much more first-person interactive idea of what it's like than he would get just reading CNN, The Mirror, and the various warbloggers' opinions.
Note to the easily offended: You may want to pass this one up.
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18:42 - Hey, it's been a while since I made an Xbox post...
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... And that in itself is blogworthy.
I haven't seen any ads for Xbox games on TV in... oh, I don't know, several weeks. Maybe they've all migrated to other channels, but I certainly haven't been seeing them on Cartoon Network lately, which is where I spend most of my time. I also haven't seen any buzz about it on websites, or the news services, or in magazines.
Sure, the Christmas season is over now... but I remember the Xbox ads going on for at least several days after Christmas. So... does that mean Microsoft had simply miscalculated how many days remained until people stopped buying gifts? Or-- oh, wait! I know. They kept running game ads because kids would have received Xboxes for Christmas, but with no games! So they had to keep running the game ads, or else how would they know what to buy?
Well, that seems to be all over now, and it's only the beginning of February. I take that to be a very promising sign-- or at the very least, it's indicative of a pullback. It means the worst is over.
And primarily, it means I can watch TV in safety now, without the worry that I'd hear that black-surface-puncturing-in-the-shape-of-an-X crunching sound. The only place I have to worry about the occasional Xbox-flag-waving land-mine is over at Lileks.
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14:15 - A little, tiny, minor observation about nVidia chipsets...
http://www.insanely-great.com/news/01/1458.html
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Chris Morris of CNN/Money:
"For technology lovers (and I fully admit to being one), this rapid advancement of new chips is exciting. From a gamer perspective, though, it's not quite the big deal nVidia would like you to believe. Yes, the more advanced graphics are nice, but the gaming hardware and gaming software industries are out of synch. While the GeForce 4 offers some tremendous features, there won't be any games on the market utilizing those for likely a year or more. As it stands, only a small handful of games take advantage of what the GeForce 3 has to offer."
Yeahp, that am true, Miz Keane...
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| Friday, February 1, 2002 |
18:39 - Ahh, good old User Friendly.
http://ars.userfriendly.org/cartoons/?id=20020201
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You know, I'm kinda surprised-- User Friendly has actually been fairly Mac-positive for the past few months. There's been very little of the usual invective, even some positive vibes toward Mac OS X. Certainly nothing like the ridicule it heaped upon the iMac back in 1998, when Erwin was reincarnated into the body of a Bondi Blue original-- horror of horrors. There hasn't been a peep yet about the new "Luxo" iMac, controversial as its design is. No, it would almost seem as though Illiad has turned over a new--
... Okay, well, never mind then.
Sometimes I feel like I'm the only geek on Earth who doesn't really think terribly highly of User Friendly (this is a general-purpose tangent I'm going off on here, not one sparked by the above, in case you're wondering). The art has never really improved since Day 1; and while unschooled artistry can become an engaging visual style (as in Dilbert or The Far Side), it just hasn't done that in UF. To say nothing of the subject matter, which at least has lately seemed to stay away from the protracted spell of "I hate Microsoft!" reiterations that made up its first two or three years of existence. But the storylines from recent months are so dull as to reveal that there's really not much there without the Microsoft-bashing and Linux heraldry to buoy it.
So go on, revoke my Geek Cabal membership, because I guess I'm just not part of the target audience. Which is a shame, really-- I'd quite like to be.
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18:13 - They can dream...
http://www.themexp.org/view_info.php?id=1230
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151,037 downloads (and counting) for one of the newest Aqua-esque Windows XP themes that have been posted. And this one is-- well, just look at it.
I don't know where to begin explaining what's wrong. The text is blurry, unregistered, and atrocious. The window control buttons-- there are two of them, red and blue (that right there is as jarring and confusing as seeing a blue traffic light). The title bar is way too big and the edging is sloppy. The sub-window tabs are wrong. The scrollbars are ugly. It's just-- blaugh. This is where you see the difference between a properly designed UI and one done by a hacker. Even with all its bent principles, the Mac OS X UI is the result of some of the best work by some of the best UI designers in the business, and all it takes to appreciate it is to see how bad it looks when imitated poorly.
It's very consistent with the Microsoft school of UI, in any case. Whenever they get a set of principles to follow, it's like they read the first two lines of the specification, say "Okay, I get it," and then go to work. That's how we get things like the Office v.X box design and application icons: bulbous, shapeless, syrupy globules. Not symmetrical, candylike diffusions of light-- it's like all they heard was "Make it look 'wet'. You know, 'Aqua'."
In any case, at least four of the top ten XP themes on this site are Aqua themes-- and they keep on trying, making more. It's kinda cute, and kinda sad.
"Duuuude! You're gettin' a Dell! And you can even pretend it's a Mac!"
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17:30 - Dude, you're going to Hell!
http://www.appleturns.com/#3
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CNN, unfathomably, has a whole feature on Ben Curtis, the "Dell Guy". You know, from those ads that are just about as obnoxious and spare-no-expense-to-make-it-look-low-budget as the 1-800-COLLECT ads with Carrot Top.
I could wax poetic on my opinions of these ads until the wax coats my face and I could remove my facial hair by peeling it all off at once, but AtAT has already done that for me. And they spared my face, even.
Blaugh. Yeah, America's a great melting pot and all that. But damn, we could sure use some taste.
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16:53 - Yeah, that's what I was trying to say.
http://www.nationalreview.com/hanson/hanson020102.shtml
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From Victor David Hanson:
The more Americans find out more about Wahhabism, the Saudi royal family, the Dickensian Pakistani street, the Iranian mullahs, what Mr. Arafat really says in Arabic, Afghani warlords, the public parades of future Hamas murderers in Lebanon, and the Pravda-like nature of al Jazeera — the more they are shocked to learn that the multiculturalists, not the traditionalists in our schools, were the great deceivers. How ironic that multiculturalism demanded romance — not reason, parochialism — not inquisitiveness, and prejudice — not impartiality.
The rejection of a multiracial society united by a common adherence to Western values has formed the canon of our educational system for the last two decades. We were to embrace a "mosaic" of unassimilated special-interest groups rather than the blend of the melting pot. But throughout this war we have seen the horrific wages of nations that are not really nations at all, but simply tribes of competing ethnicities, religions, and races whose traditions promote private agendas, rather than freedom and tolerance.
If we didn't learn from the horror in Bosnia and Kosovo, then at least we should have seen in Afghanistan, Somalia, the Congo, and elsewhere these last few years that wherever people give allegiance to skin color, religion, language, and tribe first, and the common culture second — corpses pile up.
If I had been more awake and better read, this is what I would have said last night. Or at least tried to.
I've never been a fan of PC-ness, though I've always been careful to give all cultures a fair shake-- there is a difference. And now, only now that we've seen how ridiculous are such gestures as turning the flag-raising statue proposal from what happened at the WTC site into a breakfast-cereal cultural triumvirate (Bobby the blonde, blue-eyed Caucasian; Lamar the idiom-free Black kid; and interchangeably Pedro the Hispanic or Siu the Asian)-- we've just about had enough.
The point of Hanson's article, to distill it into a sound bite, is that some groups of people just plain suck-- and treating the dynamiting of cliffside Buddhas as "just one culture's way of expressing itself" makes the world a worse place no matter what yardstick you use to measure it.
The American ideal-- and it's an ideal, mind you, and not perfectly realized, which is almost part of the definition-- is that regardless of where all the people living here came from, they all come to think of themselves as Americans, not as displaced Hispanics or Africans or Europeans or Asians. The people I mentioned in last night's post who run their businesses and raise their kids here-- they don't do it because they plan to go back to their native countries someday. (Some do, most don't.) Their native countries had serious problems, especially compared to here-- that's why they left. These people are willing to give up their national identity, their traditions of life and marriage, even their surnames, for the prospect of living under the American ideal; when they do that, they become Americans not by the act of giving up their nationalities, but by wanting to.
In this sense, "American" takes on much the same connotation as "Zionist". Not necessarily someone who lives in the US, but someone who lives here in spirit.
The Vikings were one of the most culturally malleable nations in history. Wherever they settled, they tossed aside Wotan and Freya and Ragnarok, and adopted the local traditions-- whether Christian, Slavic, proto-Newfie, or even Muslim. They did this because they realized there were nicer places to live than in the ice-bound fjords. Wherever they went, they brought ambition and energy and strengthened the nations into which they miscegenated. When they talk about "hybrid vigor" in dog breeding or crop genetics, it's a concept that's just as applicable to cultures: Cultural incest leads to stagnation, but cross-pollination leads to new ideas, innovation, strength, and longevity.
Countries that base their identities upon language, religion, and bloodline will always decry those that promote the "melting pot" ideal-- but they will be doing it from the sidelines while the melting-pot countries pass them by. America isn't a perfect melting pot, not by a long shot. We're still very multicultural and insular, as I said last night. But those pockets of cultural homogeneity do accrete from each other, over time, and the long-term trend is toward the melting pot, not away. And it's the fact that we have lots of money and lots of pan-cultural icons of consumption (McDonald's, Disneyland, Coke) that makes that possible. It's not such a bad thing after all, looked at that way.
So is this the long-overdue end of the PC era? Hanson thinks so, and I hope he's right. Does this mean we'll stop seeing Bobby/Lamar/Pedro-ism on cereal boxes anytime soon? Maybe not. But if before 9/11 they had been planning to do so, at least we won't be seeing them multiculturalize the Rice Krispies elves.
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15:25 - Ho ho...
http://www.doonesbury.com/strip/dailydose/
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Hoo-kay. That one's a "swish".
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09:39 - If You Serenade Your Machine, Will It Love You?
http://www.wired.com/news/culture/0,1284,50161,00.html
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Some companies' products inspire satire songs. I remember one, sung to the tune of "Wild World", that went "GOD ... DAMN ... I hate Micro--SOFT Word", written about at the time when version 5 was released; and then there was the infamous "Start Me Up" parody about Windows 95 ("It's suckin' up my drive!"), and probably a lot more that I never heard about.
Well, take a look at this Wired article. What we've got here is a guy who writes songs about his Macs. Nice songs.
See, when they say "Mac users love their Macs", this is the kind of thing they mean. They don't mean Mac users simply have their reasons for using them. They mean Mac users will go out and do completely off-the-wall stuff like write songs about them. Whole albums of songs. Love songs, funny songs, artsy songs... it's his theme.
They talk about "lifestyle choices", but this has got to be the best example of that that I can think of.
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| Thursday, January 31, 2002 |
02:42 - This Time For Sure...
http://www.denbeste.nu/cd_log_entries/2002/01/fog0000000253.shtml
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Over the past several weeks, USS Clueless has posted a series of essays in defense of America as a concept true to its founding ideals; some posts have been more provoked than others, and den Beste's challenge throughout the period has been to word his feelings in a way that gets the point across without sounding overly jingoistic or defensive. The resulting series of essays are exactly that, in the original French sense: essais, or "attempts" to convey the point in the most effective way possible.
Well, here's the latest essay.
