g r o t t o 1 1

Peeve Farm
Breeding peeves for show, not just to keep as pets
Brian Tiemann
Silicon Valley-based purveyor of a confusing mixture of Apple punditry and political bile.

btman at grotto11 dot com

Read These Too:

InstaPundit
USS Clueless
James Lileks
Little Green Footballs
As the Apple Turns
Entropicana
Cold Fury
Capitalist Lion
Red Letter Day
Eric S. Raymond
Tal G in Jerusalem
Secular Islam
Aziz Poonawalla
Corsair the Rational Pirate
.clue
Ravishing Light
Rosenblog
Cartago Delenda Est

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Wednesday, November 17, 2004
19:58 - Ruining it for the rest of us
http://www.datelinehollywood.com/showarticle.php?articleID=340

(top) link
Thanks to Marcus; this is completely awesome.

STUDIOS SUE PIXAR, DEMAND BAD MOVIE

"Stop making the rest of us look bad," demand Hollywood executives

Hollywood — The eight major Hollywood studios have filed suit against CGI animation company Pixar for its consistent record of quality movies. The complaint alleges that with its sixth consecutive profitable and critically acclaimed film in “The Incredibles,” Pixar is overturning a decades-long public relations campaign waged by Hollywood studios to convince the public that it’s impossible to consistently make high quality films. “If Pixar doesn’t get with the program, we’re going to have to fundamentally change the way we do business,” groused Paramount chairwoman Sherry Lansing, whose studio hasn’t produced a hit film in several years. “I repeat my recommendation to Steve Jobs that he pay John Travolta and Halle Berry $20 million each to provide voices for an effects-laden remake of ‘The Fox and the Hound.’”

Marvelous. Pixar does seem to be leading a bit of a charmed life, doesn't it? What's the secret? Maybe the infamous Reality Distortion Field emanated by Jobs so influences all the creative minds in the company that they can fool even the rendering farms into creating awesome movies.

However:

he complaint asks that a court award the eight studios $1 billion in damages or compel Pixar to hire 118 unqualified development executives, option the rights to 38 scripts and books it has no intention of turning into films, and immediately greenlight sequels to “Toy Story” and “Finding Nemo” with $100 million-plus budgets and hire directors whose only experience is in music videos to oversee them.

In light of this (via Paul Denton), it's not all that funny, really...


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