Thursday, January 27, 2005 |
13:26 - Reanimation
http://www.foxnews.com/story/0,2933,145561,00.html
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This is precisely the kind of thing that Roy Disney left his uncle's company in disgust over. Clearly the Eisnerians show no contrition or desire to change their ways; flailing for ideas for profitable new enterprises, all they can think of doing is harnessing dark arts to create grotesque undead versions of previously successful properties... even if they can't get a single ingredient of the original's secret sauce together.
No one wants to direct "Toy Story 3."
That's the word in Hollywood's animation world, where the third installment of the incredibly successful Pixar series has no director, writer or, possibly, stars.
My sources in the animation biz tell me that Disney, which will make "Toy Story 3" without Pixar, cannot find a director to guide the project.
John Lasseter, who directed the first two movies, will stay with Pixar after he finishes its last Disney-distributed movie, "Cars," set for release in 2006.
It's also undetermined whether stars Tom Hanks and Tim Allen will reprise their roles in the new film. The odds are that Hanks won't, but that Allen — who's made some successful family films at Disney — will.
Pixar just received four Oscar nominations for its current Disney-distributed film, "The Incredibles." "Cars" will mark the last collaboration between the two studios, since Disney's Michael Eisner has essentially told Pixar to take a hike.
Not smart, Mikey. Jobs holds all the cards here. If you can't see that, no wonder your company is sailing down the tubes. A company that creates art needs vision, and you have none.
I can see a new Disney arising again, ten years or so from now after the old one has vanished (I don't expect Disney as we know it to see 2010); headed by Roy, a small scrappy studio starting the way Walt did with high-grade shorts and stuff, defining a new style and a new market all over again. But Eisner's ossified Disney is moribund, and perhaps it needs to die—there's no turning back the clock.
Disney has the right to make sequels to all the Pixar movies it distributed, including "Toy Story," "The Incredibles," "Finding Nemo," etc. But there's a hitch — since Pixar developed all the animation materials to create the movies, it also gets to keep them.
In other words: Disney is now trying to hire another team of animators to recreate Buzz Lightyear, Woody and all the other "Toy Story" characters so that they look the same. It will have to start from scratch to reproduce Pixar's creative work.
The next step, of course, is to find a writer and director for the project. With Lasseter gone, my source says, "Every single animator of note has turned down the director's job. They don't want to cross Pixar. They've become the only deal in town."
One source told me that a possible offer had been floated to an assistant director who worked on Disney's straight-to-video traditional cartoon, "The Lion King 1˝."
But even that film was a bastardization, since most of the creative people who worked on the original 1994 "The Lion King" were long gone from Disney.
Both the original "Lion King" director, Roger Allers, and writer, Irene Mecchi, are said to be now working on Pixar projects. Allers' last big project for Disney animation was "Kingdom of the Sun," the movie that became "The Emperor's New Groove" after he was unceremoniously replaced.
The entire debacle was recorded in a wonderful but unreleased documentary called "Sweatbox," made by Trudie Styler while her husband, rock singer Sting, was writing songs for the film which were ultimately cut from the final release.
Meantime, Disney announced last week that the script for "Toy Story 3" would be based on a proposal submitted to them by a young student in their feature animation story development program.
Man, I'd love to see that documentary! There's so much about the story behind The Emperor's New Groove that we've never heard about in its entirety. This just makes it all the more tantalizing. (All the more so because the final movie was, somehow, brilliant—even after having been essentially recreated from scratch after being mostly done.)
And what a documentary they could make about Disney's supposed "feature animation story development program", eh? What is that, a cubicle in the sub-basement of the ABC Edifice in Burbank in the parking lot of the hollow husk of the old, abandoned Feature Animation building?
Feh. You go right ahead and run the greatest animation company ever into the ground, Eisner. What a legacy you'll leave the world.
Via JMH.
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