The United States is made up of people whose ancestors hated Europe. They came here to get away from what Europe stood for; they came here because they wanted something different. And they were resolved not to let this nation become another Europe, because they'd seen the worst Europe had to offer.
...
Some of them revolted against European domination and created a nation built on a different philosophy. Others came later and joined it because they liked what it stood for. The most patriotic Americans have always been its first generation immigrants.
...
It is no wonder that the Europeans are bewildered by the US, and vaguely frustrated. They expect the US to be New Germany, or New France, or New England. But even New England isn't actually; Boston is not New London, and New Hampshire isn't Hampshire recreated on American soil. New York bears no resemblance to York. New Jersey is nothing like Jersey. Those are only names; the reality is that America is now alien.
The point here that he's trying to get across would be just as well aimed at white supremacists and their ilk within the US: America is not, and never has been, the Land of the WASP. It's not less so now than it was at some point in the past, nor is it more so. Only at the very beginning, when the mother country that we were fighting was Britain-- purely by accident of colonization-- was a European (or English) ascendancy evident. Almost immediately afterwards, as soon as it became clear what the Constitution was promoting, the US in its current form began to emerge: the Coalition Culture.
The only reason America looks like a white, European nation-- to those who expect to see it as such-- is that within the greater framework of the country, cultural groups do still insularize to a remarkable degree. White people living in San Marino don't go into Compton or the Pasadena Arroyo, except in very fast cars on the freeways. So it's very easy to pretend that those pockets of culture don't exist, or are irrelevant. But to the people living there, the WASPs are just as remote, and just as removed from their everyday concept of "America" as they are to the WASPs.
This effect of insularity is amplified each time a WASP ignores the reality of the Sikhs making his Subway sandwich, the Chinese guy to whom he pays his rent, the Indians and Pakistanis programming with him at work, the Vietnamese running the successful PC hardware shops where he buys his office's computers, and the newly-ascendant Black culture that has finally begun to penetrate to all levels of social management from unskilled labor all the way up through corporate management and political office.
(Sure, I'm generalizing-- but I also mean to point out that many cultures do gravitate towards certain professions. It's a stereotype to suggest that Jews work the financial system, but there's historical and cultural support for such a statement, like it or not-- niches are only pejorative if someone decides to craft them that way through hateful propaganda.)
The KKK can keep those blinders on all they like and go on pretending that America is Meant for the European; but just as we look back at 1955 and see Marty McFly and Doc Brown rather than Joe McCarthy and people getting fired over the suspicion of associating with someone who was suspected of being a Communist, people who think the United States were ever "purely" comprised of one particular cultural group are worshipping a fantasy world that never existed. History wears blinders just as well as people do.
...So anyway, that's what America is about. You could put all the cultures in the world onto a wheel and rotate them one to the left, and then take North America and fill it with people from the rotated culture wheel-- populating it from 1750 with Vietnamese settlers and statesmen, importing British and Irish and Russian slaves to pick cotton in the South, with Blacks and Hispanics and Chinese and Muslims pouring voluntarily into Staten Island over the years and Indians entering through San Francisco to build the railroads and pan for gold-- and the concept of the nation would be exactly the same.
In fact, that alternate America of 2002 probably wouldn't look all that different from what we have today.
We're a country built upon an ideal, not upon a people. The people come here for the ideal, and the ideal is what makes them Americans. Europe expects a country to be an aggregation of people who speak the same language and share a common ancestry, whatever the country's government and social structure might be like. But to us, the government and social structure are all-important, and language and ancestry are incidental.
This is not jingoism or patriotic bluster. These essays from den Beste and his contemporaries are just trying to set the record straight for the benefit of the European politicians and columnists who just don't seem to get it.
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23:17 - Seanbaby...?
http://www.surfmetro.com/
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I was waiting for my car to finish being washed over at the place I usually go to on Stevens Creek Blvd., where they have a nice gazebo with magazines and things to read. One of them that was sitting there in a big pile of take-em-they're-free copies was The Wave, a Peninsula/South Bay/Santa Cruz metro-life rag. You know the kind-- the ones that run "Life in Hell" and "Tokyo New York", and where the personal ads have really entertaining entries (especially in "Other seeking Other").
So imagine my surprise when I pick up one of these copies and flip through it-- only to find an article by the one and only Seanbaby. It's a bizarre, paranoid, surrealist little piece entitled "Attack Monkeys Are Planning to Attack You".
Recently in New Delhi, a monkey boarded a bus and "pretended to read a newspaper for the entire hour-long ride." If this doesn't seem odd to you, chances are you'll be the first victim once they organize their super monkey army.
Funny, dirty, and lavishly illustrated-- and it seems not to be located on his website anywhere. So does this mean he writes for biweekly metro print rags in his spare time? Or is this his day job?
And does this mean I'll have to keep picking up copies of The Wave just to find out?
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23:04 - Spare a talent for an old ex-leper?
http://hikeryote.blogspot.com/?/2002_01_27_hikeryote_archive.html
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Hiker has started his own blog recently, and this post explains why.
I wish I had a cool story from my past that I remembered in detail and could use as a justification for all the bizarre stuff I do...
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21:26 - It's time for a little something unexpected...
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VueScan, by Ed Hamrick, is the all-purpose Mac OS X scanner software that everyone's using because no scanner makers have brought out drivers yet.
This is VueScan:
This is me using VueScan:
See, here's the thing. VueScan is the most horrible, infuriating, ear-bleedingly godawful piece of software that it has ever been my displeasure to use.
Well, okay, maybe that's not fair. It's not maliciously bad, and Hamrick has done a really admirable job of delivering a piece of software that works on Windows, Mac OS (9 and X), and Linux, and works with almost all kinds of scanners in the world, whether parallel, SCSI, USB, or FireWire. Really remarkable.
But... aaarrgh!
A Preview pass in my Microtek software, under OS 9, takes about twenty seconds. I make my adjustments, and then the full scan pass takes another twenty seconds. It zips along. I click, spin around twice in my chair, and I've got a nicely color-balanced image in Photoshop to play with. All the detail is there and available for me to tweak with the level sliders.
But under VueScan, a simple Preview pass takes ninety seconds. The full scan takes just as long. Heaven forbid I should ever have to scan more than one page-- I'd be here all night. But that's not the worst part! The worst part is that the color-balance sliders seem to do no good at all! What I scan tend to be grayscale pencil drawings, and the Microtek software (which doesn't run in OS X) picks up all the detail perfectly. But no matter how I twist the sliders, VueScan seems to capture a bright, near-white field-- only the heaviest lines show up at all, and crashing the sliders back and forth barely makes any difference at all.
But that's not all! If I move the selection area around and do another Preview pass (another 90 seconds of my life gone), the image will look nothing like the previous one. It'll have a splotch right in the middle of bright, sun-like white, edged with an intense bleed of yellow, like film exposed to direct sunlight. Needless to say, I can't use whatever image comes out of that. So I preview again (90 seconds-- "Jeopardy" theme plays three or four times), and this time the field is made up of alternating lines of dark blue, red, yellow, black, ochre, and band-aid color. huh? At this point, my only hope is to shut down the program and start over again, because if I let it live it will merely sit there Buddha-like, but mocking me-- the Mocking Bodhisattva of Glaring Monochromatic Light.
It's times like this that, utterly defeated, I grope for the Startup Disk panel and reboot into OS 9, willing to endure five minutes of booting, scanning, rebooting, and launching all my seventeen accustomed apps again, just so I can scan some pages in peace and quiet.
That's the big weakness OS X has right now: scanning. (Well, the big one for me.) Scanning is a dreary, sad tale. Because Photoshop isn't out yet-- Real Soon Now, says Adobe-- none of the scanner manufacturers seem to have any incentive to develop native drivers. Some have, but of course not Microtek. I've had an e-mail response from them saying they hope to have OS X support "in the very near future", but I'm not expecting much from that.
"Why don't I just get another scanner?" Excellent question! Why, because I need an 11x17-inch scan bed-- or A3-size, if you prefer-- and Microtek is the only manufacturer who makes one, aside from Mustek (and I have friends who buy Mustek scanners three at a time, because they dissolve right before your eyes. I'm not kidding-- they're that cheap and crappy), that's remotely affordable ($1000). Some other ones are available, but they start at $3000. And that's still SCSI we're talking here, not USB-- let alone FireWire.
(I daresay that if I could have a FireWire version of my Microtek 6400XL, it would work perfectly in Classic mode with the Microtek software.)
SCSI in OS X is a strange bird in any case. You have to have your SCSI devices turned on at boot time, or it won't load the shims for them. This is a Darwin problem, Adaptec has told me-- and a topic of hot debate among Darwin developers and Apple. They'd better address this problem, or else OS X will have a hard time being accepted in the server market, where SCSI is still very entrenched. Not to mention the installed Mac graphics market, who was used to SCSI being the default primary system bus right up until 1998, when Apple went to IDE to cut costs and lower reliability and speed.
So now I'm stuck, until such time as someone should see fit to make a FireWire A3 scanner that I can afford, or Microtek should get around to making OS X-native scanner software, whichever comes first. I'm not sure which is more likely. But unless I'm willing to reboot into OS 9 every time I want to scan something, or maybe borrow one of Kris' old 8100s to use as a scanning box (hey, not a bad idea), I'm stuck using VueScan. It continues to escape me how the thing can keep getting such glowing, five-star reviews over at VersionTracker, gushing over its fantastic color-control abilities. Sure, Hamrick updates it every few days with a new beta, and he's been very responsive and helpful to me in my e-mail exchanges with him. But dammit, man! It got faster about ten versions ago, after he troubleshot my configuration-- and then it got worse again just a couple of weeks ago! And I can never tell whether the color-handling crappiness is there or not-- it keeps coming and going! I can't tell if it's a lamp heating issue, because scanning takes so long that the lamp is a completely different temperature at the start of the scan than at the end (VueScan turns off the lamp between scan passes)! Aaaauuugh!
... Okay.... okay. I'm done. I'm okay.
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20:48 - I am superior! I am here to protect you!
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Woo-hooooo! I've finally taken the time to sit down and code some of the grungiest, ugliest, crappiest, hackiest Perl on top of a band-aid on top of a badly written substrate done when I was first learning how to write more than glorified guest-book scripts.... ever.
The fan-art movie file uploader is now automated, to put it another way.
So now, when artists upload movies, checking a checkbox which uploads them into a different sort of system that's not automatable like still images are, I no longer have to manually download the movie, pick out a still frame, upload it, make a thumbnail, fix the permissions... then insert the still image through the existing approval system, go into the database command-line, manually update the filename and file type and file size... and then manually delete the still frame from the prepared ZIP and insert the actual movie file, and then update all the permissions, and then test it to make sure I didn't break anything.
<pant> <pant> <pant>
... Right. So now, when someone uploads a movie, the approval list shows it-- but it gives me an uploading form so I can download the movie, pick out a still frame, and upload it. Then, I approve it like any other file. No fuss, no muss-- just a couple of temp files on my local machine to throw away.
