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Peeve Farm
Breeding peeves for show, not just to keep as pets
Brian Tiemann
Silicon Valley-based purveyor of a confusing mixture of Apple punditry and political bile.

btman at grotto11 dot com

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Monday, June 28, 2004
18:48 - Curmudgeon in training

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You know, I'm really starting to worry that I'm gradually becoming incapable of enjoying certain things that I always used to find very pleasant. Listening to most comedians, just to take one example that happens to be topmost in my mind just now.

I mean, am I the only one who used to find George Carlin just a bit funnier once upon a time than I do now? I just finished listening to his "You're All Diseased" routine from 1999, and while I can certainly appreciate the agility of his wit and the skill of his shiny sparkly delivery, I find myself unable to ignore just how determinedly shallow it is. Ten minutes at the beginning of the routine all about how airport security is just a big sham designed to keep white people scared and submissive to authority, and how terrorism is, to him, an "entertainment opportunity". Protracted rants about how men are either weak-willed and pussified or macho and pretentious, how God must be a man because no woman could possibly have screwed the world up this badly, how much white people suck and shouldn't attempt to be cool (the whole routine, indeed, seems to be designed to tickle the self-loathing reflex of the nearly-all-white audience), and how America as a concept and a people is inextricably imbued with "bullshit" from the Declaration of Independence through to the present day—the rationale being, naturally, that the country was founded by "white males" who held slaves and didn't give the vote to women.

Understanding some historical context behind the issues he discusses with such rampant fervor, as much as I would love to laugh at what are indeed very funny jokes, I find that I just can't anymore. All I can think about is writing annoyed blog posts about them.

Heh.

I don't know what worries me more—the idea that so many comedians, even the true greats like Carlin, are so studiously shallow in their material (they can't, after all, really believe the stuff they're saying... can they? It's all just silly jokes intended to get a laugh through cognitive dissonance... right?)... or the exuberance of the audience, who shriek with laughter and applause at every suitably turned sarcastic witticism, no matter how silly the premise, just because it's delivered with the stresses and the punches just in the right place to make you feel like it's time to erupt with noises of massed approval. "'Have your bags been in your possession the whole time?' 'No! Every time I travel, just as the moon is rising, I take my suitcases out on the streetcorner and leave them there, unattended, for several hours. Just for good luck. Next question!'" Cue uproarious laughter from people who now, if you were to interview them, would be thoroughly convinced that the security questions at the ticket counter are wholly pointless exercises that prove what an incompetent and intentionally backward system we live in. You then get people who use these very comedy routines—lest you think I'm joking—as the basis for entire worldviews and philosophies, such as that there is no God because George Carlin said so and he was really funny. Somehow, knowing that this is the purpose that such routines serve for so many people kinda prevents me from consuming them with the lighthearted abandon I always used to.

Friends tell me that I've now found excuses to dismiss so many actors and comedians for the views they disseminate that there's nothing left that's safe to talk to me about. That worries me too, because it seems a valid concern. I can't enjoy a Johnny Depp movie as much these days, or something with Martin Sheen or George Clooney or Madonna (good thing I wasn't ever a fan of Barbra Streisand). Even Robin Williams is, sadly, on the list of people who I can't properly enjoy anymore—because I fear that if I were to listen to any routine he or his compatriots deliver, I'm going to find it studded throughout with little land-mines of stupidity—jokes that are intended to get an ingeniously engineered laugh out of the audience, but that if anybody knows the facts behind what he's mocking, will come across to that person as a direct affront against truth and intelligence and common sense.

Or is that just me?

UPDATE: Chris says:

I think it's something to do with fearing that some people will take Carlin's word as 'a funny truth' rather than 'funny ridiculous' .... Ie, things will be a lot funnier if you knew that NOONE actually believed it to be truth... but knowing, or suspecting, that some people out there will actually think that's is true takes a LOT of the humour out of it.

Good point. You know, there's something to be said for comedy that doesn't attempt to divide or exclude or define loyalties. That's why Lewis Black's recent show seemed so much less fun than his earlier material—everybody can enjoy the "candy corn" routine; but once he starts playing to a particular audience, even if you agree with what he's saying, you can feel the vibe having suddenly narrowed. It's now about furtively giggling behind other people's backs; and that's just not as fun and fancy free.

Which is why I enjoy the redneck comics of the Blue Collar Comedy Tour so much: Larry the Cable Guy, Bill Engvall, Jeff Foxworthy, Ron White. It's all so positive. It's all jokes about being unsophisticated, being fat, being ugly, being dumb, being poor, being drunk—but it's all tongue-in-cheek. It's not mean-spirited. It's not critical. It's just fun. When I see someone like Ron White come on-screen with his drunken-master-storyteller face, I heave a sigh of gratitude—because you know what? It feels like Cosby. And that's about the highest praise I can think of.


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