Yes... I know this is quite possibly the least interesting blog entry I have yet made. But I had to write it down, and it's my blog. So nyah.
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18:55 - State of the Onion
http://www.sgtstryker.com/weblog/archives/week_2002_01_27.html#000370
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I didn't watch the State of the Union address, largely because I knew I would get the gist of it from various sources in the following days-- and I have. And as an extra bonus, I get to see a whole spectrum of biased, often funny opinions about it-- but not the actual source material itself. Can an entire speech be pieced together from subsequent reactions and commentary from all sides? Probably not, but it's kinda fun to try.
On the one extreme, you've got James Lileks, who defends Bush with the same zeal as he defends the new iMac-- some might describe it as "sucked in by PR" or "the stubbornness of the convert", but sometimes a guy just gets sick of hearing his side get picked on. And at the other extreme is Sgt. Stryker's interesting play-by-play of the speech-- focusing not on the actual content, but on the presentation. Follow the link and see. It's entertaining.
You're going to find all kinds of opinions here in this country, even today. The "voice of America" is a myth. No one person speaks for everybody. We are a people who love our satire and our comedy, and yet we demand to see ass kicked when it needs kicking-- we're happy to put the comedy on hold while it's not appropriate, but a month later it's back and stronger than ever. (Lots more new material to play with, after all.) Meanwhile, those who take the task of commentary deadly seriously will cluck about such inappropriate aspersions (as does Lileks in the link above), while using their own weapons in defense-- which as often as not turn out to be humor as well.
You know, the fact is that none of us know what to make of each new political emergence as soon as we become aware of it. Sometimes our reptile brain will take over before we have a chance to analyze it-- and the first reaction out of our mouths is shaped by the reactions that others have already registered. We can't help that. We can't all be omniscient. Sometimes we'll sigh about the old days of journalism, when war footage was shot on film and disseminated to the public in newsreels in movie theaters. Journalism had to be in-depth and well-researched and contextually relevant and had to survive for at least a week. But in the gotta-post-it-now whirlwind of the blog world, sometimes you get the most accurate view of all into the heart and soul of a nation: the unrehearsed reactions of its concerned citizens.
Yeah, Bush was probably drunk when he choked on that pretzel. He's a Texan watching football. Yes, we should be respectful of the man in this time of severe trial. And yes, we should all salute every "Make no mistake" that falls from his mouth with a chugalug and a handful of Rold Gold.
These aren't mutually exclusive aims. They're the spectrum of being American.
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15:59 - iPod is Geek Gear
http://www.geek.com/hwswrev/conel/ipod/index.htm
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Geek.com has a review of the iPod that's very, very complimentary. Five stars out of five in both Quality and Geekness ratings.
The iPod pins the meter on both the Geekness and Quality scales: 5 Geekheads for each. The Geek factor on this thing is so high. When I take it out of my pocket, it turns heads. It looks cool, and works cooler, whether transferring files or just zipping through the menus to find an album or song to listen to. I love music, and being able to have all the music on CDs I was never able to listen to because I didn't have the CD or the CD player with me is awesome. I'm rediscovering a lot of overlooked music, too, from Elvis Costello's Spike to The Strokes' This Is It. On the Quality side, the unit is solidly put together, is reliable and easy to use, and sounds tremendous.
What I find blogworthy about this is that it's a testimonial from someone who's not necessarily a Mac-head-- just a geek. Apple has traditionally been sneered at by geeks, largely because such people really like to tinker. Macs aren't for tinkerers.
But lately the "geek" community seems to have splintered into (a) the ones who liked to play Operation as kids, who are now Linux-heads, and (b) the ones who made sure to step exactly twice in every paving segment of the sidewalk and never stepped on any cracks so as to preserve the purity and symmetry of the universe, who are now Ive disciples. The author of this article is one of the latter. He likes turning heads with great industrial design that he can pull out of his pocket; he likes things that are streamlined and engineered to the point where the designers must have wept for joy upon its first casting in clay.
I've got word that Linux World Expo is completely flooded with Macs-- every other computer on the show floor is one, lots of new software being shown there is being developed for XonX or other hybrid Gnu/Apple platforms, the whole exhibit hall is wired with AirPort, and there's a general fervent pro-Apple sentiment all throughout the show.
So right now both types of geeks are being drawn back towards Apple, and this article is a good demonstration of that. You don't tar yourself as a backward, egotistical outcast anymore by registering your praise for something Apple has made. Instead, it's taken on good faith. It's even hip.
Whither goeth the geeks, the computer industry will follow...
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| Wednesday, January 30, 2002 |
20:47 - Okay, so I'm a wuss. Shut up.
http://homepage.mac.com/servicetech/PhotoAlbum1.html
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Okay, yeah, San Jose's entry into the winter-wonderland contest is pretty pitiful compared to Chicago's, which is captured here by Marcus Aanerud.
Hey, we take what we can get in these parts... :)
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20:36 - Well, it's melted now, but...
http://homepage.mac.com/btman/PhotoAlbum2.html
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Yeah, yeah, no wiseass comments about the page theme. I was just fiddling around with iPhoto and iTools and had to tweak a few knobs. I feel so... pandered to.
Anyway, here are the photos I took on Monday morning of the new snow on the San Jose hills. Enjoy! I know I did.
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17:47 - Now That's Targeted Marketing.
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Today in the seminar, one of my co-workers had a cup from Starbucks. I couldn't help but notice just how carefully engineered the cup's various features were:
- Printed on the side was a mini-story entitled "Caring For Those who Grow Our Coffee", describing how Starbucks sponsors a children's program in Kenya called "Pied Crow". I couldn't read all of it, because of the...
- Insulating sleeve made of rough cardboard, wrapped around about 1/3 of the cup.
- On the sleeve was printed, "This insulating sleeve is made from 60% post-consumer recycled materials, and represents 45% of the material that would have been used by a second paper cup."
- Both the sleeve and the cup itself had a message reading, "Careful-- The beverage you are about to enjoy is extremely hot!"
All-righty then. Let's recap: Starbucks can pretty much bank on the fact that its customers are: (a) Concerned about the rain forests and the plight of exploited third-world cultures; and (b) rich and prim and stupid enough to be a risk for suing Starbucks in case their coffee turns out to be hot, as with the infamous McDonald's Coffee Woman.
In other words, it's a coffee shop for Marketing Droids.
I knew there was a reason I could never stand being inside a Starbucks for more than a couple of minutes at a time.
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17:38 - Must be an interesting day in the GM and Ford boardrooms...
http://money.cnn.com/2002/01/30/economy/economy/
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So it seems that our little recession is already just about ready to turn around, according to Greenspan-- and we can chalk that up in large part to the fact that lots of Americans bought cars in the past three months, taking advantage of those 0% financing offers that the auto makers put forth after September 11.
I'm told, first of all, that while this car-buying atmosphere has buoyed consumer confidence (the really important thing to watch when it comes to gathering economic intelligence), the car makers are still in danger of collapse-- because without the finance charges that they normally get to collect, they're losing money on each sale. Cars are being bought in record quantities, but the car makers are in danger of going under.
I wonder how true this is. Have they maybe raised MSRPs a little bit to cover their costs since then? Did they release the 0% financing offers of their own free will, or under pressure from lawmakers?
And what I really want to know is, what must it be like to be an executive at the head of one of the automakers right now-- knowing that this program has in large part saved the US economy, but at the expense of his own company's health?
Do the auto makers get to play this PR card now-- they're big generous philanthropic bodies who put the health of the economy above their own, according to the publicity that they could run. They could even possibly get away with it. I don't know how well Americans would take to such a thing. Knowing how much we respect some Big Business, we might eat it up. Or it might get lost in the noise, just as likely.
Hey, thanks for Keeping America Rolling, guys. You can stop now, though. We don't need a repeat of the airline industry here, or of the 80s...
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17:18 - Shaolin Kung Fu is Wonderful!
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Last night I saw Shaolin Soccer, a kung-fu comedy from Stephen Chow, the director who brought us The God of Cookery (which I still haven't seen-- but I know I must, soon).
And what a hoot it was. I'm not entirely sure why, though. The style of slapstick humor is really very different in texture from what we're used to here, but I can recognize and appreciate it as humor; but what's particularly special about its humor style is where it differs so spectacularly from Western-style slapstick. Sure, a lot of giggles arise from the bad Engrish subtitles, but more come from scenes like the star player gradually building up his striking power kicking a ball against a target painted on a wall-- every successive shot, he's standing further back and hitting more accurately, until finally he's standing about 100 yards away and blasting it repeatedly into the bulls-eye with enough speed and force to dig a crater into it.
It's got a lot in common with Jackie Chan's comic martial-arts, and it's an interesting experiment to slow down and think about why it seems to funny to us (and to wonder whether it's funnier to us, in all its alien nature, than for the Chinese market for whom such movies are primarily targeted). What do we find so hysterical? It's the time-tested "surprise in the face of your expectations" concept that's at the basis of pretty much all humor, but in this case it's surprise at how artfully some physical feat is accomplished, or with how much power or complexity or speed. The surprise registers because we're expecting something more pedestrian, I guess-- we expect to see a fist-fighting slugfest or a soccer ball that obeys the natural laws of physics, so when we instead get a guy running straight up the crack between two walls or a guy blowing the goalie straight through the back of the goal or using kung-fu to clip hedges or avoid slipping on a banana peel (a Western gag re-imagined through cross-cultural pollination), we can't contain our gales of laughter.
Whatever the basis for it all, it's just a riot. Go rent it now if you have a soft spot at all for that good ol' Jackie Chan style of humor.
Oh-- and for any Hans Zimmer fans out there, pay close attention to the score-- particularly right at the climactic moment, when Mui the goalie stops the Evil Team's inexorable strike and prepares to launch her return. The music right there, for about thirty seconds, is structurally lifted straight from The Lion King. The chord progression is very similar, and the last four bars are almost identical, to the same triumphant moment in Zimmer's score. Just a little bit of trivia that I couldn't help noting-- especially since (I'm told) I'm not the first person to have noticed this...
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08:18 - But oddly enough, I could eat Taco Bell every day of my life and be happy...
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Lance made a huge quantity of lasagna on Sunday to handle the inevitable swarm of people crashing after the con (most didn't show up after all).
So we ate lasagna Sunday, we ate leftover lasagna on Monday, and yesterday at the three-day project management seminar I'm attending, lunch was lasagna.
Yergh. Now, I like lasagna and all, but... urp.
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| Tuesday, January 29, 2002 |
21:07 - Den Beste's Opinion of the New G4s
http://www.denbeste.nu/cd_log_entries/2002/01/fog0000000233.shtml
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Not positive, as one might imagine.
Granted, I would like to see some explanations for one or two things. For one, why are the new machines still using standard PC133 SDRAM, rather than DDR? And why aren't they publishing the circumstances and full results of those benchmarks they quote, like den Beste suggests?
But I do think it's going a bit too far to snarl that the FTC should investigate Apple for blatant false advertising. I mean, come on. That's just plain not nice.
What do you do when there's an underdog fighting tooth and claw to stay within the public's radar, subject to the same laws of physics that apply to any other company, and susceptible to the same realities of business development that cause certain things to pan out in a less-than-miraculous manner?
Do you give them the benefit of the doubt, forgiving them a piece of extravagant PR fluff and a single anemic spec in the interest of wanting to see the underdog have a shot at making a splash and holding onto some market share?
Or do you tear into them, lambasting the last little detail you can dig up that gives the slightest indication that the underdog's gear is less than head-and-shoulders above its competition?
Look, I know I can get a little strident sometimes in my defense of Apple, and I quite often go on the offensive against Microsoft with just as much acid zeal as I'm being asked to suck up right now. I shouldn't dish it out if I can't take it, right? But the difference is really quite a simple one: Microsoft is the status quo. Apple is the underdog. There's no honor in kicking the underdog.
Ironically enough, den Beste's post about the Macs comes immediately after a post about how jihad is only seen as romantic and desirable by Islamic radicals when America, the big monolithic juggernaut, is seen as treating the jihadis as a legitimate threat; if the status quo considers them to be irrelevant, they see no honor in fighting their quixotic war. They're the underdogs, and den Beste explains that the best way to shame them into slinking from the limelight is to simply brush them aside and dismiss them as irrelevant-- to kick the underdog.
To equate America with Microsoft is, in the eyes of many in the world, entirely fair. And I definitely see that point.
But to use the same boot to kick Apple in the groin that he uses to stomp out the rebelliousness of the jihadis? I'm not sure I like that equation.
There are some underdogs who are better for humanity than others are.
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19:22 - Oh good, I'm not the only one who thinks like this...
http://images.ucomics.com/comics/ft/2002/ft020129.gif
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Good ol' FoxTrot. Somehow I can always trust it to fit right in with my own sense of humor-- even going so far as to do jokes about integrals and Tolkien.
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18:02 - The Problems with Mac Zealotry
http://www.osopinion.com/perl/story/16059.html
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Good osOpinion.com article underlining the reasons why Apple could really do without the brainwashed zealots waving flags for them, when what they really need is mainstream acceptance.
A couple of years ago, the only Mac people in my workplace were "Mac people." They were identified by their sad eyes and the lack of spring in their step.
These days -- and I'm talking about a Fortune 500 company -- the "Mac people" are managers and highflyers telling their colleagues about their digital movies and DVD burning. These people are the decision makers. They aren't zealots -- they just recognize good technology.
Well put. Though I must mention that in the Dark Days of 1995-97, the former probably did more to keep the company alive than Apple will want to admit-- because there weren't very many of the latter.
These days, they can get away with spurning outright zealotry and focusing on the mainstream users, because we're talking about scale of revenue here. For every zealot who buys one of whatever they announce each Macworld, there are a hundred silent technology users who will quietly buy and use the products that Apple is aiming at them. Since the iSoftware Renaissance, that hundred people represent a number that's swelled significantly from four years ago; in 1997, Apple was a name that (unless you were a zealot) you spoke with a smirk, or as part of a joke ("The Apple of the auto industry"). Nowadays, Apple is a respected name that you can mention in polite techie conversation and not get scandalized looks from your friends.
I've mentioned before how zealots for any particular platform often do more harm than good-- hey, just look at what happened to Amiga (they demanded that Netscape produce bug-free software for the Amiga and give it away, and they sent scathing hate-mail to Netscape when they didn't get it to "market" in time-- for which Netscape dropped them like a shoe covered with ants). Apple can always use pundits; press, especially legitimate press, is a good thing. But the shrieking, wild-eyed ascetics don't do nobody no good, nohow.
Hey, don't look at me like that. My eyes aren't that wild.
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17:43 - Yow! Intel's scared out of their minds...
http://www.insanely-great.com/news/01/1441.html
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According to a write-through on InfoSatellite.com, Intel has said it will longer support FireWire. The report quotes Alastair McKeeman, Intel's European manager, as saying that the technology would be relegated to a small, specialized segment of the market within two to three years whereas USB 2.0 - the pluggable interface standard it is supporting - will quickly come to dominate.
Boy, talk about running scared. Never mind the digicams, camcorders, MP3 players, and everything else that is standardizing on FireWire/IEEE 1394 like it's the best thing since sliced bread. Never mind the fact that FireWire handles its own peer-to-peer device management completely independently of the CPU, whereas USB 2.0 still requires significant CPU resources. Never mind that Sony has built its whole future on i.Link, their implementation of the 1394 standard. Never mind the soon-to-be-released 800 Mbps FireWire standard, the easy scalability to at least twice that, and the in-development seamless integration of TCP/IP with FireWire (which might be the so-called Gigawire). No, it's going to be relegated to a small, irrelevant market niche as soon as the great savior, USB 2, has come to rescue us.
Methinks Intel is slipping. Something they didn't invent is gaining momentum way too fast for their taste-- so it's time to throw up the last ditch of defense and drop support for it from their motherboards. That'll show 'em.
Look, you don't do something this deliberately backward and selfish and jealous unless your business plan is in serious trouble. I think Intel sees that its days of dominance are numbered-- and I'm not just talking about Wintel vs. Mac here. I'm talking about the fact that they're reaping the rewards of running out the x86 line by deepening the pipeline to insane levels and cranking up the clock speed so hard that nobody can keep up with it, regardless of what it means for benchmarks; it's a ruse that's only going to last for so long, and they see the dead-end looming. The Itanium won't be there in time to replace the P4. And now they're panicking.
"Quick! FUD anything that we didn't invent! Drum up interest in anything we might have control over that isn't the x86! Kill 1394, 'cause USB is all we have left!"
We all had better brace ourselves, because something big's going to come crashing down.
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17:24 - Ah, so they're Apollos after all...
http://maccentral.macworld.com/news/0201/29.motorola.php
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This article describes a Motorola interview that confirms, much to my surprise, that the new series of Power Macs actually do have the new Apollo series of G4s in them (MPC7455).
This is good news across the board-- it means we can benefit from the greater speed rampability of the Apollo from now until the G5s get here, and this will be especially good for mobile use when the new chips get into Apple's laptops-- not to mention people like Cisco and all the embedded manufacturers who are building products around G4s.
While not essential for Apple, low power consumption is important for all of the other manufacturers who use G4s. At 1GHz, the 7455 typically dissipates about 20W of heat. At 600MHz, this drops to around 10W. To compare, a 1GHz AMD Athlon typically dissipates around 50W of heat.
I still can't wait to see someone do an Itanium laptop. 110W, or whatever it was...
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| Monday, January 28, 2002 |
22:22 - George Lucas, it's Time to Shut the Hell Up
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Yesterday, A&E showed a special all about George Lucas-- how he came from humble comic-book-geek beginnings to become one of the most powerful and most respected filmmakers of our time.
What is this, a commercial for the guy?
Sure, maybe Lucas was a great filmmaker, one who shook up the world-- right up until the 90s got started. Sure, Star Wars and its sequels had become pretty much the universal default "Movie"-- the first example of the concept that springs to mind when you mention the word. But then he sort of vaporized and faded away, never to be heard from again.
...Until, that is, 1999.
Oh, the anticipation with which we awaited Episiode 1. The trailers, the effects, the-- well, not quite sure what that floppy-eared-looking guy was about, but-- the effects! The action! The explosions! Darth Vader as a kid! How could it possibly miss?
And then we saw it... and we stared in gaping horror and confusion. Was that ... it? That? Was George Lucas even involved? No... surely not. It couldn't have been that bad. It couldn't possibly. Let's go back and see it again-- maybe in a different theater, with different friends. Maybe take different drugs beforehand. Maybe even leave off the Darth Maul costume we'd built based on the .014-second clips of him in the trailers. Let's look at this thing. Maybe we just missed something.
... But no, it didn't get any better the second time around, or the third. That... thing was still in it, the "Me so solly!" apparition of Nickeloden-esque fart jokes personified into a Lucasian alien. The video game was still in it-- the pod race, which took some fifteen minutes of screen time and featured two-headed announcers (yelling, of course, "That's gotta hurt!"). And the mitochondria thing-- 'scuse me, midichlorians. That's right, the Force is no longer a mystical power flowing through the Universe. It's an amphetamine manufactured by your cells that can be counted by a detector from the bridge of Voyager.
Look, I don't care what you say: George Lucas was not involved in this monstrosity of a movie. Sure, the guy sitting behind the camera operators was named George Lucas, but it wasn't the same man. Not by a long shot. He didn't even remember meeting the real George Lucas, whenever that took place. The memory had been lost.
This was the guy who "improved" the first three Star Wars episodes (IV, V, and VI, that is) by adding fart jokes, extreeeeeme camera angles (like sticking it down the throat of the newly-CG bar singer), and robots swatting each other out of the air in Mos Eisley.
The man responsible for that was not the same man who did THX 1138, and no matter how much DNA evidence you show me, I won't buy it.
Episode 1 demonstrated one thing: George Lucas (the new one, that is) doesn't let anything interfere with his artistic and creative vision; he doesn't listen to anything his underlings tell him-- not about merchandising, not about tie-ins, not about tailoring the storyline to match people's toilet-humor expectations... just like the old one. However, the new guy demonstrates his independence and autocratic zeal by taking merchandising and tie-ins and butt jokes to a level no underling would ever suggest. Pod Racer video game? Out before the movie hit theater screens. Toys and action figures? Impossible to avoid. An all-summer-long Taco Bell/Pizza Hut/KFC/Pepsico ad blitz extravaganza? Overpowering beyond the limits of anybody's previously sighted limits. Sure, the guy's a rebel and a visionary. He even sees dollar signs where the marketing weasels don't.
So now apparently A&E has decided to run an hour-long ad of the new "George Lucas", presumably to help remind us all of how great this guy is, and how dare we be horrified at his masterwork-- especially now that Episode II is about to be released? Remember, this is George LucasTM! The comic-book geek who grew up to be the Idol of Millions! Changer of Worlds! Owner of Your Wallet's Destiny! Just like Bill Gates-- the American Dream of rising from humble, wimpy, nerdy beginnings to world domination is personified in this oh-so-humble man, who so graciously gave his consent to be profiled in our meager little A&E special.
You know what, "George Lucas"? I'm giving Episode II one chance... and if it doesn't demonstrate to me within one half-hour that you have released the real George Lucas from his dank cell and given him back his identification documents and clothes and belongings, I'm not going to watch Episode III. And I'll consider George Lucas' career to have ended with Indiana Jones and the Last Crusade. And even there we should have seen the decay beginning to set in.
Hiker reminds me:
The decay set in long before Last Crusade, my friend. The decay was in full swing by Temple of Doom. In my very humble opinion that movie is MUCH worse than Episode I. Why? Four reasons:
1: The special effects are lousy, lacking the seamlessness of Raiders. 2: The story makes no godamn sense whatsoever. It's one disconnected event leading to another until the budget ran out. 3: Irritating racist charicature for a child sidekick. 4: Irritating and whiny love interest that I seriously wanted to kill before the end of her opening song number.
Too true... too true.
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21:27 - Snow Over San Jose
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It's very odd that just yesterday I speculatively mentioned a dusting of snow on the mountains surrounding Silicon Valley, up where the observatories are.
Like... this?
San Jose is far enough south to have palm trees and far enough north to have pine trees-- and to have a picturesque snow day once or twice a year. That's more than up in the Ukiah area, where I grew up; and for me, that just means more to enjoy.
It didn't get much above freezing today, either-- and tonight the snow level is supposed to come down even further. Tomorrow I'll have to get some good photos.
It's time to go skiing...
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17:22 - "Why the New iMac Sucks"
http://www.snub.dircon.co.uk/revert_to_saved/zealot_dumbass_net.html
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A "totally informed and unbiased" review of the new iMac, by a site called "Revert to Saved".
The iMac has hardly any standard PC ports. It has USB and something called Firewire, but there's no way I can plug in my parallel printer. There are also no PCI slots, so how am I expected to use my IEEE 1394 card? Apple has screwed up here, big-time.
The whole thing's a hoot; give it a read. And before anyone asks-- yes, it's a joke.
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16:49 - Vinyl Lives...
http://www.elpj.com/frameset.html
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Vinyl records will never die, as long as we hold their memory in our hearts. <sniff>
...Or wait. No, surely this that I see is... no, maybe it's-- but no! It's ... it's... a laser vinyl turntable!
Priced modestly from $13,500 to $23,500, this state-of-the-art audio device plays vinyl records using only a laser beam-- no needle to skip and damage the record, and no clumsy dependence on gravity and sensitivity to jolts. Why, this technology might even be safe for in-dash car players!
Uhhhh....huh. Well, I suppose it's heartwarming that there's a market for this stuff still, and that it's still a hotbed of innovation. But still-- dang. In the age of MP3, the people who complain about the sound quality of CDs as opposed to vinyl are starting to sound even sillier.
I'm not saying they're wrong, mind you. Just that they sound silly.
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09:50 - Okay, that's more like it.
http://www.apple.com/powermac/
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Welp, there we have it: dual 1GHz PowerMacs.
Nothing to sneeze at, either-- sure, it's a fairly modest speed-bump, but gone are the days when all three models in a range separated by 150MHz would each jump by 50MHz. The tradition lately is to take the previous top-of-the-heap and make it the new bottom. That's sort of what's happened here-- 800 is now the bottom, then 933, then dual 1GHz. And the CPU is hardly the only upgraded thing-- it now has an L3 cache with 2MB of DDR RAM, which is a nice not-on-Intel thing. However, these CPUs don't appear to be the "Apollo" 7460s; they're the same 745x series that are in the previous machines, just speed-bumped and with an L3 cache added.
One nice thing is the GeForce4 MX graphics, which (again) are available on the Mac first (though not by much). They did this a year ago with the PowerMacs announced at Macworld San Francisco, which were the first to be announced with a GeForce3; but as with most models announced at a keynote address, they didn't ship for several weeks, and the GeForce3 ended up being available on Wintel PCs first after all. This time, presumably, you can go down and buy one of the new machines Today.
I'm not going to buy one myself-- I'm not in the market for a new desktop machine; my current G4/450 is two years old, and it still has some legs left in it, even running OS X. I'm waiting for the G5 desktops, which might see daylight in July-- or maybe September, or next January, or possibly it won't happen until Motorola's PPC properties get bought by Apple and contracted to IBM for manufacturing, and considering Motorola's current straits, that might not be too far-fetched an idea.
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| Sunday, January 27, 2002 |
01:29 - How do I get from over here to over there without them knowing I'm over here?
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"I found out where to find my pappy My pappy what got lost when I was born One look at me made him unhappy Forty years has gone since he's been sawn...
So I'll sail and sail and sail the sea And I'll never come back till he comes with me 'Cause I found out where to find my pappy My pappy what got lost when I was born!"
Gotta be my favorite Popeye cartoon ever. The music on Goon Island just gets under your skin and makes you happy to be alive at a time when Mike Lazzo and Keith Crofford are dishing up a fresh serving of Popeye late every Sunday night.
It puts a guy in that late-night take-everything-out-of-context sort of mood.
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01:23 - Vague Simmering Discomfort
http://www.werewolves.org/~two/2rant-technology.mp3
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The above link leads to the "Technology" rant by 2, and as always, those who follow it should be aware of nasty language and other such bear-traps for the unwary. Don't be unwary.
I normally enjoy 2's rants very much. I agree almost entirely with just about all of them, and that's not purely because they're all very entertaining, which they are. They have a way of getting into your brain, disarming you with humor, and pasting their point all over your frontal lobe while it's unarmed and gasping for breath.
But the "Technology" rant is the only one (so far) that I really feel uncomfortable about. Its premise, and I don't think it's tongue-in-cheek, is that going outside and doing "real stuff" is overrated. Specifically, those of us who place undue value on running around in the sunshine are fooling ourselves into thinking that there's some inherent virtue in it that can't be matched by simply sitting inside in front of a computer and playing Tribes 2 and chattering on ICQ.
See, I have the distinct impression that I was the person who set 2 off on this rant.
Maybe my memory is faulty, or I might be creating a fictional past to fit my discomfort, but I seem to recall that I had been e-mailing with him about the general state of things, and I happened to mention that I wished more people in our social circle (a very indoorsy kind of group, true) would get outside and "do something real". After that, the e-mails sort of petered out a little-- you know how that happens-- and then shortly afterwards, this rant appeared.
Well, I must say I don't find it necessary to apologize for enjoying skiing and hiking and traveling and... other pastimes that don't involve computers. In fact, I've gone to a fair amount of effort to gain the wherewithal to enjoy those things pretty much whenever I want to, and not to be tied down to the computer unless I choose to be. Especially because I really do enjoy being outside, and I don't care if there is skin cancer and gang violence and air pollution out here. I don't relish the idea of being a brain in a jar wired into a VR existence where my wildest fantasies can come true-- while outside it's the world that Morpheus showed Neo in The Matrix.
Indeed, I find it kinda hard to relish the idea of such a future at all, now that that movie has entered our collective consciousness. Not that I could before.
Look, I don't consider myself a technophobe or a Luddite. Heaven forfend I should ever reach that point. I know I spent my childhood playing NES games and actively thinking, "I sure hope I never get to be so grown-up that I lose track of the new technology that kids understand but that seem to bewilder all the adults I know". And I don't plan to. Hey, my life revolves around technology and geek toys to a pretty significant extent. True, I despise cell phones, and I find PDAs to be largely a useless form of conspicuous consumption that solves a problem nobody really had, poorly. But that doesn't mean I don't understand them, or think they're inherently evil or a plague on society.
My vision of a beautiful future has to do with a guy standing on a grassy hilltop, surrounded by trees and rocks, looking out over a wide, expansive, urban valley with clear air and a dusting of snow on the distant peaks where the observatories are. He's got one, maybe two devices hooked to his belt, and a head-mounted, inconspicuous communications and computing device attached like a pair of glasses. He uses all of these things for everyday purposes, but he doesn't use any of them when he doesn't have to-- and while he's looking out over the city, he's using both his organic eyes the way he normally does: without any communications connectivity or messaging options or anything digital floating in his field of view. It's an actual, real-live view, not Channel Zero. And he actively chooses to see it that way-- and not because his implants are broken.
Is it too much to imagine that technology will eventually become passé-- not so much that we don't want it, but enough that we use it exactly as much as we need it, like a car? Is it too much to imagine that technology will exist in order to enable us to enjoy the outdoors and real social interaction and a game of pick-up softball, rather than being the entirety of our virtually-realized lives?
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19:41 - Yaaargh...
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How, I ask with great humility and supplication, can I get people to understand that their e-mail addresses do not begin with www. ?
"Ooh, my address is www.bruce1235 aol@ . @ com!"
This, which has been bugging me for about six years now, combined with the apparent fact that AOL does not had a "quote" function in its e-mail program (after what, nine years of being in existence) fills me with dread-- well, not dread, because it's just going to be more of the same as the future goes on. It's just going to keep pounding away on our heads, like a very small guy with a very small hammer banging away right at the point at the top of the skull where the button on top of your baseball cap is and where it digs into your scalp if you press your head against a flat surface so it presses the nerve that crosses right there and your eyes roll back in your head and you black out.
Oh yeah, and exactly how does someone on AOL get their mail into that state where anyone who tries to send mail to him gets a bounce message back saying "whoever@aol.com IS NOT ACCEPTING MAIL FROM THIS SENDER"? Is it because AOL provides some nice tempting checkbox that says "Don't accept mail from The Internet"-- you know, that evil place where nobody with any honorable intentions is, because anybody worth talking to is obviously on AOL?
Glaah. If you've ever received a letter from someone that you had to reply to, but it didn't have a return address on it-- that's what it's like, multiple times a day. Bluh.
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17:55 - Boy, a man on a Squishy bender can sure do some crazy things...
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While I was driving down 101 on the way back from FC today, NPR had a show on high-school and college kids and their relationships with the military, especially post-9/11. A lot of good angles, but the last one on the show was especially interesting. A 21-year-old from Indiana by the name of Kinsey said that he had called up his local army recruiter at noon on September 11th and enlisted. But about two weeks later-- which is evidently how long it takes for inflated provoked patriotism to be flushed out of one's bloodstream-- he started having second thoughts, and backed out.
The recruiters kept after him. They tried everything in the book, including lying, in order to get him to change his mind. But, as he said, "I realized that there are better ways to serve my country." Serving in the army would mean coming back in four years at age 26 to the same pay-for-tuition job he had, the same college classes he was taking, and a drastically reduced potential for his future. "For me, the best way to serve my country is to go to college, get a job, and support the economy-- make sure the terrorists don't change my life, and by that to make sure the terrorists don't change the country."
Sure, it's easy to look at the guy and shout "Wuss!" But hey, we'd better not do that from our nice secure pulpits in Blogland.
I don't consider myself a "warblogger"-- certainly not like all the guys listed over at InstaPundit, with their insightful commentary (ranging in tone from self-important to self-effacing) that puts Stratfor to shame. I don't pretend to have that kind of confidence in my facts and opinions. My world, while it's certainly a lot bigger than it otherwise could be, is mostly centered on movies and computer stuff and citric acid, and events beyond the borders of those interests don't tend to affect my life very directly. So I just flounder along as best I can.
But I don't for a moment regret choosing the path in life that I did rather than going into the military. I'd make a lousy soldier. But I do think I make a much less lousy... uh... whatever it is I'm doing now.
It's not life-threatening, though. Damn, I'm a wuss.
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| Saturday, January 26, 2002 |
01:34 - It's actually more poetic than sad...
http://news.bbc.co.uk/hi/english/world/south_asia/newsid_1783000/1783910.stm
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Marjan, the lion at the Kabul zoo that everyone around the world has been sending their money to help save, has died. Old age. Very old age.
"So it was all in vain," some will say.
Hardly.
Marjan was ready.
He carried memories of an Afghanistan where life was primitive but good. He was once a cute and beautiful cub and all was right with the world.
He suffered poverty and maltreatment, and finally lost the sunlight and blue skies when a vengeful warrior stole his sight.
Through it all he clung to Omar, his elderly keeper, who also remembered the way things used to be. This giant was a kitten in Omar's arms, rubbing and nuzzling him with what was left of his once-beautiful face.
And Marjan kept waiting.
The Afghan war came and went, the Taliban were driven out, and visitors began to flock back to the zoo and the museum. Life returned to Kabul. Marjan's story circled the globe, and the peoples of the world started an outpouring of generosity to rebuild the shattered remnants of the Kabul Zoo.
Marjan was a king, and like a good king, he brought salvation in time of hardship, and prosperity in time of famine. Now Marjan was ready. For 25 years he waited till his work was done. And now that he had fulfilled his destiny, he laid down and slept.
Go into the light, Marjan. You opened our eyes, and now it is your turn to see.
-- John Burkitt
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01:23 - Well, that was actually relaxing. Huh.
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Just got back from spending most of the day at Further Confusion; most of the evening was spent at the VCL party where we batted each other with fun-noodles for several hours, but before that I sat at the back of Lance's "Writing for Comics" panel that he hosted with the author of Suburban Jungle.
The panel actually worked out very well, if you overlook the fact that the event was completely left out of all the scheduling lists for the day-- so David Brin, who had the panel room at 3:00, didn't realize that there was supposed to be another one taking his place at 4:00. Meanwhile, nobody realized that Lance's panel was supposed to take place, but somehow a whisper came down from the ventilation system that something was supposed to be happening, and David hustled himself out.
Let me tell you, it was pretty weird having to elbow aside David Brin in order to get a panel on comic-writing set up. (But he did semi-jokingly offer to be on the panel himself-- he does have a new graphic novel out, after all. But Lance wasn't about to try to share a panel with David Brin. That just wouldn't have been especially fun.)
Good con; high attendance, not a lot of money being spent, but hey-- it's hard economic times and all. Lance is going to voice auction tomorrow on a Kyoht piece; knowing what happened last year (the $3500 GoldenWolf piece he won in an intense bout of voice-auctioning, an event which has gone down in lore and legend), Kyoht must be just about ready to go into the coffee-nerves twitching state that often accompanies a four-figure sale. But hey, it's a good piece. Tomorrow will be interesting; I may go back and see how it all turns out.
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12:59 - iMac "All-in-One" is a trinity
http://www.theinquirer.net/26010202.htm
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Well, if I was ever worried about whether people would be waxing lyrical about the new iMac, this article should set me at ease. There's enough lyrics here to fill up a Weird Al CD.
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| Friday, January 25, 2002 |
19:36 - Finally We Join the Union...
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California is the last state in the country that hasn't adopted the convention of numbered freeway exits. And, "thankfully" (according to a guy on NPR who talked about it), that's about to change.
Some states number their exits sequentially from a convenient border, which gets very messy when new exits are added ("Take Exit 43. No, not the one for Saunders Street, the Exit 43 down by the park. Yeah, 43b. Or is that 43c?") But states with more of an evident brain number exits based on mileage. It's possible by that scheme to get the same kind of problem if you have exits really close together, but it's a whole lot more sensible. That's how California's going to do it.
It seems cool that this is going to happen-- it'll certainly reduce a fair amount of navigational confusion. But I don't know if I'm the only one who thinks this, but I think there's a certain amount of geographical romanticism in not numbering exits. "Between Lawrence Expressway and Wolfe Road" sounds so much better on traffic reports than "Between exits 14 and 16". It's also got something to do with a certain amount of pride in names like "Bayshore Freeway" and "Montague Expressway" rather than austere numbers.
Ah well-- I guess I'll get used to being like the rest of the country Sigh. Oh, but we do have one consolation: the exits on Interstate 5, which start at the Mexican border and continue for 809 miles to the Oregon border, will boast the highest-numbered mileage-based exit in the country: 796, at the far-northern town of Hilt.
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17:15 - Look-- I'm No Gun Fancier, But...
http://www.nypost.com/postopinion/opedcolumnists/38115.htm
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Here's a column that needs to be read.
Another school shooting occurred last week and the headlines were everywhere the same, from Australia to Nigeria. This time the shooting occurred at a university, the Appalachian Law School. As usual, there were calls for more gun control.
Yet in this age of "gun-free school zones," one fact was missing from virtually all the news coverage: The attack was stopped by two students who had guns in their cars.
The fast responses of two male students, Mikael Gross, 34, and Tracy Bridges, 25, undoubtedly saved multiple lives.
Mikael was outside the law school and just returning from lunch when Peter Odighizuwa started his attack. Tracy was in a classroom waiting for class to start.
When the shots rang out, utter chaos erupted. Mikael said, "People were running everywhere. They were jumping behind cars, running out in front of traffic, trying to get away."
Mikael and Tracy did something quite different: Both immediately ran to their cars and got their guns. Mikael had to run about 100 yards to get to his car. Along with Ted Besen (who was unarmed), they approached Peter from different sides.
As Tracy explained it, "I aimed my gun at him, and Peter tossed his gun down. Ted approached Peter, and Peter hit Ted in the jaw. Ted pushed him back and we all jumped on."
What is so remarkable is that out of 280 separate news stories (from a computerized Nexis-Lexis search) in the week after the event, just four stories mentioned that the students who stopped the attack had guns.
Only two local newspapers (the Richmond Times-Dispatch and the Charlotte Observer) mentioned that the students actually pointed their guns at the attacker.
Much more typical was the scenario described by the Washington Post, where the heroes had simply "helped subdue" the killer. The New York Times noted only that the attacker was "tackled by fellow students."
Most in the media who discussed how the attack was stopped said: "students overpowered a gunman," "students ended the rampage by tackling him," "the gunman was tackled by four male students before being arrested," or "Students ended the rampage by confronting and then tackling the gunman, who dropped his weapon."
In all, 72 stories described how the attacker was stopped without mentioning that the student heroes had guns.
I will type the following words very slowly in order to be sure everyone understands. In fact I'll press the keys really hard, which means they'll show up in bold:
If gun control laws had been stricter, Mikael and Tracy would not have had their guns available. But Peter would still have had his.
Look, I'm no big fan of guns myself. I don't like 'em. I find it distasteful to shoot them or to have them in my house. But dammit, people-- let's apply just a little more of our vaunted human brain-power to this problem than it takes to say "Yea, Hallelujah! Tighten up them gun control laws!"
At least now we know what the brainless liberal editorial media has been spending its time reporting when there isn't a war on to preach doom-and-gloom about.
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13:52 - Rise Up, Colombia
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I can't find any more information on the web than what I heard on KCBS this morning, but apparently a woman is running for president of Colombia on the following platform:
She hands out doses of Viagra to startled motorists at intersections, along with a flyer saying something to the effect of "I will lift and firm up the resolve of the Colombian people, so that we can stand up to corruption and swell into a great and proud nation."
Hey, she's got my vote.
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13:37 - Corporate Innovation, Reagan's Memoirs, and Other Oxymorons
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On the way to lunch today, Kris and I heard Dean "Segway" Kamen on NPR talking about how not only do large corporations tend not to innovate, they're actively hostile to innovation. The reason they're big, after all, is that what they're doing works. So why change?
Microsoft can crow all they like about "Freedom to Innovate", but the fact is that like any huge corporation, they have to build a business case around doing one thing that sells well for a long period of time. Innovation threatens the ability to do that. The only reason Microsoft would change their software is if they're threatened with being tarred as "behind the times" by a competitor who does innovate. Hence their long history of following in Apple's footsteps.
"But Microsoft does innovate," some will cry. They'll point at the optical mouse, TrueType fonts, "Smart Tags", .NET... yeah, okay, you know what? I have this to say to you: http://www.vcnet.com/bms/departments/innovation.shtml.
Just about the only thing they can be shown to have come up with on their own is "Microsoft Bob". Yeah, we'll give 'em that. Oh, and "Clippy" too. Congratulations. You must be so proud.
Another worthy link: Microsoft "Innovation" by Harvard's Tom Fine.
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11:59 - It's Time for Your Windows Moment of Zen...
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Look carefully at the selection box, and look at the files that are selected. It's Windows Voodoo! WwwoooOOOooooOOooOOooOooo!
Note that this is under NT4; but investigation has shown that XP behaves the same way (and even provides new views, for instance Thumbnail View, in which selection doesn't work the way you'd expect).
Needless to say, selection of icons on the Mac occurs as soon as the selection box touches any part of the icon or its label, and nothing that does not intersect with the selection box is selected. Like you'd expect.
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10:45 - ZDNet Columnist Checks Out the Dark Side
http://www.zdnet.com/anchordesk/stories/story/0,10738,2842290,00.html
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In an article titled "How living on a Mac nearly made me change careers", ZDNet executive editor David Coursey talks about his first few days on a self-imposed walk on the wild side: he's using Macs for a month.
Why is it that whenever I read articles like this, my heart races like I'm listening to an awards ceremony for something I think I might have a chance at winning? Come on, I tell myself. It's not like I can affect the outcome one way or the other, not even if I paint my body Bondi Blue and dance around in the bleachers somewhere where it's twelve degrees and sleeting.
But more than that-- why do I take these things so personally? Why am I so desperate to hear that this guy has had a good experience? Why has it become so internalized to my sense of well-being?
I can't answer that. Not yet, anyway.
It's like having a friend from New York come and visit California-- and I want the weather to be clear and spectacular. I want to show him the expensive restaurants, the rich part of town, the gorgeous views; I want to avoid the slums and the places where he might get mugged. Anything to avoid him getting a bad first impression.
Well, good news: Coursey has already ventured into the slums; he's even been mugged a couple of times. But he's still happy with the place, and he's still raring for more.
The article focuses primarily on how Mac OS X, with its suite of best-of-breed iSoftware, beats the pants off of what Windows XP brings to the table. He's willing to put up with a little bit of roughness in interoperability and software availability in order to use iMovie and Final Cut Pro on his TiBook. But that's actually an interesting point, something I'd like to address: It's not only just now that the Mac has suddenly BECOME better than Windows. At just about any point in computing history, Mac users will have said the same thing.
To take just one small example: You know how Windows 2000 finally got it so you could change TCP/IP and networking settings without having to reboot the machine afterwards (well, unless you changed the machine name, in which case you would have to)? Well, the Mac had been able to do that since about 1994.
And another seemingly minor one: In Windows XP, you can finally associate an individual file with a particular application, so that it will open in that app when you double-click on it, rather than simply opening in whatever app is globally set to handle all files of that type (with the file type still derived from the extension tacked onto the end of the filename-- an ugly, ugly hack). But ever since Day 1, the Mac has had an almost indescribably more elegant solution: each file has Type and Creator codes that are set by the application that creates it. That way, the file will always open in the application it was created in if you double-click on it; but every application advertises a list of file types that it will open. So if you have a JPEG created by Photoshop, double-click it and it opens in Photoshop-- but drag it over Preview, GraphicConverter, SimpleImage, or any other app that claims to be able to open JPEG files, and it will darken to show that it will launch and open it if you release the button. With Windows, you have to just try it and hope.
(Meanwhile, what has Windows done first? They've been first to the table with a number of things. Windows 95's themes allowed for custom icons and pointers and full-size desktop images, something the Mac couldn't do at the time. True to Microsoft's form, this is a BIG and FLASHY and COLORFUL feature that looks major, but technologically it's just a hack. Swapping bitmaps in and out of memory? Big whoop. But take a couple of comparative screenshots, and it looks like a much bigger feature than, say, the Mac's ability to change TCP/IP settings on the fly or to apply custom icons to any and all of your files.
And Microsoft is still at it, loading up Pocket PC devices with colorful, advanced-looking, gee-whiz do-everything features purely because it photographs better than the more austere but much more flexible and useful Palm platform. And Windows XP looks more advanced than its predecessors because the Start button is now a throbbing green gangrenous pustulent blob for you to prod, and every single form element and button and control glows or something when you mouse-over it. If you can't do genuinely useful innovation, just do stuff that looks hard but isn't, and people will drool and start flinging money. Some things never change.)
So the iSoftware suite is just Apple's latest angle on why the Mac is the superior platform. Mac-heads will be able to pick any point in the past twenty years and explain why the Mac was better than Windows at that time; and that's the historical context that Coursey is missing from his little experiment. Not that I'm complaining, mind you-- he seems to be enjoying himself regardless, and that's fine. It just seems that this could be that much more of a slam-dunk.
And I guess the answer to why I take all this so seriously and personally is this: I want genius to be recognized. This old world can be so discouraging, what with sports stars bringing home quarter-billion-dollar contracts and physicists being forced to live on Ramen. I came to the Mac camp because it's a fountain of genius, and unlike the academic community where genius is a ticket to a lifetime of grad student work and teaching and patches on the sleeves, at least here it has the potential to change the average person's world... if only we aren't so prejudiced as to shut the door on it. I just want to make sure that door stays the hell open. I've seen enough genius die in the gutter.
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| Thursday, January 24, 2002 |
00:24 - 6.5 additional reasons why humans rule
http://cgi.citizen-times.com/cgi-bin/story/front/5662?storytemplate=columnist
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Something candylike and melty-in-your-mouth with which to round out the evening. A pretty lightweight little article, a little "hooray for opposable thumbs" perspective ramble, but it does mention the iPod. Someone's in love, methinks. Ahh, that magical time of year.
Meanwhile, in other iPod-sighting news:
I don't know if you saw last night's Fox Sports LA sportscast, but they did a segment of the Lakers on the road and they showed Shaquille O'Neal working out in the gym and using his iPod, and he goes on to rave about it. Then they showed 2 Laker players, Sumaki Walker and Jelani McCoy take a limo and go to the Apple Store at the Mall of America where they purchased two iPods. If Apple's ad agency is smart, they'll sign Shaq up today to do a major spot for the iPod.
Eric Corwin
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23:39 - Well, there's good news and there's bad news...
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Three or four years ago, I was convinced that the most hideous form of evil on TV was long-distance phone ads. Quite apart from AT&T's telemarketers calling up and reading me a spiel to try to convince me to switch from MCI or whatever (which nobody ever did), just the TV ads drove me absolutely bonkers. "Just 20 cents a minute for the first fifteen minutes during nights and weekends, and just 35 cents afterwards or after 9AM or on holidays!" some scantily-clad buxom model or matriarchal former leading lady or freaky alternative comic would say. You know how much time I spend making long-distance phone calls? Approximately five minutes per year. These divas in their diaphanous gowns standing under oak trees with rosebushes and antebellum porch swings stand to drum up a cool ten bucks a year for their employers if they can convince me to do whatever the hell it is one has to do to change phone companies.
(Yes, I know. I'm not the target demographic. Which brings up a question: What if every ad I saw was specifically targeted towards me-- was something I would be interested in seeing? Isn't that the impossible dream for both the advertisers and the consumers? Or do consumers depend for the sake of their sanity on the fact that most advertising is not aimed at them?)
Er, ahem. Back to the original point: While long-distance phone company ads are still obnoxious, they don't seem to be as prevalent anymore. In their place, though, are ads for debt consolidation agencies. Debt consolidation agencies. Modern-day loan sharks who will get your creditors off your back and make things niiice and easy for you-- for a nominal fee, a mere pittance. A credit agency who will give you a buffer so you can make progress on the credit agencies whose buffer enables you to pay off the buffer you filled up on all your credit cards and loans.
That's right: our society has reached a second and third level of indirection when it comes to our money. It's been so long since we considered using cash and our real buying power at any given moment to buy anything bigger than a cheeseburger that this makes sense to us.
And the debt consolidation agencies realize that this market is a huge one. A gold mine. A giant untapped well of willing profit. So much more lucrative than persuading people to make more phone calls through a different service from the one they're currently using.
The next step: TV ads saying "INCREASE YOUR WINDOWS RELIABILITY!" and "HOT TEEN XXX SLUTS!!!" and "MAKE $$$ FAST!"
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21:42 - More Pseudo-Apocryphal Giggles
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The thing about the Qantas pilots' squawks reminded me of a set of somewhat similar gems that Travis Williams, a Blacker House-mate, once regaled us with over dinner. These are reports from Boy Scouts first-aid logs, which were later submitted as part of the corresponding insurance reports:
Incident description: Kid fell on rock and cracked his coconut. Cause: Roughhousing Injuries that resulted: Cracked coconut Measures taken to insure that it would not happen again: Had a talk with the lad, moved rock
Incident description: Scout jumped off bridge Cause: Jumping off Injuries that resulted: Broken legs Measures taken to insure that it would not happen again: Told scouts not to jump off bridge in the future
Incident description: Camp truck ran off road Cause: Truck was stuck in gear Injuries that resulted: none Measures taken to insure that it would not happen again: Welded steel re-bar to transmission to replace stick.
Incident description: Camper fell on stairs Cause: Stairs were muddy, running Injuries that resulted: hit his noggin Measures taken to insure that it would not happen again: Kicked him out of swim area.
Incident description: Staff member bitten by snake Cause: snake Injuries that resulted: snake bite Measures taken to insure that it would not happen again: killed the snake
Incident description: Kid hit in the head by a rock Cause: flying rock Injuries that resulted: head injury Measures taken to insure that it would not happen again: Asked scouts not to throw rocks
The best part is, I'm assured that these are not apocryphal. Why do I believe this? Because there were more that he couldn't remember off the top of his head. And other named "incidents"-- for instance, the "chainsaw/dumpster incident"...
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21:17 - Oh yeah-- I couldn't just let this slip by...
http://www.cnn.com/2002/LAW/01/24/walker.court/index.html
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So Johnny the Disaffected Gen-Y MTV-Generation Rebel Youth has appeared in court and given us the first couple of pictures of him that weren't taken back in November when he had a big Manson beard and stared at the ceiling in that one photo that has been used over and over as the illustration above his name for the past two months.
I don't have much by way of opinion to offer about the guy today. He's making it hard for anyone to have an opinion about him. "Yes, I understand the charges against me," he says. "Yes, I love the US." "Yes, I feel that jihad is absolutely the righteous fight." "Yes, I understand I have committed treason." "Yes, I supported the September 11 attacks." "Yes, I am a proud American."
Is this what happens when you spend two years eating (with apologies to Spalding Grey) bark, bugs, lizards and leaves, running around in the bare rocky hills with a bunch of bearded, wild-eyed, gaunt people who carry Kalashnikovs the way Japanese tourists carry cameras? It makes you incapable of saying anything incriminating or even interesting, even before you get a lawyer to tell you not to? It makes a viewer stare impassively at your courtroom sketch and glumly think, "Okay, what else is on?"
Here, I'll give it a shot:
After leaving the courthouse his father, Frank Lindh, told reporters, "John loves America. We love America. John did not do anything against America. John did not take up arms against America. He never meant to harm any American, and he never did harm any American. John is innocent of these charges."
"John loves America," eh? What, with favah beans and a nice Chianti? Did he have American flags and Raiders logos on the bumper of his Toyota in Mazar-e-Sharif? Let me guess, he stands up in his prison cell every morning and recites the Pledge of Allegiance before kneeling on a knit American-flag rug to pray toward Mecca?
...Hmm, okay. See, that didn't work. I just can't drum up any sentiment about this guy. He's being deliberately bland, like light bends around him. (Maybe that's why there are so few pictures of him.) I know his lawyer is probably instructing him to be as uncommunicative and cooperative as possible, but... man. It just seems like there should be more there there in a guy who decided Islam was so important that he would travel to Yemen to study it at an age where most kids are primarily worried about which Playstation games to buy.
I guess the lesson I will take from this, if there is any to take, is that if Southern Comfort Lindh is any indication, the atmosphere in the al Qaeda camps were-- and are-- of an eerie resigned fatalism, a live-for-the-moment existence where all that matters is improving your marksmanship a little more, getting over the next ridge, making it to the camp by nightfall, making it to the next muezzin's call. When you don't get much food or sleep, life gets like that.
Small wonder these guys think nothing of suicide missions. Just another thing to do in the day. Shower, brush teeth, pray, catch taxi to airport, get on plane, pray, hijack plane and fly into building, check in at front gates of Paradise, pray, get something to eat...
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19:56 - Egad...
http://yugop.com/ver3/stuff/03/hand.swf
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Okay. Just... look at this.
This definitely says something deep and meaningful about ... oh, hell, I don't know what. Technology and the loss of humanity and the irony of simulation and all that rot. Or else it's just pretty bloody cool. Probably both, actually.
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15:33 - Flight Simulators Will Never Become This Much Fun
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It could all be apocryphal-- who knows. That's the way of things in Internet Land. But as I've mentioned recently, it's so much more fun to be able to believe it's all true...
Here are some actual logged maintenance complaints and problems, known as "squawks," submitted by QUANTAS pilots and the solution recorded by maintenance engineers. By the way Quantas is the only major airline that has never had an accident.
P = The problem logged by the pilot. S = The solution and action taken by the engineers.
P: Left inside main tire almost needs replacement. S: Almost replaced left inside main tire.
P: Test flight OK, except autoland very rough. S: Autoland not installed on this aircraft.
P: No. 2 propeller seeping prop fluid. S: No. 2 propeller seepage normal. Nos. 1, 3 and 4 propellers lack normal seepage.
P: Something loose in cockpit. S: Something tightened in cockpit.
P: Dead bugs on windshield. S: Live bugs on backorder.
P: Autopilot in altitude-hold mode produces a 200-fpm descent. S: Cannot reproduce problem on ground.
P: Evidence of leak on right main landing gear. S: Evidence removed.
P: DME volume unbelievably loud. S: DME volume set to more believable level.
P: Friction locks cause throttle levers to stick. S: That's what they're there for!
P: IFF inoperative. S: IFF inoperative in OFF mode.
P: Suspected crack in windscreen. S: Suspect you're right.
P: Number 3 engine missing. S: Engine found on right wing after brief search.
P: Aircraft handles funny. S: Aircraft warned to straighten up, fly right, and be serious.
P: Target radar hums. S: Reprogrammed target radar with words.
P: Mouse in cockpit. S: Cat installed.
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10:41 - Boy, That Sure Came Out of Left Field...
http://www.ctnow.com/technology/hc-moss0124.artjan24.story?coll=hc%2Dheadlines%2Dtec
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At the end of an otherwise glowing review of the new iMac (a review that Apple has in fact quoted in a couple of just-released bits of PR), Walt Mossberg of the Wall Street Journal registers this rather surprising gripe:
And it seems absurd that Apple didn't use a wireless keyboard and mouse.
Huh? I sure didn't see that one coming. Absurd? When has Apple ever shipped a wireless keyboard and mouse? Sure, it would enhance the aesthetic value of the iMac, but it would have done the same for the old one too. So why should they start now?
Wireless input devices cost more, for one thing. Going from a $50 keyboard to a $100 keyboard would put the overall price thoroughly out of its target bracket, especially considering the markup that usually gets applied to any hardware repackaged for sale as a component.
And more importantly, where would the transmitters go? If they put them inside the base, that's more stuff to cram into a space that's already jigsawed into place like a Jenga game. They probably wouldn't have room for it. And even if they did, what about people who like to replace their keyboards and mice? Not everyone prefers to stay with the default gear. If they did, Macally wouldn't be in business. People want ergonomic keyboards and two-button wheely-mice, And Apple knows this. They know not everybody wants to rice their machines, so they ship stock equipment that will be sufficient for most people-- but they make it possible for people to upgrade. Yeah, I know-- people could just plug in third-party keyboards and mice via USB. But still, the third-party manufacturers tend to try to match Apple's design criteria... and if those design criteria include being wireless and working with a built-in internal transmitter, that's asking a bit much.
Besides, wireless keyboards and mice tend to have lag problems. And they require batteries.
Okay, I will agree that the problems are not insurmountable, and that it would have been cool for the iMac to have shipped with a wireless keyboard and mouse. But it is not absurd that it did not.
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09:22 - Why Microsoft's .NET Is .Not For Me
http://lowendmac.com/lab/02/0124.html
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An editorial-style article outlining exactly what is wrong with .NET (which they aren't calling "Hailstorm" anymore, apparently-- Microsoft just can't seem to come up with non-threatening code names any more than the FBI can: Carnivore?).
Microsoft is an illegal monopoly and I don't trust them with my data.
Yeah. Too bad we won't have a choice about it if nobody stands up and yells.
So come on, everybody. Stand up and yell.
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| Wednesday, January 23, 2002 |
02:16 - Just Hoarding Another Lileks Bauble...
http://www.lileks.com/bleats/012402.html
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From today's Bleat on tax laws:
He believed the family making 100K a year had a moral obligation to give the money to those who did not, and wanted to use the power of the state to enforce his morals. (Or, as the parlance has it, “shove them down our throats,” although you never hear that phrase used when the shover robot belongs to the Right-Thinking Side.)
Ahh, the Shover Robot. Do You Have Stairs in Your House?
I know it's sort of anti-bloggish and probably a bit rude to read through the entirety of a well-crafted-as-ever Lileks column, ignore its deep and meaningful insights, and comment only on a little obscure net-culture gem that he tosses in to hold our interest. But somehow I don't feel bad about it; I don't have much to add about Minnesota tax law, but when the transient gleam of a reference like this catches my eye, I just have to stoop and pick it up. It's like how several weeks ago he noted that Star Trek: The Motion Picture really "bit the wax tadpole". You know-- stuff like that deserves commemoration somewhere, like in a virtual butterfly-collection box or something.
Hah! I just came up with a name for this blog: The Killjar.
(Nah, just kidding.)
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23:28 - I Can Ponder Perpetual Motion...
http://www.cnn.com/2002/TECH/science/01/23/ireland.invention.reut/index.html
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Hey, look. Another inventor claims to have a working refutation of the First Law of Thermodynamics.
In a demonstration for Reuters, a prototype -- roughly the size of a dishwasher -- was run for around 10 minutes using four 12-volt car batteries as an initial power source.
Emitting a steady motorized hum, the machine powered three 100-watt light bulbs for the duration.
A multimeter reading of the batteries' voltage before the device started up showed a total of 48.9 volts. When it was switched off, a second reading showed 51.2 volts, indicating that, somehow, they had been reimbursed.
The machine went on to run for around two hours while photographs were taken, with no diminution in the brightness of the light bulbs, which remained lit during a short power cut.
"The draw on the batteries was estimated at more than 4.5 kilowatts. With any existing technology the batteries would have been drained flat in one and a half minutes," the inventor said.
Evidently some scientists, though as unwilling to give their names as this Irish inventor is to give his, are willing to at least take this case seriously enough to investigate it a bit. Hey, there have to be major breakthroughs still left to make, right? Things that are within our reach?
I remember it always annoyed me, growing up in the 80s, that there weren't any huge mythical superstars in baseball who had the stature that Babe Ruth and Joe DiMaggio had while they were playing-- even during their careers it was clear that they would become legends. But these days it's all so much smaller-scale and pettier. Players get lots more money but fade from sight much more quickly.
And that's sort of how I feel about scientific advancement. Galileo and Einstein and Edison came up with discoveries that changed people's lives almost right away; there were immediate returns. Today, Stephen Hawking is certainly in the same ballpark, as was Richard Feynman-- but their discoveries aren't giving us the same returns, so I doubt their names will enter our lexicon as colloquialisms in thirty or fifty years.
So that's where my skepticism of the perpetual-motion dishwasher comes from. Not because I doubt that it's fundamentally possible that the First Law of Thermodynamics can be disproved... but because I can't help but feel that this is somehow the wrong age for it. You know, I just can't believe that something like that will happen in my lifetime, just like that. The Internet is big, yes, but it took thirty years to become big. Free power would change things much faster than that.
Of course, knocking down the World Trade Center sure changed things in a hurry. But then again, here we are four months later, and (aside from in Lower Manhattan) things are pretty much back to normal.
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20:40 - Olympic Rings Constructed from Living Nerve Cells
http://www.cosmiverse.com/paranormal01160201.html
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I can't word my reaction any better than Marcus Aanerud's:
And in other medical news, there's still no cure for Cancer or HIV.
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17:50 - Followup on College Urban Legends
http://www.grotto11.com/blog/?+1011688427
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In discussion with Hiker, it came up that another reason why the college urban legends in the movie Slackers (see the link) irks people like me is that now that they've become common memes, people will already know them. They'll think the movie was where they originated. You can tell people "No, these stories date back to 1970-whatever", but they won't be interested in hearing that. These are supposed to be funny stories, after all. People don't want to be corrected when they're trying to laugh about something silly.
But even more of a worry to us is the fact that when urban legends like these move into the mainstream consciousness, they cease to be "folklore"-- and believe me, there is precious little "folklore" in the world anymore. Before the Internet, seniors could tell these stories to freshmen, and the freshmen would believe that the stories are based on events that occurred at their school-- right there at home. That's how the stories would be told. Whether there's any truth to them or not, the whole point is believing that it could happen here because it did happen here. I know for sure that a lot of the legendary doings of Caltech students burrowed their way deep into me during my frosh year and instilled in me a pride in my school that surprised the hell out of me-- maybe I was so desperate to love the school after working so hard to get in that I would latch onto anything; I don't know. But if I hadn't been told those stories and felt myself become part of the legends and the history through the act of listening, I would have enjoyed my time there a whole lot less.
The Internet's benefits are myriad; we all know that. But one thing that really sucks about it is that it removes the uncertainty and the mysticism from campfire stories. In 1990, if someone had told you the "Do you have any idea who I am?" story, you would take it on faith that that was how it happened, that it happened at your school, and that the version you heard was the canonical one-- and therefore anybody else's variants were derivatives that you could feel smugly superior about. But today, all you have to do is type that phrase into Google, and up pops an authoritative archive of college urban legends, complete with bibliographies, annotations, histories of revisions, and definitive origins. And that's anticlimactic as hell.
See, this is what it must have been like to be the Pope listening to Galileo speak. Yeah, the bastard's right, he probably thought. But, dammit... now the world's so much less fun.
Not to blast a tangent out the side of this post, but that's what religion fears most about science, I suspect: the prospect that we might know how everything works. "He knows everything." "Oh, I wouldn't like that; it'd take all the mystery out of life." So we'd all become logical, scientific thinkers with no imagination; we'd know how to reach the stars but we'd have no desire to do so.
Yeah, that's it. The Internet will turn us all into Vulcans.
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13:47 - Guantanamo Politics and the New Divide
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It's really weird how since 9/11, op-ed columnists and the various warbloggers (and myself) have been pointing out the philosophical differences between America and Europe-- and how the world since the attacks seems to be sifting out into an "America+Israel vs. Europe+the Arab Nations" landscape. Sure, ostensibly the Europeans and everybody else condemns the attacks... but there's been an extraordinary amount of grousing from across the Atlantic since then about how the US has gone about kicking ass in Afghanistan.
Now the latest refrain is about how we're torturing and humiliating the al Qaeda prisoners at Guantanamo Bay. Despite all kinds of assurances and proof that we're not, including willingly inviting in the International Red Cross to inspect Camp X-Box, Europeans still seem to be under the impression that the US has gone completely off the deep end-- that we should be treating the prisoners as captured soldiers, giving them preferential treatment that would please Amnesty International-- or better yet, turning them over to the Karzai government so they can be dealt with in the Afghan legal system. (Uh huh.)
But it's good to see that we do have some good non-American minds on our side. This interview with Torontonian professor of Political Science Clifford Orwin pretty much amounts to the love-thy-neighbor interviewer handed his ass on a plate covered with a thick layer of rich sarcasm sauce.
Meanwhile, The Mirror of London ran this editorial full of screeching demands that Tony Blair withdraw all support for the bloodthirsty Americans and their brutal, Nazi-like, death-camp treatment of the poor innocent prisoners. It's pretty damn funny to read in and of itself, but what's even funnier is that the editorial was followed up by a reader poll asking British readers whether they condemned the Americans' treatment of the prisoners, as the article urged.
The results? 91% said NO.
So I guess the moral of the story here is that the liberal media everywhere is the biggest enemy of the expedient elimination of the terrorist threat, and common people everywhere are fed up with hearing how our biggest concern should be that the prisoners get culturally-appropriate meals and a banner on a watchtower showing the direction of Mecca.
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09:58 - D'oh!
http://www.bitcafe.com/mac_in_japan.htm
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De-NIED! The iMac has already slipped to #2 in Japan, according to these revised numbers. Bah, humbug!
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| Tuesday, January 22, 2002 |
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01:14 - Hey, | | |